Who's Responsible for the Tragedy in 'a View from the Bridge'

It is easy to be loyal to the family when times are simple and uncomplicated. It doesn’t require a lot of effort, but when times are hard and dangerous, loyalty is more precious and meaningful. Life is less complicated as demonstrated by this statement of Dedé, “This means that

(pg 44-45 lll.1110-112) She believes that Benedick truly loves her, and is willing to marry her. “Hero’s account of Beatrice is when Beatrice is

Eddie Rake was a man with power. He used his power to train and better the young men of Messina. However, Eddie had love and admiration for his players. In John Grishams’ Bleachers, Eddie Rake is seen as a Hero, savior, all powerful. What people do not realize is that his love is power, love can always be power but power will never be love. Eddie Rake has done his best to use his power to influence the entire town of Messina. He may not have known that he did, but Eddie was able to help everyone in that small town have a taste of greatness. The Spartan football team most of all.

Eddie Corazon is a juvenile delinquent who is involved in gang activity, but surprisingly loves to read. The rest of his gang does not believe in reading or being educated, and only want to break the law; but Eddie cares about his education. Throughout Muchacho, Eddie has to secretly educate himself while dealing with the doubt from his peers. Through obstacles and setbacks such as dealing with school, Eddie learns that he needs to follow his own path.

Needless to say, Benedick and Beatrice are the antithesis of each other, for Beatrice is reasonable which means she is always trying to come up with a reason for what somebody has done or for what she is going to do, but Benedick is irrational which means he never needs a reason for what he does. Beatrice is crying because her cousin, Hero has just been slandered and killed by Claudio. Which is why she is asking Benedick to kill Claudio. Benedick laughs it off like it´s a joke the first time she asks. But, then he realizes that she is serious. ¨ As I have a thought”, “That’s enough for me”, “I’ll challenge him”, “I’ll kiss your hand”. This impacts the

She throws away her old self, stating "Contempt, farewell! and maiden pride, adieu!"(3.1.109). She also choses not to be so protective of her independence and declares love for Benedick, claiming "I will requite thee, Taming my wild heart to thy loving hand"(3.1.111-112). However, the true change in Beatrice does not show until the first church scene in which Claudio publicly humiliates Hero. Beatrice shows deep concern for her cousin Hero, the first time in the play where Beatrice shows concern for another. She is the first to claim Claudio is a liar and declare "on my soul, my cousin is belied!"(4.1.145). Beatrice then proves once again that she is a better person by demanding justice for Hero is met. Through Benedick, Beatrice plots to right the wrong and asks Benedick to "Kill Claudio"(4.1.290). It is in this scene as well that Beatrice, proving a complete turnaround in behavior, confesses to Benedick that "I love you with so much of my heart that none is left to protest "(4.1.287-288). This shows Beatrice transforming from someone who would scoff at marriage and love, declaring things like "I may sit in a corner and cry heigh-ho for a husband"(2.1.312-313), to someone who easily embraces love from the person she once mocked. But such a dramatic change is seen in her love as well.

Marco’s reaction to the event leads to dramatic reconfiguration of the relationships in the play.  Miller foreshadows the events that lie ahead with Marco.  This can be shown when Marco challenges Eddie to raise a chair. Eddie fails to complete the challenge, as shown in the quote, “He tries again, and again fails“.  The scene was originally in control of Eddie, when he was teaching Rodolfo how to do boxing, but the control suddenly is in the hands of Marco, as he is confident enough to challenge the person with control.  Marco gains more control, when he lifts the chair, as shown

In the play the audience is also told in so many words that there has

Obviously Beatrice is a strong character to state quite clearly that she does not wish to marry and to stand by that statement (until she the end of the play where she chooses to marry Benedick out of love, which, incidentally, is another quirk about her considering the fact that she is of the upper class and they often married only for political agendas). Though, considering the information presented already, it must also be assumed

When Eddie came home, he became more serious and somber. He completely lost touch with his old self, and completely changed his disposition. Thus, Eddie’s emotional and physical changes impacts the reader’s view of modern day conflicts.

Eddie is introduced as a moral man with ethics and principles. Miller showed that at the beginning of the play, Eddie tells the story of a young boy who ratted on immigrant relatives staying in his home and warn Catherine that she must be absolutely silent about Marco and Rodolpho. Moreover, there was a discussion between Eddie and Beatrice; where Beatrice is afraid of her immigrant cousins being caught. Therefore, Eddie told her: “listen if everybody keeps his mouth shut, nothing can happen. They’ll pay for their board.”(Miller, 1955, p.9).Later in the story, Eddie revealed a different identity .He was blinded with passion to the point of immorality. When he knew about Catherine falling in love with Rodolpho, he told Alfieri that he is going to call the immigration so he can keep Catherine just for him. Even though he knew that he is going to suffer for calling immigration, but does so anyway .Eddie: “Give me the number if the Immigration Bureau.”(Miller, 1955, p.61).To sum up, Miller displayed identity that could be moral with ethics and turns to be and identity that is blinded with

Family is meant to care for each other, love each other unconditionally, and support each other. Of course, as any holiday at home can prove, complete support is not always possible. Sometimes family members hurt each other and even, in worst-case scenarios, kill each other over issues as important as protecting another or as petty as fighting over a boy. In Shakespeare’s Othello, Macbeth, Hamlet, Romeo and Juliet, King Lear, and The Winter’s Tale, if family members operate with selfish motives, they hurt the hero and contribute to his fall; but if the family supports each other with only love, the hero can redeem himself from his fall and even succeed in finding lasting happiness.

Beatrice is the only person with Catherine that stand with Eddie until the end because she doesn’t want to leave her husband in those crucial moments alone, in fact he keeps her husband in her arms until Eddie dies “he dies in her arms, and Beateice covers him with her body” Beatrice will never leave her husband alone and will always support him until the end and she will never let people talk badly about him, she will defend it until the end.

At the beginning of the play, Eddie is portrayed as a sensible and smart character. Eddie and the girls (Catherine and Beatrice) all have a requited respect for each other – Beatrice: “Mmm! You’re an angel! God’ll bless you” – and there are no problems as such, even when the immigrants first come. He is also respected by the community – Alfieri: “He was good a man as he had to be in life that was.” But this dominant respect that he gains is what he is very used to and the slight changes where Catherine finds another man in her life and Beatrice also looks after the two immigrants (Rodolpho and Marco) effects Eddie hugely. The respect that he becomes used to is now shared by the women in his life between the men in his house and he craves for more attention. This can be considered one of his flaws that lead to his downfall. He is also shown caring for Catherine in the beginning of the play. He can be seen as a normal uncle or father – Beatrice: “She’s got a job.” Eddie: “What job? She’s gonna finish school.” He is also very proud of Catherine – “Sure she’s the best… You look like a

a young woman “…You still walk around in front of him in your slip …”