Who Is Leslie Harradine?

Martin Robertson and Mary Beard’s manuscript, Adopting an Approach, focuses on the study of Athenian pottery. The manuscript begins, by describing Sir John Beazley and his revolutionary method of studying Greek vases. The Beazley Method focuses on the technical conventions of Greek Vases such as naming the artist, dating the pieces and then grouping them based off of similar characteristics. Beazley “provided for the first time a comprehensive framework of analysis for Athenian painting, and a way of dating and classifying.” (Pg. 16) However, what Beard’s main argument suggests is that it is not the artists that help us understand the importance of the vases because even if a vase is assigned to a specific time period or artist, there is

Thought to be one of Australia’s best ceramic artists, Dr. Thancoupie Gloria Fletcher has had over twenty solo exhibitions, both in Australia and abroad. Dr. Thancoupie Fletcher spent her formative years near Napranum,

Frances (Fannie) Perkins was an amazing person that represented a strong image for the female race. She was the first female cabinet member in the United States. Frances Perkins was the most influential person in American history because if she hadn’t been the first U.S. female cabinet member, females may not have a role in the U.S. government.

By reading his article, you will find that judy Arksaw is the medical assistant for Mark Willows, MD. On a day that couldn't get anymore busier, a day that included several annual exams, a patient named Janice Coldwater, comes to the clinic for her annual exams. Now...Mrs.Coldwater is not the biggest fan on annual exams. So she asks Judy to be present with her during the examination. Judy said yes to Mrs.Coldwater, but ended up leaving during the examination, leaving Janice with Dr. Willows. One the examination was completed, the patient left the clinic. Tevele weeks later, Dr. Willows receives a notice that he is being sued by Mrs.Coldwater for abuse during her examination.

Brenda Stewart returned to Kinston to live in 2002, after living in New York, San Francisco, CA and Charlotte, NC, where she at various time studied African and Jazz Dance. She received her BA Degree from Saint Augustine College in Raleigh, NC in 1971. During her stay in San Francisco, she returned to school (San Francisco State University) after 21 years and received a Masters in Social Degree in 1994. In 2004 she made her acting debut as Lady Yellow in The Black Artist Guild's Production of Ntozake Shange's "For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf". As part of this production Ms. Stewart performed a creative dance piece.

Rachel Marie Hartfield is a senior at Sandy Creek High School in Tyrone, GA. She is the daughter of Tanesha and Harold Jenkins and Devin and Salina Hartfield. Rachel has been a member of Jack and Jill of America, Inc. for 13 years and currently serves as the Teen Vice President. She participated in the Grady Hospital Teen Volunteer Program and served in various student government elected positions. Rachel is a 21st Century Leaders Board Member and a two -time recipient of the President’s Volunteer Service Award. She plans to attend a four-year university and major in business

Leslie Allison Ward was born on May 25,1920. He was the grandson of Apollus and Jane Ward and the son of William Frederick Ward and Pearl Lusetta Greer. He was born in the family house that belonged to his grandmother, Laura Tyson Ward. His early childhood was spent on this property of 160 acres. Les went to school at Ward I School which was also located on the property. In Les’s elementary years, his family moved to Moline, and then later on to Amarillo, Texas where he spent the rest of his elementary years.

However, the result of the Vyses concentration expended on the production of the stoneware vessels and attendant ash-glazes culminated in the re-working of the figure group Morning Ride. Even so, it is difficult to understand the reasoning why Vyse found it expedient to remodel this figure rather than devising an additional composition, and Marsh, in his Walker’s article, does not mention it. Indeed, this present model is occasionally mistaken for the 1925 original (Fig. 62). Furthermore, the 1929 model should not be viewed as a previous model bearing a similar title. In sculptural terms, this edition is a pointed up version of the original. Doubtless, Vyse expended much the same industry in the as he had done when modelling the smaller 1925 version. The present version, thought by collectors to be the suitable of the two, and possibly justification for the time

Harradine was always careful to keep his domestic life private, therefore outside of his professional work as a Doulton figure modeller, little has been published. Those who knew him said he was a man of simple, but often unconventional tastes. He loved games such as cricket, shove halfpenny, and snooker, and that he liked to amuse his family with his conjuring tricks. His friends valued him for his broad outlook on life, his warm humanity, and these are reflected in his work. His favourite artists were the English painter Augustus John (1878-1961), and the French sculptor Aristides Maillol (1861-1944) he thought of them as wonderful, he also said to have admired the English sculptor Jacob Epstein (1880-1959). In his later life, he made some almost life-size sculptures in a style of

Elizabeth Bay house that was built between 1835 and 1839 as the home of Alexander Macleay became one of the Australian historic houses and opened as a museum in 1977. This is a critical analysis of comparing and contrasting between the historic and contemporary design. The first object that has been chosen from Elizabeth Bay house was the ‘cabinet’ (picture 1) that was made for Alexander Macleay in the late 18th century and the second object is contemporary cabinet which is called “Delphine Cabinet” (picture 2) made by the company named Coco Republic design. In this critical analysis, firstly it will demonstrate the detail information of each item. Secondly, it will explain the significance between the two objects that related to the international design movement during their time.

Born in Ireland and immigrated to the United States of America in Philadelphia, still life Artist William Michael Harnett began his professional career as an engraver for high-end firms at Woods & Hughes as well as Tiffany & Co in the late 1860s and early 1870s. In addition to his history of employment, he attended the nation’s most prominent schools at the Pennsylvania Academy of Fine Arts, the National Academy of Design, and the Cooper Union for Advancement of Science and Art where he studied after antique casts and live models. Exercising his talents in oil painting, Harnett was widely known for his magnificent still life masterpieces.

He was passionate about art and painting from a young age, and is accredited with introducing modernism to New Zealand art during the early twentieth century, alongside fellow artists Toss Woollaston and Rita Angus. His artwork is generally classified into

Dobell's artistic talents were evident early. In 1916, he was apprenticed to Newcastle architect, Wallace L. Porter and in 1924 he moved to Sydney as a draftsman. In 1925, he enrolled in evening art classes at the Sydney Art School (which later became the Julian Ashton School of Art), with Henry Gibbons as his teacher. He was influenced by George Washington Lambert. He was also gay and consequently never married, while several of his works carried strong homoerotic

Ronald James Gillespie was born in London, England on August 21, 1924. Gillespie was a very smart and talented young man who spent much of his time working hard in an effort to receive good grades. When Gillespie attended high school, he was inspired by his chemistry teacher, Mr. Cast. Mr. Cast fascinated Gillespie by making it much more exciting than the textbooks; he also demonstrated fun labs which amazed Gillespie. In his last years of high school, Gillespie gained a passion for studying chemistry, physics and mathematics. However, he did his best in chemistry and it was by far his favorite subject.

Leslie Marmon Silko’s work is set apart due to her Native American Heritage. She writes through ‘Indian eyes’ which makes her stories very different from others. Silko is a Pueblo Indian and was educated in one of the governments’ BIA schools. She knows the culture of the white man, which is not uncommon for modern American Indians. Her work is powerful and educating at the same time.