Who Is The Narrator In Cathedral

In Cathedral, the unnamed narrator, husband, defines the character of Robert as an anomaly in which he doesn’t comprehend. “He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 1983). The media has been able to lead people like the narrator to develop negative opinions towards those with disabilities creating a type of phobia. After hearing stories about Robert, told by his wife, he could not imagine this blind man having a good life, one worth living. He assumes that Robert’s wife, Beulah, had lived a very pitiful life as well, not having her husband ever knowing what she looked like or what subtle nuances her facial expressions could only show through sight.

Robert and the narrator are watching a television documentary on cathedrals, hence the title, and Robert asks “…maybe you could describe one to me?” (188), because he understands what the purpose of cathedrals is, but he has no idea what they look like. The narrator attempts to describe a cathedral, but he does not know how to “…even begin to describe it.” (188). The cathedral means nothing to him, and he admits to Robert that when it comes to religion: “’I guess I don’t believe in it. In anything. Sometimes it’s hard.’” (189). When Robert suggests that they draw a cathedral together, hand over hand, the narrator becomes nervous and cautious, he is unsure what do. After a little bit, the narrator became more comfortable and “…couldn’t stop” drawing (190). The narrator then closes his eyes to finish off the drawing, and at that moment with Robert, he metaphorically opens his eyes. He does not exactly know what happened, but he knows something positively changed, he felt like “it [was] really something.” (190). He has an out of body experience, “…I didn’t feel like I was inside anything” (190), an epiphany. Carver does not entirely explain the ending or what happens next, but one can be optimistic and assume that Robert changed the narrator for the better, by making him close his eyes to

Prejudice is an issue that is present in communities around the world due to diversity in race, religion, sexual orientation, lifestyles and physical disabilities of others as well. However, sometimes it just takes a life changing moment for one to realize that he or she should not discriminate against others just because of their appearance or beliefs. In the story “Cathedral”, author Raymond Carver writes about a man who is prejudging towards his wife’s blind friend, Robert, who will be visiting the couple. At first the narrator, or “Bub” as Robert nicknamed him, does not like the idea of Robert staying there because he is blind. Once Robert arrives, “Bub” does not really make an effort to get along with him; they had dinner together

Because of this the husband was completely ignorant about blind people and could only rely on his preconceived notions about the blind to interact with Robert. The husband thought all blind people always wore dark glasses and used a cane or guide-dog. He didn’t think blind men smoked because they couldn’t see the smoke. He even says “My idea of blindness came from the movies.” Those movies had portrayed blind people as slow, never laughing, and being guided by guide-dogs implying and enforcing the stereotype that the blind/disabled are helpless, weird, and/or inferior. Kemp says in a paper from 1981, the same year “Cathedral” was published, that there are three main ill-mannered views of the blind: non-acceptance, the blind are helpless and dependant, and the sighted must help the blind. These are all negative and are representative of the way the blind were viewed during the time of the story showing how the husband saw Robert as a blind man.

“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.

In the short story “Cathedral”, written by Raymond Carver, the story is told through the narrator’s eyes as the audience gains insight on his perspective of his life and, more specifically, his views on his wife and her blind friend. The narrator’s name is never mentioned throughout the story, but his personality and initial narrow-minded bias towards his wife’s friend Robert depicts his character traits. Throughout the story he does not seem to change his views, but once he experiences Robert’s point of view in his life, the narrator changes his perspective. This suggests the narrator is a dynamic character in the story due to his change after getting to know Robert.

His further ignorance about the blind are focused in on Robert since he is aware of his upcoming visit. Hearing the marriage stories about Robert from his wife the narrator cannot realize how a woman could love a blind man, "It was beyond my understanding. Hearing this, I felt sorry for the blind man for a little bit. And then I found myself thinking what a pitiful life this women must have led" (508). This ignorance and immature understanding of relationships overshadows his attitude toward Roberts visit, unwanted and condescending. His attitude toward the blind man seems to change though before and furtherly during the connection they make as they draw the cathedral together. Although there is no evidence that the narrator's overall ignorances and prejudices are gone from the experience, it is very clear however that he does come to some sort of revelation and enlightment, "My eyes were still closed. I was in my house. I knew that. But I didn't feel like I was inside anything" (515). Because what the narrator draws is a cathedral it is only assumable that this enlightment that the narrator experiences has to do with values of Christianity, in this case it would be a realization of equality and treating people with love, little is said about the effects this revelation has on him.

In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.

The story “Cathedral” demonstrates that lack of sight does not necessarily prevent one from perceiving things as they are, or live their life to the fullest. In the story, a middle-age blind man, who is a friend to the narrator’s wife, and used to be her boss at one point, visits the narrator and his wife. The narrator has never interacted with blind people before, and all he knew about blind people was what he had seen on television. Blind people are stereotypically portrayed on television as slow moving, dull people, who never laugh. Based on this perception, the narrator was reluctant to meet the blind man and doubted whether they were going to connect. This is evident when the narrator states, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 1).

One of the most effective of these elements within “Cathedral” is manipulating syntax, namely through sentence length. In several areas, Carver chooses to vary the length of his sentences to emphasize certain points and images over others as well as illustrate the feelings of the characters. For example, when the narrator questions the blind man regarding whether he understands the image of a cathedral, he inquires the following: “‘Something has occurred to me. Do you have any idea what a cathedral is? What they look like, that is? Do you follow me? If somebody says cathedral to you, do you have any notion what they’re talking about? Do you know the difference between that and a Baptist church, say?’” (lines 6-9). The narrator throws all of these questions on top of each other to the blind man without pausing or giving him an opportunity to answer until the very end. This

In the “Cathedral,” Raymond Carver tried to portray two different aspects of blindness; one is a person who physically unable to see the world due to lack of eyes and other aspect concerns about narrator’s and his wife’s blindness who are not blind physical but socially and emotionally. In this story, there are various metaphors of blindness. One example of which is a blind person helping the other person (who is not visually impaired) to draw cathedral even though he hasn't seen one. Blindness is not a physical inability of a person; it's beyond than that. In the “Cathedral,” Robert wasn’t the one that was blind however, the narrator was blind.

In the beginning of the story, the husband, who is the narrator of “Cathedral,” seems to be a very ignorant, uncaring man. Nesset wrote “Walled in by his own insecurities and prejudices, this narrator is sadly out of touch with his world and with himself, buffered by drink and pot and by the sad reality, as his wife puts it, that he has no ‘friends’” (Nesset 124). The narrator has no connection to himself or the outside world. He has no friends, as his wife points out, which goes to show he keeps to himself, but he still doesn’t fully understand who “himself” is, because he doesn’t have that connection to himself, thus leading to the drinking and drugs. He wasn’t used to change, so having a visitor come over to his house bothered him. The moment he saw Robert, the narrator began to change. When his wife pulled up with the blind man in the car and they got out of the car, he saw that Robert had a beard and he thought to himself, “This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (Carver 35). The narrator had expected to see the blind man in the way they showed them in the movies, but now that his idea of who Robert was as a person was being challenged, the change started to appear. Robert, who is a static character, is very essential in the change of the narrator. It is because Robert is the way he is, his marrying of a colored woman, his travels around the

Furthermore, the title of the short story has symbolic representation to the transformation the narrator partakes as the story ends. Specifically, when the narrator begins to explain the cathedral on the TV and is unable to describe it with detail to Robert, shows how blind he is even though he is able to look at the things show in the program. In the short story, Robert suggests to the narrator to work together on drawing a cathedral to better illustrate it. As both hold on to the pen and trace the cathedral unto the piece of paper bag, Robert is able to visualize it in his mind; the narrator, on the other hand, gets to a point in his life where he realizes that he is now able to see, rather than just look at something, and is able to understand its meaning, as he states “it was like nothing else in my life up to now…my eyes were still closed.” Here, the narrator recognizes that even though his eyes were closed, as if he was blind, he is able to tell how immensely and detailed cathedrals are.

In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.

By the end of Raymond Carver's "Cathedral," the narrator is a round character because he undergoes development. The story opens with the narrator's unconcern for meeting the blind man, Robert, which is because he was uninvolved in the friendship between the blind man and the narrator's wife. Feeling intimidated, he discloses, "I wasn't enthusiastic about his visit. He was no one I knew. And his being blind bothered me" (Carver 1). This emphasizes the narrator's unwillingness to bond with the blind man, which is made visible as the story progresses; moreover, he does not acknowledge their relationship. This is highlighted when he mentions what the name of the blind man's wife was. "Her name was Beulah. Beulah! That's a name for a colored woman. 'Was his wife a Negro?' I asked" (3). He seems disgusted with people. The insensitive narrator's prejudice is evident by him saying, "I've never met, or personally known, anyone who was blind" (5). This statement causes the audience to expect growth in him. The narrator's detachment from the blind man is indicated by his disinterest in cathedrals and tapes; nevertheless, the blind man and the narrator have had dinner, "smoked dope," and drank together,