Who Is The Protagonist In The Movie Tootsie

Michael watches his sister over sexualize herself, which leads him to kill his sister. During the 1970 's movies concentrated on

Michael suffers great depression since his dog Ked died. Most of his family and other colleagues address him to see if he is through with Ked’s death, but really he was depressed all along. “I can't tell how sad i really am about Keds versus how sad i am in general”(Cameron 223). In addition, Michael gets sad of unusual things. “I can picture her eating a banana in her tiny office. This, too, makes me sad”(226). Michael gets depressed about Mrs. Dietrich being alone. Also, Michael gets heartbroken about other little things. “I think of her learning to write beautifully as a child and then growing up to be a guidance counsellor, and this makes me unhappy”(227). Michael is not just depressed of his dogs death, but every little problems in his life.

On the trip there Leah Anne stopped the car to get a eye-to-eye conversation showing that she takes great care in finding out Michaels past and how she can help him for the better. One night Leah Anne asked a simple question to Michael, if he wanted to stay? Michael responded " I don't like anywhere else" and sure enough she turned the guest room into a comfortable place for Michael with a bed, that he had never had before.

Although they divorced it may have had its positive sides to Michael’s developments as he may have learnt to not rush into such a serious relationship and also to be completely sure that the person he decides to marry is really the person he wants to spend the rest of his life with.

Michael can be defensive, especially when it comes to Toby; he’s in human resources. Michael described Toby as “not apart of the office family”, he added that “Toby is divorced so he’s not really apart of his family either”.

My writing is like getting to the center of a tootsie-pop, it takes a good amount of licks but once you’re there it's the best. The reason I say it’s like trying to get to the center of a tootsie-pop is because throughout this class I have noticed my writing progressively getting better with each essay I write. With every lick I get closer and closer to the center of the tootsie-pop, as with every paper I get closer and closer to the best part of my writing. From the one pager we wrote as our first paper, to the comparison contrast paper we wrote as the last paper of this semester, as I look back at them it doesn’t look like the same writer two totally different authors and one is the tootsie in the center of the tootsie-pop.

Individuals were terrified of Michael, for example the young ladies in the recreation center fled from the swings after saw Michael. Michael constantly expected that no one could make companions with him. Michael's football mentor at Wingate, a non-government funded school, saw football potential in Michael and got him yielded into the prestigious school. In any case, he had learning ineptitudes and still did not have an unending home. Leigh Anne Tuohy, the mother of a Wingate understudy, Collins, and wife of the proprietor of a couple Taco Bell restaurants, gets a few answers concerning Michael's issue and invites him to complete what has been begun at their home. At the point when Michael is in the Tuohy's home, a comfortable relationship was made amidst him and the

He was making a public fool of himself, getting crass with everyone, including the police and his lawyer...poor Alexis. It was great watching "off-the-hinges" Michael--mouthy, insubordinate, persistent and emotional--that's the Michael I know. This white-knight, white-washed thing has gone so far, they even had him being the 1st to stop sex with new girlfriend Sabrina, to "take things slow." Sabrina, the character who's walking holy water, and at the time was worried about her criminal 1st love being hurt by law enforcement. Absurd. The essential writing problem with M&M (I just had to use that) is imbalance and extremities-Michael's a spotless angel, Morgan's an ignorant devil-which ignores and contradicts their character histories and every precedent set. They deserve their own tailor-made narrative, versus being forced into being AJ and Jason part deux, which was a completely different situation. Michael is the clear winner, when it should be muddier and more complicated than that. I might do a more exhaustive piece on this later. Square pegs are being forced into round holes all around; the prime reason we have to suffer through a needless "MorKi" redux and the ill-pairing of Michael and Sabrina is because there aren't enough young people on GH and soap writers seem too afraid to explore angles that aren't romance-based. Heaven forbid a character is single. Who cares if it's awful for the storyline, redundant or feigned, right? I object to Sabrina and Michael in part because I'm sick of Sabrina (Teresa Castillo) being used as a romantic bridge for other characters and not having a storyline that's all about her. That's why, in hindsight, I hate that her baby didn't live. I hate the Ava poisoning plot was thrown away so quickly and that "Carlina" (Carlos and Sabrina) was so short-lived. Carlos was from her past, and with him, she's wasn't this saccharine

Michael observes the situation between Ron and Julie as a reflection of his relationship with previous girlfriends; as Dorothy, Michael also witnesses Ron deceive Julie when he sees him backstage kissing another actress, April. Michael’s relationship with Ron is the most complicated with regards to conflict and power, Ron asserts himself as the powerful figure since his is the director but he also displays dominance over females as well, “Power is the ability to influence another whereas interpersonal dominance is relationally based communication behaviors dependant on the context and motives of the individuals involved” (Dunbar and Abra). Through both interpersonal relationships, with Julie and Ron, Michael does a lot of character growth and really develops his self-concept and self-awareness. At the beginning of the film, Michael is a very opinionated, self-involved actor, who is not cooperative with directors taking matters into his own hands, very similar to Ron.

Nine years after a botched robbery in Ludendorff, North Yankton, former bank robber Michael Townley lives under witness protection with his family in Los Santos, San Andreas, under the alias Michael De Santa. He meets and later befriends a gangbanger Franklin Clinton when the latter attempts to fraudulently repossess his son's car on behalf of a corrupt Armenian car salesman. When Michael discovers his wife Amanda has been sleeping with her tennis coach, he chases the coach to a mansion and destroys it out of anger. The mansion's owner turns out to be the girlfriend of Mexican drug lord Martin Madrazo, who demands compensation under the threat of further violence. Michael goes back into a life of crime to obtain the money and enlists Franklin

As the axial character, Steve Carrell follows the traditional situational comedy style with his performance-based representation of Michael. As an example, he exemplifies a narcissistic personality in “The Injury,” when he phones into work with a seemingly severe injury. The mockumentary style of the television show provides a reality within The Office that allows viewers to feel involved. While Michael only has a miniscule burn on his foot from an accident involving a Gary Coleman Grill, his reaction causes the coworkers and viewers to believe he is in critical condition. The A plot of the episode begins as Michael attempts to survive a day at the office with his new impairment.

Michael Dorsey is a talented young actor, arrogant, stubborn and is so hard on him self and others that he could no longer find a job in his town after twenty years. After a daytime soap opera audition goes bad, Michael takes on the role of an actress Dorothy Michaels and wins the part of the audition. What was supposed to be a short-term role with the intention to raise the money to star in his roommate’s play turns into an extended contract, but when Michael falls for his cast mate Julie, complications develop that could destroy everything. And Michael eventually realizes that he is a better person as his second character Dorothy Michaels than he was as Michael Dorsey. Michael Dorsey finds it interesting as Dorothy begins to take on an independent life of her own. She is a free woman who seems sort of strange and funny at first glance, but grows on people afterwards as she begins to inspire women with her acting by standing up for what is right. Other complications begin to arise as the men which Dorothy surrounds herself with are beginning to fall in love with her such as Julie’s father and John Van Ron who is also plays the role of doctor in the play.

Taylor: Taylor is Michael’s girlfriend and has an interesting power. She can restart people’s minds so that they don’t know what they were doing.

Tobey has decided to try and rekindle a romance with a man from her past – a heart-stoppingly handsome and hugely successful, multi-million dollar box office star. She has similar plans for Jillian – Tobey wants her friend to reconnect with the one man who had stolen her heart years before. What Tobey doesn’t know is that Jillian’s got a secret that she’s afraid to share with anyone…

He took Scarlett to his apartment, and even to the top of the empire state building. Although it seemed like Eric really liked Scarlett, he told her not to tell Spencer about their little secret. Therefore, Scarlett had no choice but to lie to Spencer when he asked her what she was hiding from him. When Spencer found out what was going on between Scarlett and Eric, he became upset and did not speak to Scarlett for two straight weeks. Lola notices his odd behavior around the hotel and asks Scarlett to go talk to him. They eventually make up. When Scarlett asks what her and Eric were, he avoided the question and changed the subject. Eric eventually tells Scarlett that he cannot be a boyfriend right now after she catches him fighting with his ex girlfriend outside of his apartment. During their final rehearsal, Spencer punches Eric in the face after he found out that Eric had hurt Scarlett. At the play's dress rehearsal, Donna pays an unpleasant visit and warns the cast that they are about to be shut down. With only one day left before the show, the cast panic and must come up with a miracle plan. Mrs. Amberson nearly gives up and moves out of the Hopewell Hotel and stays at St. Regis Hotel because she believes everything happened because of