Who Is The Protagonist In Kokoro

The narrator, Katsu Kokichi, was a low ranking samurai during the end of the Tokugawa Period. He was the youngest out of all his siblings and as a child he ran away from home multiple times. Kokichi told his readers how he had to beg for food and even began to pose as a representative to a feudal lord. The readers learn that he has a wife and children but he often times would beat her and he also never got an official promotion and was forced to obtain a low income by dealing swords, selling protection to shopkeepers, and sometimes using his muscle (getting into fights) and tricking others. In Kokichi’s lifetime, readers see a man whose life was filled with dishonesty, corruption, poverty, blackmail, and even lawbreaking. His story shows the reality of a samurai’s life during the end of the Tokugawa

Chikamatsu Monzaemon’s play, The Love Suicides at Amijima explores the disgrace of Jihei and Koharu’s misbegotten romance, the underlying conflict of the hidden innuendos aimed at the Japanese social class and the sense of duty formed between two women from unseemmingly different backgrounds. In order to fully understand these themes, on must take into account the societal structure of Osaka, Japan in the 1720s. Within this culture, every individual was instilled the notion of familial obligation and had to adhere to the rules placed upon them by society. Chikamatsu Monzaemon does an ideal job of capturing these concepts within the play.

The Samurai’s Garden by Gail Tsukiyama tells the story of a young man who is sent away from his friends and family to a small village in Japan, in the attempt to get better from his illness. Through his self isolation, Stephen is able to learn from the two elderly people he meets there, and slowly comes to accept himself for who is he, regardless of what other people thought. Through the use of internal and external conflict in The Samurai’s Garden, Gail Tsukiyama uses Stephen’s character, specifically through his interactions with Matsu and Sachi, to convey the message that sometimes one will need to leave what they are comfortable with, and place themselves into isolation in the attempt to rediscover who they are while still knowing that

However, their love affair shows how much the historical aspects of the Meiji Era had a huge effect to the characters. Through the story, the difference in class, nation, and gender play a huge role. Mori Ogai’s style involving emotional and psychological observations allowed to understand the historical aspects during the Meiji

In this day and age, people tend to avoid being different. Fitting in with the status quo when it comes to physical attractiveness is considered the proper thing to do, yet in The Samurai’s Garden, the characters show their beauty in a unique way. Due to their circumstances, Sachi, a once beautiful member of a leper colony, Stephen, a young Chinese student diagnosed with tuberculosis and Matsu, a quiet man who chooses to live in near seclusion, are all regarded as outcasts. However, these challenges give them a chance to grow and mature into truly beautiful people, especially on the inside. Through unveiling Matsu and Sachi’s distinct personalities, Stephen discovers another dimension to beauty; through this, Tsukiyama conveys that the most

In everyday life, a relation is always identified as trust and support. In this novel, a relation between a husband and a wife is shown in a different way. Min, one of the characters in the story, is shown losing her mental stability and is living with her two children. She did not have any contact with her husband in few years and neither did he try to contact

To satisfy his thirst, Tom started searching for beautiful girls in the nearby town. In the next town, he found a gorgeous young lady named Isobel who had blond curly hair, hazel eyes, and curvy figure. Isobel was flattered by Tom’s look and body. They both first met at the mall in the coffee shop and they liked each other so much that they started dating on the same day. There was only one big problem with their relationship that Isobel was married and Tom knew it, but he still continued dating because he badly wanted to have pleasure with Isobel. Tom and Isobel usually met after midnight at the Lover’s Lane and make out in Isobel’s car. One night, the lovers decided to meet little early than usual because of some family emergency. They met at the same place and did the same thing, but this time there was a couple who saw them together. Alex, Isobel’s husband, was the richest and powerful person in the whole town. He had many connections throughout the town. Tom and Isobel tried to hide their affair, but the truth always overcomes lie. After few days, Alex heard people talking in the office about Isobel’s affair and how she makes out with her lover in the car every night. Alex went crazy with anger, hatred, and jealousy. He got angry and vowed to take revenge on them.

Musui 's Story is a samurai 's autobiography that portrays the Tokugawa society as it was lived during Katsu Kokichi 's life (1802 - 1850). Katsu Kokichi (or Musui) was a man born into a family with hereditary privilege of audience with the shogun, yet he lived a life unworthy of a samurai 's way, running protection racket, cheating, stealing, and lying. Before we discuss how Musui 's lifestyle was against the codes that regulated the behavior of the samurai, it is essential that the role of the samurai in Japanese society be understood.

This highlights the realistic atmosphere prevailing as well as reflects the true meaning of relationship. The readers are exposed to the mother-son relationship. It can be seen that even if the narrator is a twenty-year old law student, he is still the little boy who needed his neck scrubbed from the point of view of the mother. Whatever good advice the son gives, it is not followed and instead he is given a lecture. This is a typical mother-son relationship which shows that no matter how much a child grows, he always remains a little kid for the mother. Moreover, the readers also notice the routine life of the narrator and his mother. The boy used to accompany his mother to work and help her which makes a four-hour job becomes two. There is solidarity, strong family bond and understanding between them because although he did not like his mother

In the novel Kokoro, Natsume Sōseki uses his character Sensei to represent how guilt can weigh too heavily on a person. Throughout the story, Sensei's interactions with the Narrator, both verbal and nonverbal occurrences, showcase how guilt leads to other negative emotional experiences, such as loneliness and misery. Sensei's internal struggle with guilt shapes the entirety of his adult life and the unfolding of the events in the book. This paper aims to show the implications that Sensei’s guilt has upon his life, especially his relationships with others.

Though it is often the case that great novels are filled with characters who are deeply flawed but not without proper reason, many of Kirino’s characters seem to be simply and fundamentally weak and unlikeable. The most obvious example is in the role of Kuniko: a vain, dumb dullard whose role is to create problems for the novel’s other “protagonists.” However, even in looking at the other women, like Yayoi, we see that their actions are relatively simple. There is no deep philosophical or moral contemplation that takes place before or after Yayoi kills her husband. She acts out of impulse; and she is, with the help of Masako, quick to deal with his dead

However, two vibrant changes occur as the story progresses —Coyotito, his son, getting stung by a scorpion and Kino’s discovery of the pearl—broaden Kino’s horizons and outlook on the world. As Kino begins to strive for wealth and education for his son, the simplicity of his life becomes increasingly complicated by greed, conflict, and violence. Kino’s character then falls through a gradual decline from a state of innocence to a state of corruption and disillusionment. The factors promoting this decline are ambition and greed. Thus, when going got tough for Kinoo and he had to escape town he faced a lot of hardships, since he had to go into hiding and the only immediate help he had was from his brother. This had an adverse effect on his personality as he became increasingly negative, given the way he hit his wife shows how the pearl preoccupied his mind to such a great extent that he grew indifferent to everything else as evil and restlessness eloped him. In addition to these social changes, Kinoo, after attaining the pearl was on the move to gain economic sustenance, but not being able to find the right price to sell his pearl got him feeling even more uncertain and disappointed but he continued to strive and was reluctant to give up because he wanted everything in his reach for his son, who he consequently ended up losing in the

On the other hand, at the beginning of the novel Kokoro, the main character Sensei is perceived as a cold, lonely man; however, he is more complicated because he exhibits dishonesty through the usage of dialogue. Unlike Huck, Sensei's deception is illustrated by not revealing all of the information needed to make something the truth. For example, as a young man, Sensei seems to maintain a close friendship with his peer K. In a letter to the narrator, Sensei blames his reticence to reveal honest emotions on the era. He states, “...no one around me spoke of private matters of the heart” (Soseki 178). Culturally, Confucianism was a system of philosophical teachings originally developed by Confucius.

Haruki Murakami is known for his unique writing style since he effectively blends normality with surrealism. Majority of his short stories deal with recurring melancholic themes such as loss and loneliness. In addition, his stories are usually in the first-person narrative for he wants his main character to be an independent being who values solitude over romance. All of these characteristics are well manifested in the short story that will be analyzed.

During the novel “Purple Hibiscus”, we witness the transformation of Kambili Achike from a silenced, repressed and wary girl into a more confident, mature and happy young woman. This change is brought upon by significant characters in the story, who help show Kambili how joyous the world can be and how she also has a place within this joyous world. And through this Kambili finds a way to slowly crack through her father’s hold over her and come into her own.