Why Does Sartre Say That Our Emotions Are Transformations of the World

Why do ordinary, rational, human beings actively and knowingly seek out art that appears to elicit negative emotions, especially as these same people tend to avoid such emotions in other areas of their life? This question formally understood as the paradox of painful art is what Hume effectively attempts to address in his essay 'Of Tragedy'. In this essay I will conclude that Hume's solution to this paradox; that painful emotions elicited by art are converted into pleasurable ones; is indefensible. I will first offer my reading of Hume's solution to the paradox of painful art. I will then argue that Hume fails to give a satisfying account of the process of the conversion he proposes, I will then go onto show that Hume's conversion theory

Jean-Paul Sartre is a French philosopher who makes his claims based on a combination of two philosophical traditions – existentialism and phenomenology. Sartre himself is an atheistic existentialist. He summarizes his claims regarding existentialism with three words – anguish, abandonment, and despair (25). In this paper, I will talk about Sartre’s definition of existentialism, its relation to essence, Sartre’s views on the moral choices and how they relate to art.

In chapter seven, it talks about emotions which are internal sensations that are shaped by physiology, perceptions, language, and social experiences. It is said that we feel emotions when external stimuli cause a physiological change in our bodies. For example, before and while giving my identity presentation, I felt anxious and nervous. I knew this because I was sweating, light-headed, and my stomach was turning. Another example for me would be whenever I get extremely mad because it feels like my whole body is on fire.

| a conviction that emotion and experience are the sources of the most profound truths.

Attempts to define “emotion” have proved to be rather difficult. Instead of searching for a comprehensive definition, Gross (2011) describes the three core features of emotions. First, emotions occur when an individual decides that a situation is relevant to his or her goals. Second, emotions are multi-faceted, and involve both subjective and physiological experiences, as well as behaviors. The third feature involves the authoritative nature of emotions. They have the powerful ability to interrupt ongoing processes, assert their priority over other activities, and force their way into awareness. For example, some traditions describe emotions as “disorganized interruptions of mental activity” (Salovey & Mayer, 1989). Emotions are such an

Emotions are like tools that let you know where you are in life and if you need to make changes. In “Brave New World”, emotions are eliminated so that their society can enter a chain of dehumanization in order to control their society. With the World States decision to eliminate emotions from humanity has made their society worse. Emotions are the most basic and important characteristics that make up a human being. Though they could be positive or either negative, they can cause you to take important or necessary actions in your life.

This book is divided into three parts. The first, 'Emotional Strategies: An Existentialist Perspective ' observes in some detail the ways in which we engage the world through sixteen different emotions, with several of their permutations. Following Heidegger; who believes that emotions tunes us to the world and Sartre; who reasons that emotions have a purpose, Solomon claims that we are responsible for our emotions. This coincides with the fundamental Stoic insight that we “are” our emotions. Aristotle discussed certain emotions at length, notably anger, which he described in remarkably modern terms. Commonly classified as a basic negative and destructive emotion, emotional reactions can usefully be read as, and ultimately even identified with, strategies we adopt as a way of dealing with the challenges of our lives- for example, prompting us to fight for justice and protecting our rights. Thus even

Our emotions in many cases affect our perception of events as well as the actions that we take ourselves by permeating our way of thinking, and therefore affecting each thing that we do in that moment. In particular, emotions about the perception of ourselves have been shown to have both the ability to positively and negatively affect our actions and performances in life. This is what can be

“Magick is the Science and Art of causing Change to occur in conformity with Will” - Aleister Crowley

The author hesitates to let emotions speak for themselves without an example or hard evidence to upkeep the credibility behind his teachings. Concluding a story concerning his experience with a friend with Alzheimer’s disease, Roth writes “For me it remains a strong reminder of how once we understand we give everything in our life its meaning, we can begin to control what happens to us and even convert our own adversity into a gift to ourselves and our loved ones” (24). The entire story of his friend and the family’s struggle through Alzheimer’s displays sentiment, but Roth appears to end it unexpectedly with logic. Nevertheless, Roth is not heartless and references emotion numerous times in this chapter. This influences the reader, they find attraction to the idea of being happy. A sociology researcher, Katherine Walker wrote an article: Sociology of Emotions. She states in her overview “Emotions are of sociological interest because they are a primary human motivation, they help in rational decision making”. The Achievement Habit appeals to emotions while Roth urges individuals to improve their lives.

What we think is reality will ultimately become our reality if we believe certain things about an individual; he/she begins acting in exactly that way.

Human emotions remain as one of the world’s biggest secrets. Like sleep, we know what happens to our body when we experience these emotions whether it be a release of hormones or a certain area on the body becomes more sensitive. But we don’t know why we have them, experience them, or what purpose they serve. All we know is everyone’s emotions behave differently. Different types of arts can elicit completely different emotional response from people. Some art may have the ability to appeal to dangerous emotions in certain people. Whether it be the corruption of a once faithful and beautiful young girl, plagued by the desire for romanticism and lofty ideas, or a handsome young nobleman who is obsessed with living life to fullest. Both are fueled by the emotion that a certain type of art elicits in them, leaving them in a never ending chase that ruins there life’s. In the Novels Madame Bovary and The Picture of Dorian Grey the protagonists in these stories perfectly exemplifies the danger of arts emotional appeal by showing the corruption and eventual downfall of two once young and beautiful souls by exposing them to art that pleases dangerous emotions such as desire, pleasure, entitlement and disappointment.

“We are left alone, without excuse. This is what I mean when I say that man is condemned to be free” (Sartre 32). Radical freedom and responsibility is the central notion of Jean-Paul Sartre’s philosophy. However, Sartre himself raises objections about his philosophy, but he overcomes these obvious objections. In this paper I will argue that man creates their own essence through their choices and that our values and choices are important because they allow man to be free and create their own existence. I will first do this by explaining Jean-Paul Sartre’s quote, then by thoroughly stating Sartre’s theory, and then by opposing objections raised against Sartre’s theory.

Gonzalo states: "We are people of our own minds and no one else's," by this Gonzalo is telling everyone that no one can control what someone sees or does. This is true unless one is using magic to alter the minds and reality of anyone under the influence of magic. In the Tempest, by William Shakespeare, Prospero uses magic to alter the reality and delude the minds of characters. Love or guilt is a form of magic that naturally occurs in one's life. Prospero creates another magic that is placed in the audience's mind when he asks them to become the master magicians.

Consciousness is what human beings are, it is not something they have. It doesn’t mean he thinks of human beings as pure intellects (like angels). Quite the reverse, for Sartre consciousness is much more than the intellect. Consciousness also includes our memories, desires, emotions, hopes and fears — even our bodies (Spade, 1995). For Sartre, this vague, undetermined nature, is what defines man. Since the “for-itself” (like man) has an absence of predetermined essence, it is forced to generate itself from nothingness. Sartre believes that nothingness is the crucial characteristic of the “for-itself”, for example, a table is a table and does not have the capability to change or create its being. On the other hand, by acting in the world man makes himself, so instead of simply “being” as the object-in-itself does, man, as an object-for-itself, must activate his own being (Anon.,