Why Hamlet Went Mad Analysis

While Hamlet’s “mad” behavior starts out as an “antic disposition,” his mental state deteriorates. Does Hamlet truly go “mad,” or is all of his wackiness an act?

Throughout the play of Hamlet, one of Shakespeare's most famous tragedy's the main character, Hamlet is faced with the responsibility of getting vengeance for his father's murder. He decides to pretend madness as part of his plan to get the opportunity to kill Claudius who was the suspected murderer. As the play goes on, his portrayal of a madman becomes believable, and the characters around him respond quite vividly. Through his inner thoughts and the obvious reasons for his actions, it is clear that he is not really mad and is simply an actor faking insanity in order to complete the duty his father assigned him.

Everything Hamlet does is a plot to make everyone around him think he is insane so he can still get revenge on Claudius and everyone who was part of the murder of King Hamlet. Everything that hinted towards him being insane, like thinking about suicide, was just a ploy to trick everyone into thinking he was crazy. He even stated to his best friend that he was going to fake his inanity to distract people. Hamlet tells Horatio “How strange or odd soe'er I bear myself, (As I perchance hereafter shall think meet, To put an antic disposition on), That you, at such times seeing me, never shall— With arms encumbered thus, or this headshake, Or by pronouncing of some doubtful phrase,” he is telling him that no matter what he cannot let anyone know that he is acting crazy. When Ophelia calls him crazy, he insures her that he is actually not crazy at all but smart.

While it is true that Hamlet was merely playing the role of someone who had gone mad, many people may say that Hamlet’s madness was brought upon himself simply by the fact that he was trying to fulfill the orders from his dead father yet couldn’t because of his lack of acting upon a plan. It is strongly possible that Hamlet became extremely frustrated because every chance he got to expose Claudius and capture him in this enormous secret, he failed to do so. Therefore, Hamlet’s madness could be judged as reasonable but most likely for different reasons than one may think. Rather than going mad over the concrete facts that his father died and his mother remarried his uncle less than two months afterwards, he drove himself mad over his own flaws. Hamlet’s tragic flaw absolutely led to his tragic downfall as a

His love for Ophelia is also strongly noticed by all. The nobles of Elsinor also take notice that the love he shows and they start to realize the possibility that Hamlet love for Ophelia would benefit them all. When Polonius reads from one of Hamlet s love letters to Ophelia, in which he says to her “But that I love thee best, O most best, believe it” (2.2.91). The numbers that would encapsulate by the physics and psychology of Hamlet’ love for Ophelia (McCormick, 74). Queen Gertrude wishes to use Ophelia’s love to bring her only son out of madness. Claudius wishes to do the same.

His madness was argued to be an act to confuse Claudius. He acted crazy to cover his plans of seeking revenge on Claudius, when talking to Polonius he acted completely mad, “For in the sun breed maggots in a dead dog, being a good kissing carrion-Have you a daughter?”(Hamlet 2.2.95) Hamlet used much blabber, such as this, when talking to anyone close to Claudius. As the play went on his madness was more and more liable. He started becoming very irrational and distracted by his plans. When Ophelia gives Hamlets letters back he goes into a rage, yelling “Get thee to a nunnery.”(Hamlet (3.1.131) The most well known action Hamlet committed was when he stabbed Polonius in a rash decision, hoping it was Claudius, “O, what a rash and bloody deed is this!“(Hamlet 3.4.171) One thing that brought him one step closer to going mad was Ophelia’s death. Hamlet may have been acting in the beginning but by the end of his devious plan to avenge his father, he lost himself and actually caused himself to go mad.

Over the course of Shakespeare’s play, Hamlet, Hamlet begins to act strange. He not only acts strange, but he begins to act like a madman. Therefore, many question his sanity after reading the play. There are many examples and hints throughout the play that leads one to believe that Hamlet has slowly gone mad after losing his father. It is noticeable that Hamlet is mad when he enters Ophelia’s room, sees the Ghost, and talks to Rosencrantz and Guildenstern.

Shakespeare also exemplifies contrast of mental illness and wellness between characters in the play Hamlet. As the characters, Ophelia and Hamlet both endure the stress of a father's death their actions begin to change. This makes it easy for a reader to perceive the difference between Hamlet, Ophelia, and the other characters in the play. Hamlet is one of Shakespeare’s most complex characters, his insanity is often a subject of debate. The article “Mechanics of Madness in Hamlet, Macbeth and King Lear” states that “he is an apt example of the complexities of the human psyche which are often beyond comprehension” (Ebsco). To find out the answer to the ultimate question of whether Hamlet is insane, comparing his actions to those of other characters would be helpful. At the beginning of the play both Hamlet and Horatio are trusted when the ghost appears to the guards. However, soon after Hamlet begins to spiral into insanity. In Act Two, Scene Two Hamlet talks with Polonius and this is the first time a reader can see Hamlet start to act unstable. Hamlet begins with “You are a fish monger” (190), and after Polonius corrects he continues to act deranged, by the end of their conversation Polonius is convinced “though this be madness” (223), meaning that he believes Hamlet is mad. However, Hamlet seems to be able to control his madness, which is why people often think that he is just acting. But by the end of the play Hamlet, similar to Macbeth and Lady Macbeth, has hallucinations. He sees his father’s ghost again, but this time no one else can see it. Hamlet asks his mother, “Do you see nothing here?” (3.4, 150), and she answers with “Nothing at all” (3.4, 151). Comparing Hamlet’s actions to his Mother’s in this scene creates a sense that Hamlet’s acting mad and need for revenge has caused his to change his mental state. Ophelia, also driven mad by her father's death, plus Hamlet's twisted love for her can also be compared to Hamlet throughout the play to see that she is sane at the beginning, but just as mad as Hamlet, if not more, by the end. Ophelia at the start of the play is trying to help the King and her father to catch Hamlet, what she thought was to help him. However, after her lover, Hamlet,

Hamlet is a suspenseful play that introduces the topic of tragedy. Throughout the play, Hamlet displays anger, uncertainty, and obsession with death. Although Hamlet is unaware of it, these emotions cause the mishaps that occur throughout the play. These emotions combined with his unawareness are the leading basis for the tragic hero’s flaws. These flaws lead Hamlet not to be a bad man, but a regular form of imperfection that comes along with being human.

Hamlet’s insanity can be thought of as a tragedy or misconception of reality. The death of his father had shaped the first few impressions of his own persona as well as a new experience with his new aunt. As  a result of his genius insanity prince Hamlet has devised a plan to make things more clear to the audience. “Hamlet’s behavior strikes the audience as abnormal on  several occasions. For example, Hamlet seems to be really mad when he is in front of Ophelia in disordered clothes. He behaves as if he had been loosed out of hell to speak of the horror”.  As the progress of the play foreshadows a significant end to his insanity that he acts upon.  As the play progresses throughout, Hamlet finds ways in order to give others the impression that he has lost his sanity from his “love” of Polonius’s daughter Ophelia. “(Ophelia)He grabbed me by the wrist and held me hard, then backed away an arm’s length and just looked at me, staring at me like an artist about to paint my

In Act I, Scene V, after hearing the ghost’s demand for revenge, Hamlet says in advance that he will consciously feign madness while seeking the opportune moment to kill Claudius. Therefore, it is hard to conclude that he coincidentally became insane after making such a vow. Hamlet’s supposed madness not only becomes his way of relating to the other characters during the majority of the play, but also that which develops his character as throughout the play. Still, the question remains: Is Hamlet really crazy or just pretending?

     When we first meet Hamlet, he is a sad, dark, loathsome figure; the loss of his father and the whoring of his mother have upset him indefinitely. Like a ticking time bomb, Hamlet’s noticeable temper reflects the storm of emotions and thoughts brewing in his head, and then like a catalyst, his meeting with the Ghost of King Hamlet brings his anger to a boil. With revenge in mind, Hamlet plans to fake his madness so that he may be free to pursue his father’s killer. Everyone, except his close friend Horatio, seems convinced that he is mad. Claudius however, fearful that someone will discover his evil deed, has also had his perceptions heightened by his guilt and he experiences chronic paranoia throughout the

Hamlet is distinctly pretending to have lost a grip on his own life. “There need be no doubt, then, that Hamlet 's madness was really feigned” (Crawford).Throughout the entirety of the play many of the other characters such as Polonius question Hamlet 's mental state. They are unsure whether he is acting crazy or if he has really gone insane. Polonius states “Though this be madness, yet there is method in 't.”(Act 2, Scene 2), Polonius suggests that, even though Hamlet sounds crazy, he actually makes sense or he has a method. Polonius believes Hamlet is acting “mad” because his love of Ophelia has driven him to such a state. While Polonius is correct

Hamlet exhibits this inconsistency towards his only perceived love interest, Ophelia, and in doing so he not only drives her way, but also drives her insane. Hamlet's encounters with Ophelia throughout the play effectively illustrate his constant shifts and inconsistencies. In Act 3, Scene 1, Hamlet puts on an act and claims to Ophelia that he once loved her, but in the very next instance he claims that he never loved her. Although Hamlet exhibits a misogynistic outburst, it can be genuinely perceived that Hamlet is emotionally and mentally distressed, and therefore not sane. His act is filled with such passion and emotional intensity that one questions whether the feigned madness is truly artificial.

In Hamlet, Shakespeare writes about another character who had really gone mad. After her father’s death Ophelia was robbed of her sanity. When comparing Hamlet to Ophelia one can see that Ophelia acts as an insane person would. All she is able to do is dance around and sing about death whilst Hamlet speaks eloquently even if others don’t understand what he is trying to say. Other characters pick up on each of their state of minds. After speaking to Hamlet in Act 2 Scene 2, Polonius says to himself “Though this be madness, yet there is method in’t.” (204), which means that while Hamlet may have been speaking nonsense there was a reason for it. In contrast when Ophelia speaks her brother says “Hadst thou thy wits, and didst persuade revenge, / It could not move thus.” (IV.V.169), calling her insane and proving that she had completely lost her mind.