Who Is The Most Admirable Act?

Setting: It starts off with Jayson living in a terrible apartment on the bad side of town, but he loves it there. He can hang with all of his friends and play basketball just a little ways from home. Then when he moves, it’s to the nice and rich side of town.

The themes and idea explored in the novel that shows the life of a peasant in Mexico, most evident in this story are: theme of family, death and revenge. In addition, the author Juan Rulfo became an orphan after he lost his family during the Mexican revolution and he uses this tragic chapter of his life for inspiration in this story. The fact that he did not have a father role model is evident in this story too. Juvencio’s and Don Lupe’s son both of them grew up without the role

Ten year after her second marriage happiness surprised Julia, she knew the man who  became her third husband. The true companero for the women she had become.    The “first Muse” by Julia Alvarez show us that we have to overcome our obstacle in  order to get successful. Julia had to deal with a dictatorship and bullying at her school but that  didn’t stop

“I want to stay at the oasis,” the boy answered. “I’ve found Fatima and as far as I am concerned, she’s worth more than treasure.” Everyone knows what they want to do, but they are afraid of hurting those around them by abandoning everything in order to pursue our dream. Some do not realize that love is something to impel us, not something that will prevent us to go further. Those that genuinely wish us well want us to be happy and are prepared to accompany us on that journey. After hearing the Alchemist’s predictions and Fatima saying that he should go, Santiago decided to accompany the Alchemist and pursue his personal legend. Santiago overcame his problem when his father told him he can not travel, and he also perused his personal legend and did not hurt Fatima.

Life is full of obstacles. The Old man has many, but chooses to push through life. One of his obstacles is the fact that he lives a lonely life. Santiago lost his wife and never remarried. He has no children or family to comfort and support him. The only companion Santiago has is the local boy. The boy is fond of Santiago, but his family is not. The boy’s parent do not think Santiago id good for the boy because the man is unlucky. The boy brings Santiago food and companionship. Even though the boy is a friend to Santiago he still has an empty part that should hold family. The old man continues through life with no wife or children and on to his next journey with the sea.

“Sonrisas”, by Pat Mora, is a delicately written poem that offers a necessary perception of the two lives that almost every adult will live between. True to its postmodern roots, “Sonrisas” is a poem that simply seeks to describe and contrast the dull, formal, and sometimes lifeless experience of the working world with the more exciting, colorful, and warm home experience. This essay will explore the multiple ways in which Mora uses symbols, structure, juxtaposition, sensory images, and other figurative devices to describe the experience and atmosphere of the work environment and home environment and in so doing develop a contrast between the two, as seen from the perspective of a Mexican.

This story revolves around an undocumented family with the hopes that they will be able to live the "American Dream." The second oldest child, Francisco, otherwise known as Panchito who is also our narrator, is the main character of the novel. Panchito exposes a flurry of emotions with his roller-coaster ride of ups and downs, expectations and disappointments. He and his family expressed hope from the start of the story, dreaming of how life would be considerably better once they reached California, somewhere they thought to be a place where they could escape impoverishment. Panchito is shown as a very hopeful character; in fact, there are many times where he hopes for something to the point where he convinces himself it will happen, resulting in the numerous occasions of disappointment and discouragement. Yet, even with the frequent occurrence of disheartenment, Francisco pulls himself back up and perseveres. The author depicts Panchito as a determined character who always manages to push through rough times despite the circumstances around him telling him that he can't.

In his first novel, the story takes place in an under privileged and impoverished neighborhood of East Harlem New York. The main character, Julio Mercado who is called by his nickname “chino” is an Ecuadorian/Puerto Rican husband and father to be who is working part time at a local grocery store while attending community college. He dreams of somehow making something of himself, owning a home and escaping the grasp of the neighborhood and hardships associated with it. Throughout the novel Chino struggles with where his loyalty should lie, with his wife and unborn child or with the streets he had grown up in and his friend “Sapo” who was his friend since childhood. He in some way feels guilty about dreaming of getting out of El Barrio and making a better life for himself and his family because everything he loved and learned in his life came from there. His best friend Sapo who he loved and respected was a high school dropout who turned out to be a drug dealing street hustler who aligned himself with who Chino referred to as the slumlord of the neighborhood, Willie Bodega. Sapo introduces Chino to Bodega, who has a love interest in Chino’s wife Blanca’s Aunt Vera. He wonders if he could upgrade his lifestyle

As a scholarship boy, Rodriguez received many years of schooling and kept moving away from family as the time in education passed. This was what Rodriguez chosen before he actually realized his long for past. Once he admitted his nostalgia, he chose to physically leave academy and back home to stay with his family. But no sooner, he suspect his return and finally understand “If, because of my schooling, I had grown culturally separated from my parents, my education finally had given me ways of speaking and caring about that fact.” (Rodriguez, 532). At the end of his essay, he summarized his gain from his schooling, which is ‘Ways of speaking and caring’ himself or, in other word, discover the true behind reality. His discovery process of ‘ways of speaking and caring’ include his relationship with his family and teacher, experience of reading, and class shifted as he move from elementary school through college and graduate school to his career as a teacher and a writer.

This paper is about me, Salvador p. Diego Jr.. It my Family, my interest and my goals. This is not a life story. This paper is a about me.

He extinguishes the students’ lives of light and hope. ‘Creí que encontraría a mis vedaderos compañeros. No a unos ilusos.’ Ignacio believes that he has been cursed in life with his disability of being blind and tries to share his dark feelings of depression with his fellow students. But to his surprise they have positive hopes and dreams for their future and believe that they can have lives just like everyone else in the real world. In Ignacio’s opinion the students have been ‘envenenados de alegría.’

Jose understands at a young age that in order to escape the indentured life of working in a sugar cane plantation like his ancestors before him, he must do something different. In the classroom, Jose is a very bright student as seen through his peers and especially his professor who eventually helped Jose get into a prestigious school because of his academic excellence. He assures his grandmother who is his sole provider and family that one day she’ll no longer have to work tirelessly in the sugar cane plantation. Jose dreams of taking work in a more profitable and higher field then the plantation his community is chained to all being done by attaining

Camilla, Arturo, Sammy, Vera and Hellfrick are all non-entities in the bustle of L.A. culture, but all are profoundly human in their suffering, confusion, and vices. All are battling a poor sense of self-worth and struggling to survive in an indifferent world. Arturo Bandini takes us through this story in intimate first-person, exposing us to his mood swings, his astute observations and his growth as an author and a man.

Molina chooses to escape the men’s shared harsh reality through stories and fantasies, and Valentin through his political vision and his studying, which he keeps up religiously, saying that he has to “keep up with [his] reading schedule, you know that”, as it has apparently become such a routine for him, known by Molina, that he feels unable to miss a day, perhaps worried that this will hinder his much-needed-for escape from reality.

For all the reasonableness of his decisions, a master of shock and chic, Ricardo, never tells the end of his stories. He seems to me very particular, reserved and he has that big love to goth and rebellious sexuality — but, in fact, a very few people are allowed to see his caring and romantic side. Everything that is his family, his “gang”, his fantastic and small Givenchy family — is a never-ending, disciplined but lovely affair nurtured by rare cultures and transnationalism which he is passionate about. Affectionate, strong, warmly secure yet provocative environment is what makes Givenchy as I know it. As we know it. However, there are minute occasions when Ricardo feels he needs to learn and to be taught. I would say there is nothing much