Who Is The Real Monster In Frankenstein

Yet you, my creator, detest and spurn me”(68). His creator could help him cope with everyone’s hatred towards but he could not look at what he had created and hated the monster. The lack of love and the desire for love pushed the monster to murder Victor’s brother and then his whole family as retribution for his betrayal. The monster wanted to inflict “desolation; my enemy is not invulnerable; this death will carry despair to him and a thousand other miseries shall torment and destroy him’ (102). Victor was the recipient of this creature's anger and the creature made it known how angry he had become with lack of help from Victor. This betrayal drove the monster insane after “the murder of Clerval, I returned to Switzerland, heartbroken and overcome. I pitied Frankenstein; my pity amounted to horror.(164) The monster had become filled with regret for the all the evils had committed, but he still wanted to do one more thing to destroy Victor by killing his

The loneliness of the Creature leads it to unbelievable acts of violence, the first one being the killing of Frankenstein's youngest brother William. The monster describes its terrible act in detail: "I gazed on my victim, and my heart swelled with exultation and hellish triumph: clapping my hands, I exclaimed, 'I too can create desolation; my enemy is not impregnable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him'" (Shelley 97). Shelley is trying to teach the world a lesson by illustrating that the monster is not just a scientific project, the monster is a living emotional being. Frankenstein even further rejects the

In the novel by Mary Shelley, Frankenstein, the creature and its creator, Victor Frankenstein, share a lot of similarities throughout the story. The relationship shared between the two resembles that of a father and his son. Since Victor created it , the creature inherits certain traits of Victor’s without realizing it. Victor and the creature both have an overpowering thirst for knowledge, a love for the beauty of nature and a tendency to use it as a scapegoat, a depressing feeling of isolation from people, a desire for revenge, and the ability to play God. The relationship between Victor and the creature does not develop like a normal father-son relationship, nor does it develop as a good versus evil relationship. Both characters show hero and villain qualities throughout the novel as their relationship develops.

Likewise, Victor Frankenstein allows his emotional senses to give way to a hatred of the Creature without even giving the Creature a chance. After seeing the hideous creation made by his own hands, Victor refrains from taking responsibility of the actions of the Creature, even when his conscious tells him it is his duty to. On the night of the creation, Victor recalls that the creature, who he emotionally describes as a monster, “held up the curtain of the bed … one hand stretched out, seemingly to detain [Victor], but [he] escaped … catching and fearing each sound as if it were to announce the approach of

In the novel Frankenstein by Mary Shelley she shows within the novel that the monster that Victor Frankenstein had created has turned to revenge. The monster has been through too much first he has been mistreated by his own creator victor, he also felt abandoned by the De’ Lacey’s family. The way the monster is acting is reasonable because it has been hurt. When the monster took action of revenge two things happened to the monster. First, he would ensure himself that he will never be accepted by the human society.

The reader can immediately see this because the Monster says, “I am malicious because I am miserable. Am I not shunned and hated by all mankind?” (Shelley 124). He begins to murder members of Victor’s close friends and family. His first victim is William Frankenstein. The Monster has no intentions to kill William, but he says, “Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed” (Shelley 116). The Monster shows his frustration with Victor creating him in this way and for making him into an outcast. After Victor breaks his promise of creating a female monster, the Monster murders Henry Clerval. The Monster’s anger continues to build up over time and he believes the only way to face it is by taking the lives of those who have a close relationship with Victor. The Monster kills Elizabeth Lavenza on her wedding night. He takes the lives of the people who are in a close relationship with Victor due to the anger he feels toward him. The violence the Monster uses is his way to try and seek revenge on Victor because he feels that he set him up to fail, to be an outcast, and to be unacceptable to

This fear and rejection of the Creature is seen not only in the different people the Monster encounters throughout his travels, but also in his creator. Frankenstein is unable to stand the sight of the creature stating, “its unearthly ugliness rendered it almost too horrible for human eyes” (Shelley 95). Frankenstein’s rejection causes the Creature to accuse Frankenstein of abandonment: “you had endowed me with perceptions and passions, and then cast me abroad an object for the scorn and horror of mankind” (Shelley 141). The Creature says that he is Frankenstein’s obligation and it is Frankenstein’s responsibility to be his essential caretaker. Although Victor originally cowered in fear of the Creature, the Creature claims he was initially “good” and it his Victor’s rejection which drives him to violence. The monster repeatedly lectures Frankenstein on his responsibility, “I am thy creature; I ought to be thy Adam, but I am rather the

Frankenstein, Or the Modern Prometheus, by Mary Shelley, tells the story of a bright and ambitious scientist that wishes to discover the secrets of life. After several years of research, he achieves his goal and brings to life a creature fashioned from old body parts. Horrified by his creation, Victor flees and spends the rest of his life hiding from and witnessing horrendous acts by the creature he so desperately wanted to create.

you belong to my enemy - to him towards whom I have sworn eternal revenge; you shall be my first victim.” (Shelley 62) Here The Creature is not just an innocent childish creature anymore, here we find The Creature having hold of a random person at first but when he finds out this is Frankenstein blood; he instantly becomes a murderer. After the incident, The Creature becomes demanding to Victor he later asks for one last wish from his dreadful maker. Shelley writes, “You must create a female for me with whom I can live in the interchange of those sympathies necessary for my being” (Shelley 63). Instantly, Frankenstein denies and while The Creature is able to persuade the mad scientist for some time; Frankenstein goes to and fro from being an advocate to outright denying The Creatures request. After much arguing and dealing around, Victor gives in. However after heading back to Geneva Victor is unable to get himself to work and create this new being, and he is scared out of his mind since Victor understands the severity of what The Creature can do to him. Ultimately, as the course of events in Shelley’s “Frankenstein” it is clear to see that the creature lives a life that is cruel and a life that no one can truly understand. As well as living a life and having his pure and unknowing innocence stripped away by the hardships of

(Shelley). The fact that Frankenstein fled from his creation very shortly after it came to life, proves how he refused to accept his obligations and responsibilities after his creature was created. ?The [creature] is Frankenstein?s abandoned child? (Mellor Abandonment 357). It is unfair to bring something into the world, and then not teach it how to survive. Victor was intimidated by his hideous characteristics and felt threatened by the creature. He did not know his creation at all, so he had no right to judge him. This is an example of how various people and society place too much judgment on physical appearance. The creature had just come into the world for the first time, and the first thing he saw was his creator screaming for his life as a result of his appearance. This traumatized the creation, and caused him to seek revenge on Frankenstein. This novel shows how when people are prejudice against physical deformity or ugliness, it automatically characterizes that person as bad or monstrous (Halberstam 59). Victor was the one who gave him these characteristics; so in fact, he is to blame for the creature?s appearance being so monstrous.

In Mary Shelley´s Gothic novel, Frankenstein, the Monster once claimed, “The fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.” Frankenstein, since the 1910 film adaptation, has known a series of several adaptations that changed drastically, not only the plot but one of the main characters, the Monster, from stealing its creator´s name to being portrayed as a cold villain. Though, in the original storyline, the biggest threat to society is the creator itself, the one pretending to play as God, Victor Frankenstein. This essay will discuss the nature of the main characters of the novel and conclude who is the “real monster” in the end.

It was made out of many dead bodies which made it look ugly. When Victor saw the creature alive in front of him, he was scared by the thought of what he ended up with. Frankenstein’s monster is like a new-born baby. It did not know how to speak or cope up with the world. When Victor turned his back on the monster, it felt betrayed. It did not get the love and support it should’ve been given. Also, when the world was reluctant to accept the creature even after it helped them, it started harming the people who hurt him. It felt lonely as it was not taken care of by the only father figure he had, Victor himself. The monster told Victor, “You had made me, but why had you not looked after me, and saved me from this pain and unhappiness?” (Page 30) This showed how much deprived of happiness the monster was, which made him take revenge from Frankenstein.

Throughout the novel Frankenstein written by Mary Shelley, the creature is subjected to countless acts of violence and rejection. For a monster to develop, one must have been formerly exploited either by an individual or their society. The creature is not only a physical product of science, but his atrocious behavior is also an explicit result of Victor’s actions toward him. The creature was not born a monster, but slowly morphed into one as he experiences violence and rejection from his society.

What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor

Frankenstein, Or the Modern Prometheus written by Mary Wolfenstein Shelley(1797-1851), is a classical novel that is nothing short of legendary. Born out of a leisurely cabin visit, Mary Shelley crafted one of the hallmark novels of the English Romantic period. Set in the gothic, science fiction genre, Frankenstein tells the tale of scientist Victor Frankenstein creating a monster that wreaks havoc over his world. What is on the surface just a spooky book, actually delves in the time tested narrative of creator vs creation. In this particular situation, it begs the question; Is Frankenstein(creator) good or bad? The answer is straight-forward and absolute. Frankenstein is bad due to his various displays of foolishness, selfishness and irresponsibility.