Why Does Tim Burton Look Evil In Edward Scissorhands

Do you know what makes you different? Tim Burton does and has a unique way of showing it. Through his films, Charlie and the Chocolate factory, Corpse Bride, and Edward Scissorhands. Which he has managed to enhance by using these two specific cinematic techniques. Lighting and sound are the two factors that contribute you into feeling a desired way. These techniques manipulate you to either feel sad, happy, or even excited during the film.

This is commonly done in Edward Scissorhands. As Peg ventures further into the mansion, low key lighting is applied when Edward comes forth from out of the shadows. As soon as the audience discovers Edward shadowed in darkness, with his sharp blades for hands, they begin to believe that he is a harmful character. It is only when Peg offers to take him home that the audience realizes that he is not the menacing man they had previously thought he was. Through the use of low key lighting along with his dark image, the audience must get to know Edward for who he truly is in order for them to be capable of understanding that he is not an evil character.

Burton also uses sound such as diegetic and non-diegetic music and sound in order to advance the mood, feelings, and emotions of the audience. One particularly exceptional example of Burton’s use of sound is in the film Edward Scissorhands. Burton uses non-diegetic music in order to signify the relationship between Edward and Kim. He uses music that sounds almost like an angel singing in heaven while Edward is carving an ice angel. While Edward is at work, Kim spots the beautiful, white snow created by the beautiful sculpting of the angel and starts spinning and twirling in it, as if she’s never seen snow as dazzling as Edwards before. This symbolizes the relationship between Edward and Kim and the forbidden romance that will take place later on in the film as their feelings for each other grow deeper and deeper. This persuades the audience to root and cheer on Edward and Kim’s forbidden romance even though they know the love they both have for each other is pointless and will never work out because of their differences. Burton also uses diegetic sound in the film Charlie and the Chocolate Factory. He uses diegetic sound in order to urge the audience to feel mournful and enhance their mood to feel sorrow toward the former Wonka factory workers. In the film, he uses diegetic sound as the massive gates close to Wonka’s incredible factory. He does this to show the

The eerie nondigetic sound contributes a lot to the dream-like feel of Tim Burton’s films because, especially with the music-box-like nondigetic sound, the nondigetic sounds give a sense of fantasy, surrealness. Tim Burton’s style is very fantasy like, while taking on a tone that is darker

Lighting is important to tell the mood of a film. Burton depicts sinister and scary images with low-key lighting. Tim Burton’s lighting techniques are completely unique. In “Edward Scissorhands“he contrasts lighting. Peg lives in a town that is bright and cheerful looking. Edward’s castle is depressing and gloomy. Tim Burton again shows off his

Tim Burton, in Charlie and The Chocolate Factory, uses lighting to help produce his grim style. Burton includes back lighting in the clip of the chocolate palace to create a silhouette. This application of lighting separates the building from the sunset. Therefore, it generates contrast causing the palace to look unearthly and dark. Without this

Tim Burton is the creator of the interesting and entertaining movie Edward Scissorhands. Tim Burton uses lighting and sound in the film to help convey the tone between the character Edward and Jim. There are many different uses of lighting and sound that vary throughout the movie. In Tim Burton’s Edward Scissorhands, Burton uses lighting in order to convey a sympathetic tone toward Edward. For example, when Edward was tricked into breaking into Jim’s house, just so Jim could get a key from his dad’s office, Edward gets caught by the police but they end up letting him go home. Everyone believes that it was his fault and they all begin to dislike him. When he arrives back at the Boggs’s home he is being lectured by Bill Boggs while they are all sitting at the dinner table.

To some, Tim Burton’s works display frightening, abstract images. To Burton, his work represents positivity, “I never really saw them [films] as dark. They always seemed more positive in a way.” People all view objects differently. His fictional films include, Edward Scissorhands, Alice and Wonderland, and Big Fish, along with many others. In these films, Burton uses cinematic techniques that shape the characterization. Tim Burton’s usage of flashbacks, lighting, and color helps develop characterization in Edward Scissorhands and Big Fish.

The third and final technique is "low key lighting" burton is known to have different kind of techniques for directing movies. The first example of low key lighting is in the beginning credits everything was black and white shaded and dark it felt very mischievous. Another example is when Edward was running away from the police and while he was running in the streets were very dark and shady showing that it was a low key scene. Third example is when Edward has his flashback and it shows his inventor's house and how he was created it was very grey and different from what we call normal from the low key

In the film Edward Scissorhands, Tim Burton uses many different techniques to establish mood. Some of the techniques he uses are music and sound. In the opening credits there is light and joyful operatic, non-diegetic music playing that gets cut off and turns into eerie and spooky music when the castle is shown on screen. This spooky, non-diegetic music is meant to make you feel fearful about what the castle could contain, and this is a way Burton wants you to feel anxious

Many people believe that fitting in and conforming to the ideas of what someone should look or act like is how you find happiness within society. However, Tim Burton’s childhood of being set apart and its influence on his directing choices portray how diversity among the people in this world seems to bring more joy to life. Through the use of abnormal characters and color contrast, Burton delivers the idea that when one is different, the world is more colorful. In his movies, Burton uses color contrast to emphasize how the unknown places that people fear or can’t comprehend might surprise them.

Tim Burton, uses lighting to separate himself from average film makers. In Charlie and the Chocolate Factory, Burton shows a more vibrant and contrasting side in this film, he uses such dull colors. No doubt Burton astonishingly surprises his audience time after time, by using the darker colors and putting them next to bold elegant colors. When everyone got their golden tickets they

One of Hollywood's most famous American film producers, Tim Burton, is known for his quirky kid movies because of their strange twists. His Alice in Wonderland, Edward Scissorhands, and Charlie and the Chocolate Factory are great examples of his unusual techniques. Tim Burton uses lighting, sound, and camera angles to create his dramatic, spooky, and unique style. The use of lighting in Tim Burton’s movies contributes to his abnormal method.

The film was enhanced by Tim Burton’s lighting choices. For instance, when Peg first met Edward, he was in shadow to represent that he seemed ominous to Peg. After he softly

Music and sound demonstrate Burton’s style through anti-visual aspects. For instance, there was diegetic sound when people were clapping outside of the factory gates when the factory opened in the movie Charlie and