Who Is To Blame In Mary Shelley's Frankenstein

However, the results of the creation of the Creature are egregious, as the creature begins to murder people, specifically Victor’s loved ones, including his brother William upon realizing that William is related to Victor. Victor here is partially at fault in his brother’s death, as he abandoned the Creature, leaving it to terrorize the people. Though he is overwhelmingly contrite for their deaths, he neglects to admit who the true culprit is in William’s murder and allows Justine Moritz to take the blame, an example of his morally ambiguous actions. His inconsiderate actions cost Justine her life, though he feels horrible for it. Even then, he argues that the action he regrets the most—the creation of the monster—was the work of destiny, which was “too potent, and her immutable laws had decreed my utter and terrible destruction.” (Shelley 23) Again, Victor places blame on fate to justify his obsession with ambition that led him to create the thing he regrets the most. His failure to recognize his role in William’s, Justine’s, etc. deaths while concurrently feeling remorseful for them solidifies his status as a morally

Due to Victor’s unwillingness to accept him, the creature was unable to conform to societal norms. From the creature’s very first moments, he is feared by others - the instant his eyes open, his creator cries out in terror and runs to his quarters. If only Victor had stayed and attempted to nurture his creation, instead of having “turned from [him] in disgust” (93), the creature may have enjoyed a gentle, upbringing in which he

Mary Shelley’s ability to create such multidimensional characters in Frankenstein proves that writing is a powerful tool that has the ability to provoke vastly different opinions amongst readers. Even though each individual reading the story is reading the exact same words, their interpretation of those words often leads to opposing views in regards to the fate of the characters. The creature, in particular, has been a popular topic of discussion when conducting a close read of the novel due to his arguable versatility as a victim and villain. The concept of the villain has evolved over the years, however its basis still rests upon the simple fact that as a character in the story, their actions are a result of malicious intentions

After Victor’s abandonment, the creature left Victor’s home and wandered into the woods. Initially, every encounter with humanity brought the creature pain and suffering as they were instantly terrified upon seeing the creature's horrifying appearance and treated him like the monster he appeared to be. Eventually, the creature came across a hovel in the woods that was within close proximity to a cottage where a family lived. The monster grew very affectionate toward his "protectors," emphasizing that beings are born to love, not hate.

If a child acted violently toward another child, should the parents of that child be held responsible for the inappropriate behavior, or should the child take full responsibility for his/her actions? This question of responsibility comes up often in Mary Shelley’s novel, Frankenstein. Her horrific and dark tale of the mad, science-obsessed Victor Frankenstein, wanting to create life from what had already been dead, evokes questions of who is at fault for the creature’s murders. Although some may say that the creature is at complete fault because he is own “person”, but ultimately Victor is at fault because he is the one who created a being that destroyed the lives of innocent people due to how he treated the creature.

The creature's physical grotesqueness makes the creature unable to attain affection from the human societies. The creature is initially rejected by his creator, who is the closest resemblance to a mother or father figure. Despite this relationship, Victor finds the creature to be a "miserable monster" (39). Consequently, as soon as life is present within the creature, Victor abandons his child. Victor claims that he "escaped, and rushed down the stairs" (40) away from the

The realization of loneliness gave the creature the craving for attention. Which he felt that the only way he could get the attention from Victor, was by killing the one’s that was close to Victor. Since Victor isolation was brought on by himself, he was able to rejoin society. After receiving a letter from his love Elizabeth he return home. Even though Victor faced emotional distress, he was able to return home, unlike the creature who had no one to love and couldn’t be accepted by any humans, and not having no way of escaping from his isolation. The creature need for attention led him of murdering the one’s closet to victor. “ Will revenge my injuries: if I cannot inspired love, I will cause feared, and cheifly towards you my archenemy, because my creator, do I swear inextinguishable hatred”. Murder is the creature way to seek attention from Victor. Eventually, he had killed everyone that was

When a crime is committed, the blame is usually placed on the criminal. This is because a crime cannot take place without a criminal. However, a lawbreaker generally has reasons for his misdeed. For a crime to occur, a criminal must have incentive. Consequently, the causes of a wrongdoer’s motivation are also responsible for the offence. In addition, crimes can be avoided if the proper precautionary measures are taken. Therefore, anyone who could have stopped a crime from happening is partially accountable for it. In Mary Shelley’s Frankenstein, a creature created by Victor Frankenstein kills several of Victor’s loved ones. These murders could be blamed on the creature, but he is not solely responsible for them. The root cause of the

It is Victor's story that truly exposes the true theme of the story, with him speaking of his days as a child and his first friendship with the girl his parents adopted. He lives a fine life, full of joy and happiness with friend plentiful. When he goes to college he is without friends, but soon befriends one of the professors and engaged in lengthy conversations with him. This isn't the same friendship as before, lacking the real love and companionship of his family, and he soon begins work on his creation. He so overwhelmed by the idea of creating a perfect person he is blinded from the deformity of the creature. When the creature is finished he examines his work and is mortified by it, running and hiding he escapes the creature that soon wanders away. Soon after Victor becomes sick and deathly, he shuns society and people and is almost dead when his friend Clerval arrives at the college. Clerval nurses Victor back to health, but Victor isn't physically sick, he has just

Rather than just killing Victor, however, the monster decides to kill his loved ones. The death of a potential companion in the world incites the monster to create even more death.

The monster is not faultless for the awful things that he has done. He kills three of the people that his creator was very close to including his adopted sister Elizabeth. Losing these people is very hard on Victor. The loss makes Victor so distraught that, “he calls the spirits of the dead” (179) to help him make the monster feel the pain of loss that he feels. In addition to killing those close to Victor, the monster destroys the house of the De Lacey’s with fire and then “dances with fury around the devoted cottage (123). Additionally, the monster appears to like the trouble and anguish that he is able to trigger in Victor: “your sufferings will satisfy my everlasting hatred” (181), the monster writes

As a result of this reaction, many long term consequences were developed that victor had no idea of. The monster, from the first ever encounter with a human being, was rejected, and nothing changed with time. Even though he constantly attempted to be human like and normal, he was never accepted by anyone. As a result of that, he goes searching for victor, his creator, and in the way he kills a kid out of anger since he was called the same way as victor. After he kills him, he frames Justine which then causes her to be sentenced to death.

Victor, after being convinced to create a female companion for the monster, realizes that this will only create double the amount of destruction, he then makes the choice to discontinue his project to prevent more devastation. Instead of less damage resulting from this choice it only brings more harm to his life and everyone around him. First, his good friend Henry Clerval is murdered by the beast and Victor is accused of this murder, “The human frame could no longer support the agonies that I endured, and I was carried out of the room in strong convulsions.” (Shelley 129). This was Victor’s reaction upon seeing Henry’s corpse and demonstrates how deeply his pursuit for knowledge affects him. Even though he is later released on circumstantial evidence, he will be scarred for life knowing that he responsible for yet another death. Given that Victor destroyed the monster’s only hope of having someone else like him in the world; the monster swears revenge and that he will return on Victor’s wedding night. Victor misinterpreted this warning and instead of the monster attacking Victor, his creation attacked and

Sometime after Justine’s execution is the next time that Victor encounters the Monster and now it has learned how to speak and function with no help from his creator. During this encounter the monster demands a mate and reluctantly Victor obliges. He then isolates himself as he did before and begins construction on this female monster but, Victor’s destructive impulses and sudden realization of what could transpire with these two abominations, sets the stage for the final blows that the monster will unleash on Victor’s loved ones.

In the novel Frankenstein by Mary Shelley, a doom protagonist and narrator of the main portion of the story. Studying in Ingolstadt. Victor Frankenstein is a scientist, a genius, and slightly mad. He has independent resources because he would have to work in privacy and secrecy. He is imaginative, individualistic, and daring. Victor Frankenstein was probably the prototype of the many mad scientists who have come after him, including Robert Louis Stevenson's Dr. Jekyll and H. G. Wells's Dr. Moreau, who was turning animals into humans on his private island. As the novel progresses, Victor Frankenstein presents himself as ambitious, genius, and mad scientist.