Why Is Hamlet Truly Mad

Many would point to the murder of Polonius and say that Hamlet's action was caused by insanity. According to this believe, unlike all his other actions he was spontaneous and almost thoughtless, but it is not true. Almost directly before his arrival in the chambers of his mother, Hamlet had been upset in his attempt to kill Claudius because he was praying. However, at the time he felt ready to correct his revenge. When he goes to his mother's room not only did he most likely still have this feeling within him, her reaction towards his attempt at an explanation probably increase his anger for Claudius. When his mother calls for help, Polonius's voice muffled from behind the curtains, Hamlet may have thought he was Claudius and therefore killed with no need for additional thought even though it couldn't have been since he had just saw

The next area that questions Hamlet’s sanity is that of deaths though out the story. Polonius, who is hiding in Queen Gertrude’s room, is stabbed through the drapes by Hamlet because he thought it was the King. This might have been an accident, but Hamlet’s irrational behavior leads us to believe he is becoming impulsive and unforgiving. Rosencrantz and Guildenstern are executed in England by Hamlet’s clever idea to change the name on the death warrant. Here is where Hamlet displays signs of rational thinking to save his own life. Hamlet stabs Claudius with a poisoned sword and forces a poison drink down his throat (Shakespeare, Hamlet Act 5 Scene 2 page 1105), his ultimate revenge. Then, with the same poisoned sword that was prepared to kill him, Hamlet cuts Laertes and he dies. (Shakespeare, Hamlet Act 5 Scene 2 page 1105). Hamlet’s total change in personality makes him appear to be “mad” at this point. All forms of sanity are now gone and any plot he had to avenge his father’s death resulted on chaos and his own death.

A great controversial talking point of the play Hamlet is whether he was mad or in fact making people think he was mad.

Hamlet’s madness is questioned by many readers. The truth is that Hamlet portrayed madness before he came up with the plan of acting madness. This madness is an important characteristic in the play with Hamlet’s actions revolving primarily around the idea he has because of his madness. There are several occasions further in the play when the audience sees Hamlet acting mad even though there is no one else in the room that he was aware of. In act three, scene four, when Hamlet is in his mother’s chamber and hears a noise behind the arras the rash decision to stab the noise behind the curtain shows exactly how erratic and unstable Hamlet is. His rash behaviour to kill without seeing what he is doing shows that his madness is real and not something he is faking to have revenge for his father. In act five scene two, Hamlet announces that he has switched the letter that ordered Hamlet to be killed in England; instead writing that Rosencrantz and Guildenstern are to be killed. This is perhaps because he thought they were the ones who ordered his death when in fact they were just following Claudius’ instructions. Rosencrantz and Guildenstern were Hamlet’s friends which show that he was perhaps paranoid in his madness. They were there to help yet his rash character after seeing the Ghost has yet again ended people’s lives. It is important to consider that in the Elizabethan era madness was defined differently than what the

Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.

While it is true that Hamlet was merely playing the role of someone who had gone mad, many people may say that Hamlet’s madness was brought upon himself simply by the fact that he was trying to fulfill the orders from his dead father yet couldn’t because of his lack of acting upon a plan. It is strongly possible that Hamlet became extremely frustrated because every chance he got to expose Claudius and capture him in this enormous secret, he failed to do so. Therefore, Hamlet’s madness could be judged as reasonable but most likely for different reasons than one may think. Rather than going mad over the concrete facts that his father died and his mother remarried his uncle less than two months afterwards, he drove himself mad over his own flaws. Hamlet’s tragic flaw absolutely led to his tragic downfall as a

He acts irrational only when he is around certain individuals. He acts irrational around Polonius, Claudius, Gertrude Rosencrantz, Guildenstern and Ophelia but remains calm and rational around Horatio, Marcellus, and the players. A big part of the play is when Hamlet lashes out at Ophelia and convinces her he has actually gone mad. “With a look so piteous in purport as if he had been loosed out of hell to speak of horrors...Then he let out a sigh so piteous and profound as it did seem to shatter all his bulk and end his being” (2.1.84-97). This single action brings tremendous tension and makes Polonius immediately believe that Hamlet has gone mad because of his love for his daughter. On the other hand, Hamlet can be rational just as much as a sane person. "Give him heedful note, for I mine eyes will rivet his face, and, after, we will both our judgments join in censure of his seeming” (3.2.83-86). Hamlet tells Horatio to watch Claudius during the play to see if he acts guilty. The fact that he thought this out in such an organized and clear way makes it hard to believe that he is mad because a madman would never be able to think like that. Hamlet also knows how to act properly around the players. An example of this is when he asks, "You could, for a need, study a speech of some dozen or sixteen lines, which I would set down and insert in 't, could you not?” (2.2.540-542). This question is understandable and

His madness was argued to be an act to confuse Claudius. He acted crazy to cover his plans of seeking revenge on Claudius, when talking to Polonius he acted completely mad, “For in the sun breed maggots in a dead dog, being a good kissing carrion-Have you a daughter?”(Hamlet 2.2.95) Hamlet used much blabber, such as this, when talking to anyone close to Claudius. As the play went on his madness was more and more liable. He started becoming very irrational and distracted by his plans. When Ophelia gives Hamlets letters back he goes into a rage, yelling “Get thee to a nunnery.”(Hamlet (3.1.131) The most well known action Hamlet committed was when he stabbed Polonius in a rash decision, hoping it was Claudius, “O, what a rash and bloody deed is this!“(Hamlet 3.4.171) One thing that brought him one step closer to going mad was Ophelia’s death. Hamlet may have been acting in the beginning but by the end of his devious plan to avenge his father, he lost himself and actually caused himself to go mad.

In Shakespeare's play Hamlet the main character Hamlet experiences many different and puzzling emotions. He toys with the idea of killing himself and then plays with the idea of murdering others. Many people ask themselves who or what is this man and what is going on inside his head. The most common question asked about him is whether or not he is sane or insane. Although the door seems to swing both ways many see him as a sane person with one thought on his mind, and that is revenge. The first point of his sanity is while speaking with Horatio in the beginning of the play, secondly is the fact of his wittiness with the other characters and finally, his soliloquy.

Hamlet is far too on top of things to be mad. Hamlet’s intellectual brilliance is first brought out in Act I, scene V when he plans on acting mad to confuse his enemies. Hamlet is also quick to figure out who his enemies and who are his real friends. “I know the good King and Queen have sent for you” (I.iv.37). Hamlet instantly knows that Rosencrantz and Guildenstern are not paying a social visit to Hamlet, but were in fact sent as spies for the former King of Denmark to find out the cause of his sudden madness. Hamlet immediately knows that he cannot trust his former school friends, and that he must take caution in what he says when is around the both of them. Rosencrantz and Guildenstern talk with Hamlet, but "with a crafty madness [Hamlet] keeps aloof" (I.iv.37), and they are unable to find the cause for his odd behavior. Hamlet’s true intellect is brought out in Act III, scene II when he plans on putting on a play. "If his occulted guilt do not itself unkennel in one speech, / it is a damned ghost that we have seen, and my /imaginations are as foul as Vulcan’s stithy" (III.ii.84). When Hamlet comes up with a brilliant plan to put on a play about someone killing a King, he determines whether or not Claudius is guilty of murder, or if the ghost is really his dead father or an evil spirit whose setting him up to kill an innocent man. Hamlet coming up with a successful plan to prove

Throughout the play, Hamlet, Shakespeare applied a myriad of motifs to enhance the meaning and complexity of his work. One of the numerous motifs utilized in the play is madness. The question of Hamlet’s actual madness is profusely raised among readers in the Elizabethan era and is still brought up numerous times today. Some may assert that Hamlet was literally mad and others may argue that Hamlet’s madness was feigned. In the beginning of the play, Hamlet spotted his father’s ghost and discerned that his father’s death was caused by his uncle, Claudius. This situation initiated a whirlwind of events that took Hamlet on a downward spiral. These events are comprised of Hamlet’s actions to try to avenge his father’s death. They support and convey the impression that Hamlet’s madness was real. Although, Hamlet specifically claimed that he was not mad in the text. Hamlet’s madness was feigned since he confessed his reasoning for his antic disposition in order to avenge his father’s death and get revenge for Claudius’ actions.

     When we first meet Hamlet, he is a sad, dark, loathsome figure; the loss of his father and the whoring of his mother have upset him indefinitely. Like a ticking time bomb, Hamlet’s noticeable temper reflects the storm of emotions and thoughts brewing in his head, and then like a catalyst, his meeting with the Ghost of King Hamlet brings his anger to a boil. With revenge in mind, Hamlet plans to fake his madness so that he may be free to pursue his father’s killer. Everyone, except his close friend Horatio, seems convinced that he is mad. Claudius however, fearful that someone will discover his evil deed, has also had his perceptions heightened by his guilt and he experiences chronic paranoia throughout the

Hamlet´s excuse for being “mad” is to confirm the validity of the accusations on his uncle, but this is only a way to conceal his own truth, that he is mad. At the beginning of the play, Hamlet states that he wants to die, and that by suicide, a circumstance of his constant depression. Ophelia is visited by Hamlet, only to be permeated with fear at the sight of his horrid actions. It is shown throughout the play that Hamlet is not faking his madness, but is using the antic disposition to cover the truth. Hamlet has openly stated that he had a desire to commit suicide. ”

Hamlet has delayed taking revenge on Claudius; his actions lack impulsiveness. However, he is not impulsive with his words, or with killing Polonius, yet he is postponing his goal of avenging his father. He is certain his desires are to kill Claudius, but he wants to take time to plan it out. This shows he is not mad, for madness includes irrationality. In Hamlet’s soliloquy after seeing the army in act 4 scene 4, he comes to realize that he must stop procrastinating and seek revenge as the Ghost has urged: “Witness this army of such mass and charge, /Led by a delicate and tender prince… to all that fortune, death, and danger dare, /Even for an eggshell” (4. 4.

Michael Taylor, a recognized critic of Shakespeare, believes that Hamlet’s “doubt, hesitancy, suspicion are complemented inevitably by erroneous conclusions and mistakes in action.” However, this is not an accurate depiction of Hamlet. He makes mistakes, but even with his network of spies, he cannot possibly know everything. Such as when Claudius convinces Laertes that Hamlet is to blame for his sister’s death. Making the decision to act mad seems incredibly strange but considering the advantages it gave him quite shrewd. While he was acting mad Hamlet was able to move around the castle and pose ridiculous questions to people to see their reactions, something that would not have been acceptable if everyone knew he was sane. Claudius permits this errant behavior, placing the blame for it on grief rather than