Who Is Responsible for Ophelia's Death?

When problems with Ophilia and Hamlet arise, Claudius simply sees this as another opportunity to quiet Hamlet. He encourages the relationship, hoping if Hamlet is seeing Polonius? daughter, he wont speak out about his suspicions of Claudius. Although, when Gertrude gets word of these news, she sees this as a completely different opportunity. She, unlike her new husband, encourages the relationship in hopes that it will cheer up her son and he will return to normal. She says to Ophilia, ?And for your part, Ophelia, I do wish that your good beauties be the happy cause of Hamlet's wildness. So shall I hope your virtues will bring him to his wonted way again, to both your honors? (Shakespeare 3.1.136). Gertrude only thinks of her sons well being. In which case, if she had been involved in King Hamlets murder, she would probably be more worried about not being caught instead of how to make Hamlet happy again.

Hamlet puts off avenging his father’s death because of his severe Oedipus complex. Hamlet did not kill Claudius until his mother had already died. This is a sign that Hamlet did not want to hurt his mother because of the sexual feelings he had for her. Hamlet felt that killing Claudius would hurt his mother too much, and he could not do that to her. Hamlet wants to save Gertrude form Claudius because of his feelings for her, his incestual feelings, not maternal ones. Subconsciously the queen knows the effect she has on her son. Gertrude tries to play off that fact that’s she knows about Hamlet’s feeling several times in the play. Gertrude is very fond of her son and wants to protect him however she can. This can be seen in the play, many times even up to when Gertrude is about to die. She tries to save Hamlet from drinking the poison himself. She also decided not to tell Claudius that Hamlet knows what Claudius has done.

[Done in] England” (4.3.66). Gertrude with no control over his decisions agrees to everything Claudius suggests about Hamlet’s exile. Gertrude trusts Claudius which allows him to control her in the actions and decisions he makes. The lack of lines Gertrude has throughout the play proves her trust for Claudius proving that she has nothing against what he decides. Similarly, Ophelia is controlled by Polonius, her father. Polonius controls Ophelia due to immaturity and her ignorance of her relationship with Hamlet. “Affection? pooh! you speak like a green girl, / Unsifted in such perilous circumstance, / Do you believe his tenders, as you call them?” (1.3.101-103). Not only Polonius but Laertes, her brother, constantly advise her to avoid Hamlet because he is just counterfeiting love and his intention is to hurt Ophelia:

Even in death, she displays yielding and passive behavior: Ophelia does not have the intention of committing suicide, though she fails to save herself from sinking. She is essentially a casualty of a society that enforces unreasonable expectations for its women and is never afforded the liberty of thinking for herself and making her own judgments and decisions. Her passive death represents the lack of control she has over her own person and the dependence she has developed on other people. Therefore, Ophelia is mentally unstable and not capable of realizing that her life is on the line. Ophelia is trained by the men in her life to be compliant with their demands, preventing her from practicing her autonomy and enabling her to be easily manipulated by Hamlet.

    Ophelia's downfall continues throughout the play, and her final plunge into the waters of madness and suicide culminate around her father's death. Hamlet, while talking threateningly to his mother, accidentally slays Polonius who was hiding behind the curtain in his mother's room. Hamlet thought it was Claudius he heard coming to his mother's aid when she cried for help and lunged at the curtain with his sword, killing Polonius. "O, I am slain!" were his final words. After Ophelia learns of her father's death at the hands of her estranged lover, she goes

Ophelia is Hamlet’s love interest throughout the entire play. However, in an attempt to be strategic, Hamlet feigns insanity in order to be deceiving and in turn breaks Ophelia's heart. His sudden disinterest towards her coupled with her father Polonius and brother Laertes’ commands to stay away from Hamlet composes a dire internal conflict within Ophelia's mind. She is torn between her undying love for Hamlet versus her desire to be an obedient daughter and sister. In addition, Hamlet unintentionally murders Polonius rather than Claudius, which also adds to Ophelia's insanity. To make matter worse, Ophelia has no mother figure within her life. So taken all together, she is stuck in a constant battle within herself with nobody who is there for her. “I hope all will be well. We must be patient/ but I cannot choose but weep/ to think they would lay him/ i' th' cold ground” (Hamlet v, iv). This quote from Ophelia demonstrates her deep sorrow towards her father's death, as well as the start of her path to insanity. Her lack of a maternal figure leaves her with nobody to discuss her feelings and troubles with. Because of this constant battle within her life, Ophelia finds herself in a confrontation with her emotions, which ends in her official decision of suicide. Which one could argue makes her decisive in the end which may be true, but her internal struggle leading to her choice of suicide is what makes her a great example of a character struggling with uncertainty during times of

In William Shakespeare’s, “Hamlet”, Hamlet’s love interest and Polonius’ daughter, Ophelia, died a passive and sudden death. While hanging wreaths from a willow tree, Ophelia fell from the tree and drowned in a brook. Although her death was claimed to be accidental, it is unknown if she committed suicide because she made no attempt to save herself. Her death represents the life she lived and the relationships she had with other people like her father and Hamlet. Ophelia’s death symbolizes her life with being controlled by her father, her honor and privilege of being buried in sacred ground, and the sudden termination of the relationship she had with Hamlet.

Not only is Ophelia's death marked much less significant than the other male deaths noted in the previously mentioned articles, but Ophelia’s death is articulated as a passive accident, one that happened to occur, to no avail. Every other death in the play is met with vigorous analysis and criticism, unphased by the death of Ophelia, inadvertently caused by men. Ophelia is also described as “mermaid-like” adding to the previously set notion that women are sexual objects- even at death. At this point of the play, Hamlet proclaims in a bipolar and seemingly fraudulent manner that he has always loved Ophelia (although he ordered her to “get thee to a nunnery” and was the root of her abrupt madness and suicide), while Laertes threatens that he loved Ophelia more. The attention and passion are still not recognized and respected with Ophelia even after her death but is used as a game between two men to satisfy their guilt and build their ego, competing for the love of Ophelia that was only disrespected when she was

Ophelia and Gertrude seldom converse with each other throughout the play; however, they both serve as the only women in Hamlet’s life. They both display the traits of the “subordinate woman” which was expected of women in the seventeenth century (Clarke). Ophelia plays the role of the “good daughter.” She is an inferior of both Polonius and Laertes, and obeys them in all matters, including those of the heart. She also plays the role of a “punching bag” for Hamlet when she simply lets him release his anger onto her. In fact, Ophelia does not act independently until her madness consumes her, and even then, it has been argued that she was subordinate to her insanity (Dane, 420). Gertrude, in contrast, does not need madness to demonstrate

Before we make any conclusion regarding the character of Gertrude, we should understand the norms of the society in which she lives in. Established order of the society is maintained through the process of socialization. Petriarchy power structure of 16th century is well represented in Hamlet and judged as a mysterious character. Gertrude in Hamlet holds the political power within the traditional power structure and also has potentially has the power to collapse within that structure. Gertrude fails to represent the moral of society as a queen of the state by marrying Claudius, but she completely believes in the standards set for women by the society. She appreciates qualities like-youth, beauty and purity- in Ophelia:

Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.

Ophelia experiences alienation throughout Hamlet, although she ends her life with suicide, unlike Hamlet. The queen places blame on Ophelia for Hamlet's madness and states: "...for your part, Ophelia, I do wish that your good beauties be the happy cause for Hamlet's madness..." (Shakespeare 140). The queen lightens her feelings of guilt for the murder and places the guilt upon Ophelia. Gertrude, the queen, knows that she has committed something wrong with the plot of killing Old Hamlet and therefore finds an outlet through Ophelia. Also, to try to discover Hamlet's cause of insanity, Claudius and Polonius use Ophelia to get closer to him and find out that perhaps they could conclude that his

Ophelia was known as a sweet, innocent, and more importantly obedient girl. Yet, being the obedient, daughter she was, she separated from Hamlet by orders of her father and helped him spy on Hamlet for the King. Being in love with Hamlet, this was a difficult thing for Ophelia to do, although, not until her father’s death does the reader really see Ophelia in a state of madness. When she talks to Gertrude she begins to sing, “He is dead and gone, lady, / He is dead and gone;/ At his head a grass-green turf, / At his heels a stone” (4.5.29-32). The way Ophelia acted seemed obviously uncharacteristic of her, and portrayed a mental breakdown that ultimately leads her to take her own life. This tragic event marked a turning point in the play due to the fact that she wasn’t murdered, but a casualty of the feud between Hamlet and Claudius. Both of them bared responsibility for the murder of her father, which lead to her decision to commit suicide. Additionally, losing the love of Hamlet may have caused her to feel alone and in such a dark place it made her feel suicide was the only option. In conclusion, Ophelia’s death was caused due to the backlash of Hamlet and Claudius feud and the responsibility for her death should be placed on both of

While Hamlet is suppressing his feelings, he becomes more enraged at their attempts to calm him. Gertrude is also aware of Hamlet’s feelings for Ophelia and uses this as an excuse for Hamlet’s actions. Hamlet has ample time to confess the cause of his madness. Unfortunately, Hamlet allows his mother to think he is madly in love rather than tell the truth. After Hamlet delivers his play and sees guilt in his uncle, Gertrude sends for Hamlet. Instead of doing physical damage to his mother, he insist on her confession. If not for Hamlet’s procrastination, her confession could have taken place earlier in the play. This could save him from a great deal of pain and leave his thoughts for other problems.

As a result of spending her life under the protection of her father and his orders, due to her submissive nature, Ophelia remains naive and unaware of the deceit and bitterness surrounding her which renders her incapable of facing the harsh realities of life once her father dies and Hamlet leaves her. After the death of her father and with the absence of both Laertes and Hamlet from her life at the time, Ophelia is driven to madness and Gertrude explains it the King: “She speaks much of her father, says she hears there’s tricks i ' the ' world, and hems, and beats her heart, spurns enviously at straws, speaks things in doubt that carry but half sense.” Finally seeing the grim reality of her surroundings without her father to hide behind, Ophelia loses her sanity and eventually end her own life as she no longer knows how to lead an independent life. In conclusion, Ophelia is portrayed as a puppet on strings being pulled around by the males in her life, making all her decisions and controlling what she can and can’t do, and once all the men are gone, she no longer able to function on her own and she ends her life as a result.