Why Does Morrison Use Of Flashback In Beloved

In Toni Morrison’s novel, Beloved is a character whose identity is primarily unknown. She retains some of her memories, although they are mostly obscure and symbolic. Even though she become increasingly obsessed with Sethe, her true objectives are only later revealed, when Sethe realizes that she is most likely the reincarnation of the daughter she killed to protect from slavery. Beloved uses Sethe’s guilt to subjugate her, she forces her mother to give, and then forfeit, everything she has to her, including her own sanity. “Beloved didn’t move; said, ‘Do it,’ and Sethe complied. She took the best of everything – first” (Morrison 277). Beloved starts wearing her mother’s clothes and mimicking her behaviors; Beloved becomes the mother, and Sethe the child. “The bigger Beloved got,

Toni Morrison redefines the boundaries and capacities of love in her novel about freed African Americans, Beloved. Due to their positions and past experiences, the former slaves in Beloved have a tendency to disassociate themselves from love. Sethe, one of Morrison’s main characters, suffers from the opposite affliction; Sethe loves too much and much too hard. Morrison explores the complex feeling of love and its power to hurt both the receivers and givers of this feeling.

We are spoiled to be able to live in the United States in the 21st century where slavery has died, and everyone can be free. For a long time in early America, life for all was not this easy. Sure, our lives now might not necessarily be “easy,” but considering the tragedies and pain in Toni Morrison’s Beloved, we do not even know the definition of a “hard” life. Morrison’s style of writing uses many different ways to compel the reader to feel and believe the tragedies that Sethe and her children went through, but one that is used in a way above all others is the use of repetition. Morrison uses repetition to convey a sense of insanity and the overlying theme of a past that never passes.

The past comes back to haunt accurately in Beloved. Written by Toni Morrison, a prominent African-American author and Noble Prize winner for literature, the novel Beloved focuses on Sethe, a former slave who killed her daughter, Beloved, before the story begins. Beloved returns symbolically in the psychological issues of each character and literally in human form. The novel is inspired by the true story of Margaret Garner, a slave in the 1850s, who committed infanticide by killing her child. Barbara Schapiro, the author of “The Bonds of Love and the Boundaries of Self in Toni Morrison’s Beloved”, Andrew Levy, the author of “Telling Beloved”, and Karla F.C. Holloway, the author of “Beloved: A Spiritual”, present ideas of the loss of psychological freedom, the story being “unspeakable”, Beloved being the past, and the narrative structures of the story rewriting history.

In Toni Morrison’s novel, Beloved there is a mother-daughter relationship in which Sethe out of motherly love, murders her daughter Beloved to free and protect her from the harshness of slavery. Through this, the ghost of her deceased daughter haunts her conscience and later further haunts Sethe about her act of love. From the time she slits the throat of her infant daughter and until the end of the novel, Morrison presents justifications of Sethe's actions and understanding of her use of this conflict to recreate history in relaying the harshness of slavery in this time period. Morrison uses tactics which incorporates Beloved and slavery making them synonymous and depicting the importance of the bittersweet ice skating scene.

Morrison bases Sethe’s character off of real-life murderer, Margaret Garner. Morrison leaves few of the important elements of the story the same and alters others. Why did Morrison go through the trouble of writing Beloved? She did not write it for

Morrison uses the voices of two people, lost from each other in remembrance, and brings them together by juxtaposing memory against memory until finally their recollections converge in the same episode. After a sexual encounter, Sethe and Paul D reflect on their shared experiences in slavery at the Sweet Home plantation. It is against this backdrop that both characters struggle to tackle their feelings of inadequacy. Although Sethe and Paul D share their memories, there is only so much that they are willing to divulge since "[s]aying more might push them both to a place they couldn't get back from" (Morrison 72). While Paul's coping mechanism is to place all of his painful memories in the tobacco tin buried in his chest, Sethe's coping mechanism is prevention. The characterizations of Sethe, Paul D, and Sethe's daughter Denver continue through the use of flashbacks. By juxtaposing memory with scenes from the present, Morrison offers a better understanding of Denver and her reaction to Paul D. Lonely and troubled, she finds solace inside her own small world and connection to the memories her mother has shared with her regarding her birth. Denver feeds her hunger through these memories as well as through perfume and the boxwood arbor. It is in this first trimester that Morrison begins to connect imagery with the retrieval of past events. For all, the baby ghost acts as a catalyst for remembering the past.

Both Paul D and Sethe’s memories about Sweet Home are extremely grieved. For an example, Sethe’s life as a slave in Sweet Home is painful. This quote demonstrates that Sethe’s “chokecherry tree” scar on her back was resulted by the men who whipped her and tole her baby’s milk when she was still a slave. I think Morrison gives us the information bit by little bit because she wanted to hid certain information for the middle of the book. Also, she might also wanted to attract readers mind by using this Strategy. Similarly, if an author gives the readers all the information at one time, then the readers might lose the interest to continue reading the book because the reader had already what will happen later

Morrison represents the past of African-Americans from her own perspective drawing attention to what slavery can do to individuals and their families. Because of the experiences of slavery, most slaves repressed their memories in an attempt to forget the past. When they repressed their memories of the past it causes them to lose a sense of self and their true identity. Sethe, Paul D. and Denver, all experience this loss of self, which can only be remedied when they all accept the past and their memories of self. Beloved serves as a reminder to these three characters of their buried memories, eventually causing them to rebuild themselves.

Krumholz argues that Beloved is a mind healing recovery process that forces the characters to remember and tackle their past. In her essay, “Toni Morrison”, Jill Matus regards Beloved as a form of cultural memory that analyzes vague and possibly removed history. Furthermore, in his book, Fiction and Folklore: the Novels of Toni Morrison, Trudier Harris focuses on the issue of ownership and slavery in Beloved. In all, historical background is a huge player in understanding Beloved. Morrison set the novel during the Reconstruction era, after the Civil War, which sets the entire tone and plot for the main character, Sethe.

  Memories are works of fiction, selective representations of experiences actual or imagined. They provide a framework for creating meaning in one's own life as well as in the lives of others. In Toni Morrison's novel Beloved, memory is a dangerous and debilitating faculty of human consciousness. Sethe endures the tyranny of the self imposed prison of memory. She expresses an insatiable obsession with her memories, with the past. Sethe is compelled to explore and explain an overwhelming sense of yearning, longing, thirst for something beyond herself, her daughter, her Beloved. Though Beloved becomes a physical manifestation of these memories, her will is essentially defined by and tied to the

Through character development, the story also portrays the theme of escaping the past. Sethe’s actions are influenced heavily by her dead child, Beloved. When the “human” form of Beloved arrives while sleeping

Repression of memories is a psychological concept that has haunted modern psychology for years. Repression of memories also known as “rememory” defined by the mind pushing away traumatic or shocking experiences into a dark corner of a person’s unconscious. As this idea developed and began to be studied more thoroughly, slavery became an institution in which researchers saw promise in drawing conclusions about the dangers of repressing memories. In Toni Morrison’s novel, Beloved, the character narratives of Paul D and Sethe exemplify the dangers of repressing memories. Both disconnect from and push away unwanted emotional traumas or experiences from their past. However, this effort doesn’t pay off and their repression of memories is not successful. Through the use of symbols such as Paul D’s tobacco tin and Sethe’s scars and lost child, Morrison demonstrates how repression of the past isn’t effective and how it always comes back to haunt a person who doesn’t correctly cope with their trauma. Paul D and Sethe live unfulfilled lives as a result of repressed memories.

In Beloved, Morrison discusses the power that the past can hold over a person. Sethe murdered her daughter and was stopped before she had the chance to murder her other children. However, the murders did not occur out of malicious intent. After escaping her owner, Sethe is terrified that someone will catch her and her children and force them into slavery. She feels that the worst thing in the world is

In Beloved, Toni Morrison frequently alternates between telling stories from Sethe's past, to telling events in the present. Morrison introduces Beloved, who serves as the link between Sethe and Paul D's past at "Sweet Home" as slaves, and the present, living in Ohio as a free family of three: Sethe, Paul D. and Denver. The character of Beloved allows Morrison to explain the experiences and characteristics of the three characters, and how they are reactions to their pasts. Up to Beloved's arrival, Sethe and Denver lived in a "spiteful house.", which created a state of uneasiness. The ghost of Beloved had driven off Sethe's two sons, yet the mother and daughter continued to live at 124. With the arrival of Paul D., some of Sethe's