Why Does Plato Considers Ordinary Human Existence to Thatos Chained Prisoners in a Cave

In Plato's Cave, the prisoners are tied down with chains, hand, and foot under bondage. In fact they have been there since their childhood, which much like matrix people are seen as in reality being bound within a pad whereby they are feed images/illusions which keep them in a dreamlike state and they have been in this bondage by virtue of the virtual reality pads in the fields since their youth and like the allegory of the Cave they are completely unaware of such a predicament since in regards to the Cave they have become conditioned to the shadows that dance upon the wall and do not see the true forms of which the shadow is a mere non-substantial pattern of. In the Matrix, within the person of the virtual world, it is a non-substantial pattern of the world, it is reflective of the real world, it is a shadow in its form and nature being a simulation of the world at a particular point in history. Like the prisoners in the cave, those who are prisoners in the system of a matrix are held in their calm state by reason of the illusion that stimulates them and tricks them into remaining asleep or rather into being ignorant of the fact that they are prisoners in pads so the machines can feed on their bio-energy. The shadows on the wall which are reflective is to keep the prisoners on the Cave unaware of the fact that they are prisoners, that they are under bondage and have never truly seen life outside of the Cave. The shadows on the walls are by puppets, perchance puppeteers. They could be seen as the agents, whom within the Matrix being programs are to maintain that the humans asleep in the matrix remain in their comatose state, they are to support the illusion, by keeping man actively ignorant of what is truly happening, so they never wake up. The puppeteers of the puppets which are seen on the wall to keep the mind of the prisoners stimulated so they never realize that they are chained, and only have a vision that is straightforward, which is basically saying their minds are only subjected to a single perspective and they are blind to the degree of seeing within other perspectives, broader perspectives and this in and of itself is a limitation.

The stages of Plato’s “cave journey” begin with people stuck in a dark cave. They are chained from birth, unable to move their bodies and can only see straight ahead. A fire behind them creates the shadows of objects being flashed on a wall in front of them. They have never seen the real objects, so they believe the shadows of the objects to be real. The people stuck in the cave begin a guessing game; trying to guess which objects will appear next, and whoever guess correctly would be praised by the others. At the mouth of the cave there is a glimmer of light, and the possibility of life outside the cave.

Plato describes the state of mind and state of living of the prisoners. He also notes that everyone is in a cave of darkness surrounding knowledge at some point or another. Plato’s

Imagery used by Plato as part of his writing style of allegory examines the shadows of the cave as ideas offered at surface level. Plato is showing people are there to believe what is given to them because they do not know anything else to be true. The shadows are explained, as “truth would be literally nothing but the shadows of the images” (Plato 450). Shadows are a brilliant use of imagery because they resemble something dark, indescribable, and hard to recognize. This helps support Plato’s argument because the truth can only be seen at the basic level without any complex details; it is just known to be true. His philosophy is that people can only see beyond the surface if they have to capability to do so and believe, what others think is crazy.

The Republic is considered to be one of Plato’s most storied legacies. Plato recorded many different philosophical ideals in his writings. Addressing a wide variety of topics from justice in book one, to knowledge, enlightenment, and the senses as he does in book seven. In his seventh book, when discussing the concept of knowledge, he is virtually addressing the cliché “seeing is believing”, while attempting to validate the roots of our knowledge. By his use of philosophical themes, Plato is able to further his points on enlightenment, knowledge, and education. In this allegory, the depictions of humans as they are chained, their only knowledge of the world is what is seen inside the cave. Plato considers what would happen to people

The "Allegory of the Cave" by Plato represents an extended metaphor that is to contrast the way in which we perceive and believe in what is reality. The thesis behind his allegory is the basic opinion that all we perceive are imperfect "reflections" of the ultimate Forms, which subsequently represent truth and reality. In his story, Plato establishes a cave in which prisoners are chained down and forced to look upon the front wall of the cave. In "Allegory of the Cave" there there are two elements to the story; the fictional metaphor of the prisoners, and the philosophical opinion in that the allegory is supposed to represent, hence presenting us with the allegory itself.

In Plato's “The Cave” shows us a group of prisoners chained to face a wall. A fire behind them casts shadows on the wall their facing of a variety of different things however they can not see what they truly are. The prisoners only reality is the shadows and the sound they associate with these shadows. They truly have no understanding of what happening other than what they see on the wall and what they hear. This distorted view of the world

Plato's "Allegory of the Cave" presents a vision of humans as slaves chained in front of a fire observing the shadows of things on the cave wall in front of them. The shadows are the only "reality" the slaves know. Plato argues that there is a basic flaw in how we humans mistake our limited perceptions as reality, truth and goodness. The allegory reveals how that flaw affects our education, our spirituality and our politics.

As he talks about the prisoners, he claims that - were they not released and able to go into the outside light - they “would deem reality to be nothing else than the shadows of the artificial objects” (Plato). He describes their original life in the cave as being primitive and conjecture in nature. Once released from their chains, though, the prisoner must make his way past the fire and into the outside world because for Plato, “the entire ascent out of the cave, is a story of progress toward understanding values”

In the story The Allegory of the Cave, Plato describes the perception of reality. He explains how to interpret ideas or objects in different perspectives. The story he tells about the cave could have influenced different modern day ideas. Some ideal examples might include religion, abuse, and imprisonment. Plato’s cave theory applies to all of these ideas and can show many different perspectives.

In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion

In Plato’s essay, “Allegory of The Cave” Plato creates a story about three prisoners in a cave, through this he further makes his point that without knowledge our view of the truth is askew. Plato explains that the three hostages have been shackled in the dark cave their whole lives unable to see the real world. The only piece of actuality they can see are shadows of people crossing in front of the opening of the cave. These figures can drive anyone insane without having any real truth to what the images could be. Without any awareness of the real world just outside of the cave they are forced to adapt and therefore accept their own reality. Plato goes on to say that, “the truth would be literally nothing but the shadows of the images” (122). The obscurities are significant because they are the only apprehension the prisoners have, they have nothing to compare it to. The actuality of it to the captives is something other than the truth would be outside of the cave. The forms on the wall are only just shadows, but to them that is everything they have ever known. Plato through his legend portrays

In order to understand the moral fabric of the world, it is important to question any information that is given to an individual, instead of blindly accepting the majority opinion and giving it full credibility and validity based on other people’s opinions. Plato’s work, The Republic introduces the allegory of the cave, which is metaphorical scenario that attempts to explain the importance of questioning norms that may seem trivial. Plato illustrates a cave where bounded prisoners have lived all their lives in seclusion, away from the outside world. In their immobile state, they can only look at the wall in front of them which is illuminated by a small fire that has been going on behind them. The wall constantly projects shadows of people

The “Allegory of the Cave” by Plato represents the differences in the way we perceive reality and what we believe is real. In his story, Plato starts by saying that in a cave, there are prisoners chained down and are forced to look at a wall. The prisoners are unable to turn their heads to see what is going on behind them and are completely bound to the floor. Behind the prisoners, puppeteers hide and cast shadows on the wall in line with the prisoners’ sight, thus giving the prisoners their only sense of reality. What happens in the passage is not told from the prisoners’ point of view but is actually a conversation held between Socrates and Glaucon (Plato’s brother).

Socrates’s anecdote of the cave presents a ghastly image: people who “are in it from childhood with their legs and necks in bonds so that they are fixed, seeing only in front of them, unable because of the bond to turn their heads all the way around” (193). Also inside the cave is a “fire burning” which allows certain objects (out of sight and controlled by others) to project shadows (193). Consequently, the prisoners believe that the shadows are the most real things. When a prisoner is released, he experiences pain due to the light of the fire. In time, he recognizes the truth and becomes accustomed to it. He is then “dragged out into the light of the sun” (194). After a few moments, he tolerates its rays. Most importantly though, he grasps “the sun itself” (195). Finally, the escapee is not content with keeping this