Why Does Edgar Allan Poe's Use Of Diction

A famous writer, a renowned poet, and a American hero, Edgar Allan Poe has helped shaped modern day literature. Taught in schools as being a tortured soul, Poe’s dark writing has shaped American English for the better. Edgar Allen Poe’s early demise came as a shock to many during the time. Poe left this world in a mystery, much like some of his most famous works. The way in which Poe died, is never as simple as it seems. The limited details of his demise has left a hole in American literature and history. Modern day textbooks such as Great American Stories detail his death in zero to none detail, “A week later, he was found near Baltimore tavern-delirious, his clothing torn and wet from a raging storm. He died four days later” (95). This

One of the most influential authors of all time, Edgar Allan Poe, uses dark imagery and complex syntax to make his short stories and poems dark and mysterious. Poe’s dark, tragic backstory contributes to his dark writing style. His father left him when he was young, and his mother died when he was only three. He then went on writing poems, and after he finished his school, he found his fiance cheating on him, so he moved to Boston to get away from everything he knew. He then married his cousin when she was only 13, but she died 11 years after. Annabel Lee was likely based off of his wife's death, having wrote it shortly after her death. Overall, Poe used his dark imagery and complex syntax to write his gothic short stories and poems such as Annabel Lee and Fall of the House of Usher.

The life of Edgar Allan Poe was as morbid and melancholy as his works. After

Edgar Allan Poe has been known for writing stories of mystery and horror. He has

Edgar Allan Poe is a famous well known writer known for his dark and gothic horror stories such as “The Tell-Tale Heart” and many others. The well-known author had a rough life which dealt with a lot of death, so most of his stories revolve around this idea. In “The Cask of Amontillado” and “The Masque of the Red Death” Poe uses similar themes or darkness to convey tone and conflict throughout the story. His writing style is dark and revolves around one main concept: death. Edgar Allan Poe uses diction and syntax, setting and conflict, and characterization in his writing style to develop his stories.

“Mr. Poe could not possibly send forth a book without some marks of his genius, and mixed up with the dross we find much sterling ore.” — (From a review of Poe’s Tales, September 6, 1845.) In 1845, Poe, 27, and Virginia, 13, married, and were happy for a time. In 1842, Virginia ruptured a blood vessel; the first sign of the ill health that plagued her short life. Poe turned to alcohol to cope with her illness and the stress of his dying wife. Two years later, Virginia died of tuberculosis, and Poe’s own death would follow shortly two years after that.

The theme in Poe’s short story, “The Premature burial ‘ is one of extreme fear and its effect that it can have on the human mind and the resulting quality of life. The main character narrates the story in first person and suffers from an internal conflict because he is subjected to an unusual disease he tells us, “for several years I have been subject to the disorder which physicians have agreed to term catalepsy.” So he sporadically becomes catatonic, which leads him to develop a fear of people assuming that when he is in this state, he is dead and therefore they might mistakenly bury him alive. Consequently, he persuades his friends to promise to check whether he is alive or not and asks “that under no circumstances they would bury me until

The use of diction, “Villains” specifically refers to the policemen in the persona’s company, although the persona is the murderer who clearly has portrayed villainous qualities. This ironic accusation is the result of the narrator projecting his lingering guilt onto others, as a method of coping with his emotional trauma. The confusion and inability to distinguish between the policemen and the composer’s villainous actions ultimately concludes the short story by consolidating the persona’s insanity, setting the audience’s mind to rest with the resolution. Through Poe’s storytelling, the audience experiences a dubious journey, which mirrors the nature of insanity.

Death is an important theme in Edgar Allan Poe’s short stories, “The Pit and the Pendulum” and “The Masque of the Red Death”.

The notorious, drug-addled writer Edgar Allan Poe was announced dead in the hospital this Sunday, 7 October 1849, and we now face the harsh reality of not knowing the cause of his death. Doctors say that Poe could have died a large number of ways, ranging from rabies to cholera, but that they could not reach a firm decision as to how our beloved writer faced such a tragic death. A friend of his, Joseph Snodgrass, suggested alcoholism, but many defame this claim. Before his entry into the hospital, Poe was found by delirious and dresses rather strangely by Joseph W. Walker who contacted Snodgrass. Poe spent several days in the hospital before finally dying at 5 am, Sunday morning. His funeral was held yesterday, 8 October.

Picture this. The father of modern crime and detective stories, known as Edgar Allan Poe, is sitting down about to write a beautiful piece of writing and BAM! He whisks away into a story of love, death, and just plain out horror; either characters are losing someone near and dear to their hearts or they are plotting to kill. Edgar Allan Poe, at a very young age, lost both of his parents, and later on in life, lost his wife to tuberculosis, so in one way or another, these stories reflect off of his personal experiences. A major theme in Poe’s writings is death. The theme of death is seen throughout the works of Annabel Lee, the Cask of Amontillado, the Raven, and the Black Cat.

Poe uses this theory of the power of death (and how it consumes the living qualities of a person) throughout this story and this is one example near the end of the story. Poe also describes the results of the events ahead as "(perhaps) unfortunate." It is important to realize that the results which involve a successful experiment for the narrator are actually horrifying for the patient and that is why the word "perhaps" is used in parenthesis in this paragraph. If the experiment actually works the narrator will gain fame and recognition even if doing so he makes his patient suffer. This concept of the narrator looking out for himself is an example of how the doctor is characterized as a "mad scientist" trying anything to make his experiment be successful. At the end of this paragraph there is a sentence about the "unwarranted popular feeling" towards the doctor for attempting to awakening his patient. This sentence alone shows the motive behind the title of the story "The Facts in the Case of M. Valdemar." The narrator uses the title of the story to defend the experiment and he mainly does this by using the word "facts" in the title. Many people saw this as an indecent experiment without a basis in reason or fact and in a sense Poe is using the "facts" to represent his case.

As Poe went on with his life as a lost soul searching for affection, it was very easy for him to lose sight of his own importance. Without anyone to reassure his value of life it became difficult to remain content. In the short story “Ligeia” Poe stresses how the narrator “cannot.. remember how, when, or

“[He] attended a lot of funerals. When he wasn’t going to funerals, he wrote stories about dead people (or soon-to-be-dead people) living in torture chambers, haunted houses, and other creepy locales with zero chance of escape….” an author writes in Edgar Allan Poe's biography. Poe is an author who has experienced multiple catastrophic events could have done this. With much experience in death, Edgar Allan Poe had a brutal, devastating, and depressing life. Authors often write what they feel and experience in life. Surrounded by death most his stories too were about death. In the story The Tell-Tale Heart Poe writes about a man is killed because he has a hideous eye. One of his bestsellers, the Raven, is about a man who believes that a bird

Poe wrote this story in the nineteenth century when “the public was captivated by fantastic experiments claiming to reanimate the corpses of animals and human beings” (Kofman). Poe did not believe in prolonging life with mesmerism, as he emphasizes in “The Facts in the Case of M. Valdemar.” The narrator is very practiced in his mesmerism, and he decides to attempt a mesmeric trance on his good friend M. Valdemar at the end of his life. He wants to experiment and toy with the idea that he may succeed in extending his friend’s life. After being mesmerized, the narrator goes on to say, “there issued from the