Why Did Okonkwo Become Depressed After?

Okonkwo and Walter may or may not have achieved it, but while their eyes are fixated on their end goals for success and what they are gaining, they overlook their losses. Because of Okonkwo’s fear of being regarded weak, he often acts overly aggressive to demonstrate his masculinity. Examples of his acting aggressive and cruel fills the entire novel. The first incident is his beating of his wife Ojiugo during the week of peace. No violence is permitted during this week, but Okonkwo breaks the laws only to establish his dominance in the house. Afterall, he cannot be “like the man in the song who had ten and one wives and not enough soup for his foo-foo” (Achebe 57). This incident is an indication of Okonkwo’s disregard for tribal laws because of how less they weigh than his masculinity does in his heart. After already losing respect for the Igbo cultures and customs, Okonkwo continues on losing a dear son. Ikemefuna is captured from

“{Ikemefuna} had become wholly absorbed into his new family. He was like an elder brother to Nwoye, and from the very first seemed to have kindled a new fire in the younger boy. He made him feel grown-up, and they no longer spent the evenings in his mother's hut while she cooked, but now sat with Okonkwo in his obi, or watched him as he tapped his palm tree for the evening wine. Nothing pleased Nwoye now more than to be sent for by his mother or another of his father's wives to do one of those difficult and masculine tasks in the home, like splitting wood, or pounding food. On receiving such a message through a younger brother or sister, Nwoye would feign annoyance and grumble aloud about women and their troubles.” [38] Before Ikemefuna came into their lives, Nwoye didn’t talk to his father very much, while he usually spent most of his time helping his mother in the kitchens. He was also a very emotional and ‘weak’ little boy. “Later in the day {Okonkwo} called Ikemefuna and told him that he was to be taken home the next day. Nwoye overheard it and burst into tears, whereupon his father beat him heavily.” [41] “...Okonkwo drew his machete and cut him down… As soon as his father walked in, that night, Nwoye knew that Ikemefuna had been killed, and something seemed to give way inside him, like the snapping of a tightened bow. He did

Okonkwo achieves respect and high social status through his own heroic efforts despite being left with nothing but the dishonorable reputation of his “lazy and improvident” father. Toiling in the fields, enduring droughts, exhibiting fearless on the battlefield, and fueled by a burning desire to succeed, Okonkwo becomes a hero in Umuofia. Okonkwo’s success stems from his hard-work and perseverance, which he achieves in spite of his father’s shortcomings. He “lay[s] the foundations of a prosperous future” by slowly and painfully working like “one possessed” in order to escape “his father’s contemptible life and shameful death.” Okonkwo, so “possessed” with escaping the lingering reputation of his father, does anything in his power to earn

Okonkwo’s oldest son, Nwoye, has to achieve high expectations, to be just like his father. If he falls short of Okonkwo’s near perfection, he will face consequence usually in the form of physical harm. Okonkwo wants Nwoye to be strong, powerful, independent, and hard-working. He must be like is father, and not like his grandfather, Unoka, or his mother. Unoka was an absolute failure in Okonkwo’s eyes, and a terrible father, who did nothing to help the family. Okonkwo is a man and wants his son to be a man too, not womanly like his mother. Okonkwo wanted “his son to be a great farmer and a great man” (33). Okonkwo is “worried about Nwoye....my children do not resemble me...too much of his mother in him” (66). Okonkwo knows that Nwoye resembles more of his mother than him, but also knows that he resembles Unoka too. Both fathers want their sons to be just like them, but do little to ask what they want in life, and neither father will budge on what they want for their sons.

Okonkwo continually rejected the ways of his father, who was deeply indebted to other members of Umuofia, holding no titles, to the point where Okonkwo’s “whole life was dominated by fear, the fear of failure and of weakness” (16). He transferred his fears into the context of Umuofia and the traits that society valued, but what was really the driving force in his decisions “was the fear of himself, lest he should be found to resemble his father” (17). The values of Umuofia resembled the polar opposite of what Unoka was and Okonkwo twisted his motivations around in his mind and presented them to himself and the community as derived from Umuofia’s traditions. From this delusion, Okonkwo established his ultimate goal of becoming a revered member of the village, possessing many titles, and achieving anything necessary displaying his prominence in the community.

Patriarchy in this society also seems to cause dehumanization. One instance is seen through Ikemefuna who is given up to Umuofia as a sacrifice for killing one of the women of Umuofia. Ikemefuna was given to Okonkwo without his agreement. However, he became close to Okonkwo and his family and soon even became a role model to Nwoye. Okonkwo began considering him his son and Ikemefuna “could hardly imagine that Okonkwo was not his real father” (7.59). Nwoye seems to be becoming more masculine and, “Okonkwo was inwardly pleased at his son's development and he knew it was due to Ikemefuna” (7.52). Yet the rules of the tribe are that you must listen to the elders and the spirit. This rule was probably made by the first great tribes and now it

The way in which the women of the Igbo village are presented, by Achebe, make it seem as if they serve very little purpose to the society. The main character, Okonkwo, is infatuated with making sure he does not turn out to be like his father. By living in a village where manliness was crucial and weakness was not, Okonkwo viewed his father as being a weak and cowardly mean because he could barely support his family. To make sure he did not become an adult that resembled his father, he developed the characteristics of being brave, wealthy and even violent. Since he acquired these traits, it gave him a sense of superiority over his wives and the other women of the village. Perhaps because of Okonkwo’s behavior, the women of the village are treated with less respect. It is portrayed by Achebe that the women of the Igbo village only purpose is looking after the children and helping their husbands when or if it is needed. Although the women of the Igbo village are described as being insignificant, the women are the people that fill in the gaps in the society. For example, the women are the ones that cook, clean, take care of everyone, help harvest and grow food, as well as all the other everyday tasks that are easily overlooked.

Okonkwo’s adherence to a tradition of cruelty that harms large groups of minorities leads to a pronounced division once Western missionaries establish their church: a church which allows for aspects of life that tribal law did not. His adherence to traditional law and inability to compromise — rigidity in a culture of flexibility — alienates family members, members of his community, and furthers an internal pressure which ultimately helps the pressures of colonialism. Okonkwo’s inflexible interpretation of tribal law, borne of a need to escape his father’s seemingly feminine weakness, leads to morally bankrupt decisions. Unable to settle on a compromise between law and morality, he murders Ikemefuna: although correct in the eyes of law, the action lacks morals, is purely driven by a need for social power and fear of seeming weak. Such personal conflict culminates in intense inner pressure on both Okonkwo’s part and on the part of the community as a whole, leading to a collapse of long standing unity when faced with the external pressure of missionaries, providing a “way out”. This culminates in a scene in which tribal leaders call for an attack on colonialist forces, including other tribal members which have joined the

One quotation that expresses Okonkwo’s view of manliness states Okonkwo “was always happy when he heard [Nwoye] grumbling about women. That showed that in time he would be able to control his womenfolk” (53). This quotation shows that Oknonkwo feels pleasure when his son displays signs of power, such as the control of the perceived weaker gender. Ergo, Okonkwo views the subordination of others by his son as an example of “masculinity.” This idea is further supported by the quotation: “No matter how prosperous a man was, if he was unable to rule his women and his children… he was not really a man” (53). Oknonkwo clearly considers utter authority of one’s nuclear family as a prerequisite to meet “manhood.” He literally states that a man without patriarchy in his family is not a man. Therefore, when Nwoye displays the early signs of this dominance, like the grumbling about his subordinate women’s issues, Okonkwo is finally considering his son “masculine” as shown by his happiness.

For all of his desire to be strong, Okonkwo is caught up by the constant fear of being perceived as weak. He is afraid of failure and afraid of being considered weak. This fear drives him to do whatever he can to not become a failure like his father which ironically contributes to his death. While Okonkwo was a strong and important figure in his tribe, he had to keep his reputation that way by making some hard decisions. One of them was when he had to kill Ikemefuna, a young boy from the neighboring tribe. Okonkwo started accepting the decision to kill Ikemefuna because he started to call Okonkwo father. He had to keep his own valor intact and kill the boy to prevent himself from showing any weakness, but deep down, Okonkwo was really upset because of what he did which was ironic, “’When did you become a shivering old woman,' Okonkwo asked himself, 'you, who are known in all the nine villages for your valor in war? How can a man who has killed five men in battle fall to pieces because he has added a boy to their number? Okonkwo, you have become a woman indeed.'" (Achebe 65). He continued to roll downhill when the white man comes to try and convert Okonkwo’s tribe. Okonkwo responds by killing one of the messengers that were sent. This cause Okonkwo's own tribe to question his actions. “"Okonkwo stood looking at the dead man. He knew that Umuofia would not go to war. He knew because they had let the other messengers escape.

After Ikemefuna’s murder ”My father, they have killed me!” …” Okonkwo drew his machete and cut him down.” (61). Okonkwo was scared to be weak, it seems like he associates weakness with felinity. Nwoye becomes closed and understands that he is forever changed. When the missionaries arrive Nwoye joins their side and converts into Christianity. Okonkwo hates that he has a rather feminine son and disowns him. Finally in the end Nwoye gains peace and forgets about his father’s terrible and violent atmosphere.

Okonkwo’s participation in the slaying of his adopted son, Ikemefuna is a pivotal moment in Things Fall Apart. It is a moment of horror that cannot please Ani, the great earth goddess, the center of community, the ultimate judge of morality for the clan. It is a moment that changes the course of events, a moment eerily paralleled in the death of Ezeudu’s son. It is a moment that ultimately causes Okonkwo’s son, Nwoye’s to abandon his ancestors and become a Christian. It is a moment when the center of community life, the need to honor blood ties and the need to respect the earth goddess, can no longer hold. It is a moment when things fall apart.

Fear is a powerful tool that if used incorrectly, can control how one lives. Okonkwo’s life is one that is dominated by fear. Chinua Achebe’s Things Fall Apart follows the Ibo people, set during the time of the colonization of West Africa, in the town of Umoufia. The protagonist, Okonkwo, is a strong follower of his culture’s rigid expectations and practices. While Okonkwo’s steadfast adherence earns the respect of the townsmen, many detest the cultural expectations and practices they are forced to follow. When Christian missionaries introduce Christianity to Umoufia, many of the Ibo people are quick to convert, including Okonkwo’s own son. This new religion slowly undermines the Ibo culture and religion Okonkwo firmly believes in, leading to his downfall. In Chinua Achebe’s Things Fall Apart, Okonkwo’s fear of weakness along with the arrival of Christianity causes Okonkwo’s downfall.

Ikemefuna is very well-liked by Okonkwo and his family, and becomes a mentor and best friend to Nwoye. Okonkwo feels dismay that Nwoye is taking on the torpid characteristics of his grandfather, Unoka, and is quite pleased that Nwoye is thriving and maturing under Ikemefuna’s guidance. “Okonkwo was inwardly pleased at his son’s development, and he knew it was due to Ikemefuna” (Achebe, 1958, p. 52, para. 2). Okonkwo’s pride, and fear of demonstrating any perceived sign of weakness, does not allow him to show any favorable emotion to Ikemefuna; he treats him with the same severity he does the rest of his family. “Even Okonkwo himself

The description given early in the novel clearly establishes his character as being a strong and wealthy man who is well respected among the rest of the tribe due to his superior fighting abilities and his influential personality. Having achieved such elite status within the Umuofia clan, Okonkwo appears to be old-fashioned as it is seen in his approach in raising his family and tribal people. However, Okonkwo’s character changes incrementally with the emergence of a boy, Ikemefuna, from a neighboring village, who was brought to him because of his brutal attack against his wife Ojiugo during the ‘week of peace’. Amongst the Umuofia clan, the ‘week of peace’ is a tribal ritual whose conditions are not to complete any evil sins in a certain week span. After having accepted Ikemefuna into the family, Okonkwo experiences a shift in his mental state. Shortly hereafter, he questions this change, which demonstrates his lack of willingness to change which is clearly demonstrated in the book in several different ways like in chapter Eight, Okonkwo proclaims to himself, “When did you become a shivering old woman, you, who are known in all nine villages for your valour in war” (Achebe 56). This represents that his character has become a weaker, less influential individual amongst the nine tribes where he is well known. Symbolically, this depicts a fragile reputation in Okonkwo’s status within the community to which he belongs.