Who Is The Final Foil In Jane Eyre

Written by Charlotte Brontë, Jane Eyre tells the story of its title character as she matures and experiences all that life has to offer in 19th century England. Jane Eyre grows up as an orphan and seeks work as a governess at Thornfield Hall, where she meets and falls in love with Mr. Edward Rochester. After discovering that he is already married, she is introduced to St. John Rivers; he asks her to marry him for the sole purpose of being a missionary’s wife and she instead returns to Mr. Rochester, who she truly loves, and marries him. Throughout her journey, she learns many thing about Mr. Edward Rochester and St. John Rivers. Both men display similar characteristics, but as foils they exhibit many different characteristics as well. Both

“Writers often highlight the values of a culture or a society by using characters who are alienated from that culture or society because of gender, race, or creed.

Jane Eyre, written by Charlotte Bronte, employs many themes like sanity and madness, fire and ice, and equality in station and morals. The most profound theme is sight and blindness, or light and darkness, which can be applied to a good portion of the novel. The main characters, Jane Eyre and Edward Rochester, figuratively play as both the light and dark in their companion’s lives. These abilities make the two foil characters, who contrast, but also complement each other’s qualities.

In the novel, Jane Eyre, by Charlotte Bronte, Jane Eyre has the option of either marrying Rochester or St. John Rivers. Rochester and St. John Rivers are foils, however they do share some characteristics. Both Rochester and St. John Rivers have many strengths and weaknesses that influence Jane Eyre’s choice of whom she shall marry.

Throughout Charlotte Brontë’s novel, Jane Eyre is afflicted with the feud between her moral values, and the way society perceives these notions. Jane ultimately obtains her happy ending, and Brontë’s shrewd denouement of St. John’s fate juxtaposes Jane’s blissful future with St. John’s tragic course of action. When Jane ends up at the Moor House, she is able to discover a nexus of love and family, and by doing so, she no longer feels fettered to Rochester. Moreover, Rochester is no longer Jane’s only form of psychological escape, and thus Jane is in a position to return to him without an aura of discontent. At the end of the novel, Jane is finally able to be irrevocably “blest beyond what language can express” (Brontë 459) because she is “absolutely bone of his bone, and flesh of his flesh” (459).

An obstacle: a term used to describe a physical, mental, or emotional roadblock that inhibits an individual from successfully achieving their goals. Yet without obstacles or adversity, how is one to prove their strength when they cannot demonstrate it through growth? Jeff Haden from INC articles states that "struggling is one of your best opportunities for growth" (INC) because it opens your mind to methods of improvement. The battle created by obstacles become the tools that an individual utilizes to form their identity and values because they allow their strength and will-power to be tested. Likewise, Charles Bronte, the author of Jane Eyre, exemplifies through Jane's maturation and impulsive nature the concept that both strength and growth cannot be achieved without adversity.

Through a close reading of the selected passage of Charlotte Brontë’s Jane Eyre: An Autobiography, a reader can see that Jane attempts to separate herself from her decisions by personifying her emotions and giving them a specific voice, which strongly reflects the societal views of the time. At this point in the story, Jane has discovered, on her wedding day, that Mr. Rochester is still married to a woman named Bertha, and that woman still lives in his house. Distraught, Jane locks herself in her room and tries to decide what she should do. When she wakes up the next day, she is again confronted with what she needs to do in the wake of her discovery.

In the novel Jane Eyre, by Charlotte Brontë, Bertha and Jane seem as if they are foils of one another. However, upon careful consideration, they are actually very similar. Both are scorned by society: Jane for her independence, and Bertha for her mental illness, they each have a part of them that is wild and untamed, and finally they both need Mr. Rochester in their lives: Jane for wages and his love, and Bertha simply for survival in a world that does not know how to treat mental disabilities.

Jane Eyre is a coming of age story following a young woman and her journey of self-growth. At the start of the novel Jane is living with her aunt and three cousins. They continuously abuse her, treating her like a stranger rather than a family member. At the age of ten Jane leaves her aunt's house and attends boarding school. It is at this school where she learns lessons of forgiveness and hope from a meek young woman named Helen Burns. Subsequently studying and teaching at the school for eight years Jane decides to become a governess at the mysterious Thornfield mansion. She falls in love with the owner of Thornfield and the two make plans to marry. Nonetheless on the day of there wedding Jane discovers that Mr. Rochester is already married and that he keeps his insane wife Bertha trapped away in the attic of Thornfield. Devastated by this information, Jane flees Thornfield and nearly dies from cold and starvation. Soon after she is taken in by the Rivers, two sisters and one brother. The passing of Jane's uncle reveals that she and the Rivers are cousins. It is also revealed that this uncle has left Jane all his fortune. This in turn leaves Jane extremely wealthy. Her cousin St. John Rivers ask Jane for his hand in marriage. However Jane comes to the conclusion that she still loves Mr. Rochester. After declining St. John's proposal Jane journeys back to Thornfield. When she arrives at Thornfield Jane discovers the mysterious mansion in burnt ruins. It is revealed that the

Jane Eyre is a story of a quest to be loved. Jane searches, not just for romantic love, but also for a sense of being valued and belonging. However, this search is constantly hindered by her need for independence. She starts of as an unloved orphan who is desperate to find love and a purpose. For example, Jane says to Helen, “to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest”. However, over the course of the novel, Jane learns to gain love without harming herself in the process. Although she is despised by her aunt, Mrs. Reed, she finds parental figures throughout the book. Miss Temple and Bessie care for Jane and give her love and guidance. However, Jane does not feel as though she has found

Charlotte Brontë’s Jane Eyre is a novel that has a deep secret rooted within its very foundation. Jean Rhys’s Wide Sargasso Sea often seen as a prequel to Jane Eyre (as it is set a time that precedes the events of the novels) sets out to unearth the secrets that are hidden within Jane Eyre; it fills in the chasm that exists in Jane Eyre by providing the history of Edward Rochester’s Creole wife Bertha Mason nee Antoinette Cosway. In a 1979 interview with Elizabeth Vreeland Rhys explained her reason for writing Wide Sargasso Sea:

“Can I talk with you for a little while, Myra?” asked Miranda. “Before we part company, I have something to get off my chest.”

In 1866, the press continued to provide coverage of the event and defended the former Governor because he protected the colonial order. One June 23, 1866, the Spectator defended the governor because “he threw himself into crushing the rising, and crushed it… to prevent injustices to the negroes, as he was to prevent injustice by the negroes.” Conservative sentiment sided with Eyre because he suppressed a rebellion that hurt British men and women. It was the Governor’s duty to protect the interest of the people because he worked through a struggle of “race, he was as much bounded to control the cruelty of the power in the ascendant, as to punish the violence of the wretched people who had tried in vain to get the upper hand.” The issue of race remained central to defending the Governor because it helped the masses understand why the politician acted in such a harsh manner. Additionally, the Jamaica Committee continued to press the public about their beliefs and this created further sympathy for Eyre. While the committee centered their arguments on the notion of law and colonial dependencies, Carlyle utilized the public’s fear of another race rebellion that would hurt the colonial order. Meanwhile, Mills firmly believed that “equality among the races” came before that of the law, because the law needed to protect blacks within the system. This also correlated with Mill’s notion of civilization

Jane Eyre, by Charlotte Brontë, is set in 19th century England, and tells the story of a young woman named Jane Eyre who undergoes many hardships as she matures and ultimately grows into a more complex person. The people Jane encounters throughout the novel both shape her opinions and the person she becomes, and serve as foils, or characters who set off other characters by strong contrast. Many of Jane Eyre’s supporting characters possess unflattering or unfavorable qualities. The way they treat Jane, the manner in which they interact with other people, and their worldviews, either positive or negative, equally impact Jane, and serve as a contrast for Jane’s own traits. Brontë’s use of foils in Jane Eyre as a method of characterization enables the reader to better understand Jane as a character, and emphasize certain

In Charlotte Bronte’s Jane Eyre, the character Bertha Mason is a manifestation of the feelings that Jane cannot express, and thus acts as an alter ego. Every time Bertha acts, it is predicated by a strong emotion or what should have been a strong emotion on Jane’s part. In the Victorian Era, women were expected to follow strict rules and isolate themselves from the outside world. In order to be the “angel in the house,” women were expected to obey and not question their fathers and husbands. Societal expectations dictate that Jane cannot show the full extent of her emotions, particularly when Mr. Rochester is involved. As a result, she does not do so, and they come out in the form of Bertha Mason. Throughout the novel, some sort of action by Bertha closely follows Jane’s musings on her frustrations, her discontent, or her anger. When Jane recognizes her emotions, Bertha’s expression is mild. However, Jane fails to recognize fully her emotions in multiple cases and Bertha responds violently. Because Bertha represents emotions that Jane possesses but represses in order to meet societal expectations, Bertha and these emotions must be removed before she can marry Mr. Rochester. Therefore, Bertha is a key character because she represents an important aspect of Jane and prevents Jane from fulfilling societal expectations.