Who Is The Moral Hypocrisy In Maggie The Girl Of The Streets

Have you ever noticed how some people just stand out from the crowd? Like the clouds in the sky and blades of grass, people are all different. “Everyday Use” by Alice Walker has a good example of an interesting, unique character. Maggie is a young girl who is not only physically but also mentally scarred. The way the burning house, her stuck-up sister, and society affects Maggie makes her different from everyone else.

Maggie feels terribly unloved in her marriage with Brick. Because of her unfulfilling marriage with Brick, she seeks affection and attention with someone close to Brick. In addition, when Mae interrupts Maggie and Brick from conversing by talking about her own children and how adorable they are, Maggie says, “why did y’give dawgs names to all your kiddies... sounds like four dogs and a parrot”(29). Maggie has a grudge Mae because she has many children with Gooper. Maggie feels insecure about having children, so she mocks Mae and her offspring to reassure herself and make her self feel better. Margaret has a dreadful relationship with Brick and also with Mae and her kids.

The novel, Maggie: A Girl Of The Streets, by Stephen Crane, takes place in the slums of New York City during the 1890’s. It is about a girl, Maggie Johnson, who is forced to grow up in a tenement house. She had a brother, Jimmie, an abusive mother, Mary, and a father who died when Maggie was young. When Maggie grew up, she met her boyfriend, Pete. In Maggie’s eyes, Pete was a sophisticated young man who impressed Maggie because he treated her better than she had been treated to all of her life. Once Maggie’s mother and brother found out that Maggie was sleeping with this man, Mary threw Maggie out into the streets, condemning her to a life of evil. Eventually, Pete decided he no longer wished to see Maggie.

Maggie Vandermeer dwells in a contemporary society where proficiency in regards to social media is a rather dominant feature, especially in her search for a job and as an attempt to conform. As Maggie is not familiar with such social media’s, especially in comparison to the younger generation, this renders Maggie somewhat of a misfit and continues her path of solitude, as she has no friends or a job. Although Maggie routinely uses her cell phone to text or tweet, she has not yet integrated herself to this contemporary society, as the younger generation is remarkably adept with social media. Moreover, Maggie isn’t conversant with the proper norms that belong to social media. For example, at the beginning of the story, Maggie is woken up by her daughter, Lacey Vandermeer, who sends her a text at 1:27 AM. Next, she begins to Twitter stalk Lacey’s page until she discovers Lacey’s presumed lover named Dane Davis, and begins to stalk him as well. Maggie also seems to prefer face to face interactions, rather than communication with some sort of social media. This preference differentiates her from the younger generation, as they tend to prefer communicating through social media. For example, When Lacey suggests how she does not need to come over, Maggie insists on the value of face to face interaction. “The point was to have a visit with you,” Maggie says (Cullen, 36). When Maggie attends her job interviews, the interviewers, who are of that younger generation, stress the

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

When you look at an example like this one, you start to think whether or not these upper class people believed in their own morals and if they even had any. But one thing is for sure, such arrogant actions only go a short way until they come back to haunt you. Because Mrs. Van Hopper was so blinded by her own self and worried so much about what was going on in other people's lives, she had lost her attention from her companion friend, which let to a love affair between the narrator and Mr. Maxim de Winter.

During the nineteenth and twentieth century there was a number of changes made in America. Woman were looked at as less than back then and to a certain degree they still are today. There was a number of women that died or went insane because of the standards that they had to meet in order to be considered good women. In this research paper I will talk about the experience of the narrator of The Yellow Wallpaper and Blanche DuBois from the story A Streetcar Named Desire. It will be shown within these pages how the moral and societal standards for women were far different than they were for men, and how the standards changed over the years. Furthermore it will be shown how this effected the women of those two stories.

In the story “A&P” by John Updike he tries to portray the conventional lifestyle and tendency of his community. The story “A&P” proves how feminism was a large part of the conservative lifestyle and is still present today. A&P helps you visualize how sexism could be happening right under our noses. The story is told through the main character Sammy, who is an ordinary teenager in the small town. Sammy makes a courageous effort to fight feminism and introduces ideas of liberalism but sadly loses his job in the process. The story A&P, based in the 1950’s, directly correlates to how women were treated in that time period. From the story A&P we can learn the distinct and harsh gender

“Morality is a test of our conformity rather than our integrity” (Brainy Quote). Set in a desolate Southern town, Flannery O’Connor’s “The Life You Save May Be Your Own” is about an armless, wandering man named Mr. Shiftlet who comes across a small farm owned by a woman know as Old Lucynell and her deaf daughter Young Lucynell. Old Lucynell takes him in and allows him to work for her and fix up the house. He comes across an old automobile in the garage that sparks his interest, and tells Old Lucynell that he will fix it up. Old Lucynell soon convinces Mr. Shiftlet to marry Young Lucynell, knowing he wants the old car. Shiftlet eventually fixes the car and goes on a road trip with Young Lucynell; he takes her to a diner and ends up leaving her

It is very clear that Maggie is on Luke Millers side, it is possibly because of what they have been through in the past therefore she feels that she owes Luke something for all the things he has taught her. Even though Maggie is on Luke's side she shows some compassion for Herb Kowalsky when Allen is talking to her about when his daughter died, she is imagining how bad Kowalsky is having it at the moment. As Kowalsky gets more media attention things are looking good for him more people are showing compassion for him. Later Allen tells Maggie if it was wrong to show sympathy for Kowalsky she replies with "no not at all"

In the opening stages of the novella, Maggie tries to escape her troubling life through her relationship with Pete. As Maggie grows up, she becomes a beautiful girl who hates her life in Rum Alley. She sees Pete as a savior who could lead her away from her poverty stricken life and bring her into the world of leisure because he introduces her to popular music, dances, and dramas, all of which seem extravagant to her. Maggie “begins to note the well-dressed women she meets. She [envies the women’s] elegance (11).” Most of the melodramas that Maggie watches with Pete show the American dream of a person going from rags to riches, which is a goal that she thinks Pete will help her in achieve.

Life in the Iron Mills is a tragic yet poignant story of the effects of a man’s socioeconomic status. Although set in the nineteenth century, the story is all too familiar. The short story begins with a reflective narrator begging the audience to read the story with an open mind not tainted by the ideals of high society (Davis). The narrator suggests the story be read from the perspective of the protagonist, Hugh Wolfe, a lowly puddler at the iron mill (Davis). Hugh works long, hard hours at the mill for little to no pay in attempts to provide not only for himself but also for his cousin, Deborah, and a young girl, Janey (Davis). In Hugh’s spare time at the mill, he carves sculptures out of korl (Davis). Hugh leads a typical life of a working class citizen.

Throughout the entire world, there is an idea of the social facade of how one should appear and no one is an exception to this. The south is particularly known for this and is seen throughout the various stories read in this class. One author who demonstrates this concept of social facade is Katherine Anne Porter in her story, The Jilting of Granny Weatherall. It is the story of a grandmother who is a hypocrite, not only to herself, but the whole town and obsessed with her appearance in how people view her and her family.These ideas can also be seen in Flannery O’Connor’s story A Good Man Is Hard to Find and Porter’s other story, The Old Order. The main theme seen in these stories is this idea of social facade and hypocrisy.

Maggie grew up in poverty, living out her childhood in a shabby apartment in Rum Alley. This poverty influenced her beliefs. The story says “when Pete arrived Maggie, in a worn

An example of this notion is shown in Hope Leslie when Governor Winthrop, the landlord, reacts to Hope, the tenant, coming home late and refuses to reveal her reason why: “...Winthrop was not accustomed to have his inquisitorial rights resisted by those in his own household, and he was more struck than pleased by Hope’s moral courage” (184). Evidently, Winthrop’s reaction proves that women with “moral courage” are unladylike because moral courage is a manly trait. On the other hand, Esther Downing, another character in Hope Leslie, embodies the cult of true womanhood. Esther’s mere look at her love interest Everell is described as “a look of...pleased dependence, which is natural... and which men like to inspire, because --perhaps -- it seems to them an instinctive tribute to their natural superiority” (219). So, “Esther’s look … of dependence” confirms that the expectation that all women are supposed to have the same behavior, gestures and personality is meant to not only please men but to also hide their true form. Therefore, the cult of true womanhood presents an internal battle in female writers and Sedgwick presents this womanly struggle through the contrast between Hope and Esther. Society wants women to be quaint housewives but publishing a book defies the cult of true womanhood. Thus, defying the qualities rooted in the cult of true womanhood causes high risk of