Why Is Hamlet's First Soliloquy

Hamlet is very private with his grief. His mourning for his father is long and drawn out. He mulls over how he is going to act and defers action until a perfect moment.

In this soliloquy Hamlet is all alone. He would not reveal false information to himself, if no one were around. If he truly were putting on an act, this scene would be around other people. He is thinking alone, with depressing thoughts in his mind. Hamlet is unsure at this point whether he is ready to die, or not. He knows nothing of the afterlife and is scared of what may come next.

Nothing makes sense to Hamlet; he is insanely confused with life, as well as angry with his mother and uncle. To illustrate his anger, in Shakespeare’s Hamlet (Act I Scene II) Hamlet says, “that it should come to this!”. He is expressing how displeased he is with his mom. Hamlet became disgusted by his uncle and hateful towards his mother. In less than two months his mother remarried, and to his father’s brother no less. Hamlet’s mother seemed to love his father, but it must have been a show when she acted so heartbroken that he died. Hamlet asks himself how someone could be so heartless and insensitive towards the death of someone who once meant so much. Hamlet cannot believe what is happening to him nor does not understand why. Hamlet thinks that countless people in his world are corrupt as well as being so frustrated with his family that he believes suicide might have to be an option. Also, in the same scene Hamlet says “Frailty, thy name is women!” The women Hamlet is referring to is unmistakably his mother. It takes strength to cope with the sorrow and anger that the passing of someone who was very near and dear to some individual dies, and Hamlet believes that his mother is too frail to deal with the wretchedness that his father’s death brought to her. All the unhappiness and pain led his mother to remarry quickly. Although Hamlet believes that this is the reason, he does not agree with his mother’s actions especially when he finds ut that her new husband was his father’s murderer. In (Act I Scene 2) Hamlet even compares his mother to an animal or beast by saying “a beast that wants discourse of reason would have mourned longer.” By becoming at peace with

William Shakespeare’s Hamlet is laden with tragedy from the start, and this adversity is reflected in the title character. Being informed of his father’s murder and the appalling circumstances surrounding the crime, Hamlet is given the emotionally taxing task of avenging his death. It is clear that having to complete this grim undertaking takes its toll on Hamlet emotionally. Beginning as a seemingly contemplative and sensitive character, we observe Hamlet grow increasingly depressed and deranged as the play wears on. Hamlet is so determined to make his father proud that he allows the job on hand to completely consume him. We realize that Hamlet has a tendency to mull and ponder excessively, which causes the notorious delays of action

Hamlet’s inability to act upon his emotions begins in the wake of his father’s death and his mother’s instantaneous/hasty marriage to Claudius. Criticized for his prolonged mourning of his late father and insistence from his mother to move on, Hamlet must momentarily seize publicly grieving for his father and in a lengthy expression of torment, contemplates suicide as he agonizes over the dreads of life and the reality that “[he] must hold [his] tongue,” in regards to his mourning (1.2.164). For the sake of his mother’s request, Hamlet anguishes over having to refrain from speaking of his grief, only to deliver a prolonged speech of his woes of mourning. While everyone in the kingdom of Denmark embraces the new king,

Hamlet continues on and almost complains on the state of the world, calling it stale, flat, and unprofitable, showing how truly miserable he is. Hamlet considers suicide as a possible option of escape from his life in a painful world, but feels as though religion is preventing him from doing so. Hamlet then provides us with the roots for his pain and the reason for his contemplation of suicide. Hamlet is is troubled by his mothers marriage to Claudius, but especially how quickly the two were married after his father's death. He continues to express his dislike and hatred for Claudius calling him a satyr, while praising his father and saying how excellent of a king his father was. In one of the final lines of the soliloquy Hamlet comments on how the marriage is a bad omen for Denmark, "It is not, nor it cannot come to good," (I. ii. 163). For the first time we are introduced to the idea of suicide which will continue to present itself as the play develops.

Next, in one of the most famous soliloquies in the English language, Hamlet again contemplates the subject of suicide, but he does not do so on impulses of emotion. Instead, his contemplation is based on reason. “To be or not to be, that is the question: whether ‘tis nobler in the mind to suffer outrageous fortune…or end them. To die, to sleep- no more- and by a sleep to say we end the heartache…’Tis a consummation devoutly to be wished. For who would bear the whips and scorns of time…who would fardels bear, to grunt and sweat under a weary life, but that the dread of something after death, the undiscovered country from whose bourn no traveler

These defects of his characteristics originated after the death of his father and the unfaithfulness of his mother. His stress comes with frustration, unpredictability and loneliness while he was obliged to weigh everything anew. Foremost is the death of his father, after which he sinks into a deep melancholy that traps his mind and spirit. Hamlet’s confidence in the moral world was frail, and his moral faith was devastated. Everything that was most beloved to him had apparently been deserted of heaven, and he was abandoned to struggle alone. Under these adverse circumstances he wishes he were departed, and exclaims against the world: "How weary, stale, flat and unprofitable seem to me all the uses of this world!" (Hamlet I; ii; 133-134) His motives combined with the overwhelming feelings of aversion to the world creates an ostensibly undoable mode of action, reflectively indicating Hamlet is in a state of confusion and desires for guidance.

It is clear that the death of his father and his mother 's remarriage has taken an enormous mental toll on him and that he desires death to free himself of the burden laid upon him by the ghost. He romanticizes it, saying that suicide is the brave and courageous option akin to “[taking] arms” against troubles. However, he can’t commit to the idea of death, saying “To sleep, perchance to dream: ay, there’s the rub / For in that sleep of death what dreams may come” (III, i, 66-67). He craves death, which would allow him to escape all the “natural shock / that flesh is heir to” (III, i, 63-64) but the more he ponders it, the further he is from reaching a decision. Ironically, the argument within his mind about how he should free himself of the ghostly burden — murder, or death — is impeding him from carrying out any action on it. At the end of his most famous soliloquy, Hamlet hasn’t made any decisive choice and therefore is in limbo regarding death due to his overarching rationale. His inaction proves “[his] endless reasoning and hesitation and the way in which the energy of his resolutions evaporates in self-reproaches” (Morgan 259). Moreover, Hamlet tackles the decision of interpreting what is real and what is false when he questions the ghost’s true nature. At first, Hamlet is certain

Quote Analysis: "O, that this too too solid flesh would melt,... Seem to me all the uses of this world!"(1.2.129-134).This is Hamlet's very first soliloquy. This soliloquy shows that hamlet is extremely depressed, than at any other point in the play. In the start of the play, his feelings and goals are transparent in a way that they never are after when he is with the ghost. Hamlet is totally beside himself as to why his mother, who seemed to be so much in love with his dad, is now married to Claudius, who is also her former brother-in-law. For Hamlet as the play starts, he is wishing he doesn’t exist; he wishes that he is dead and that there was no memory of being there or alive.

In Act II Scene 2 of William Shakespeare’s Hamlet, Hamlet performs his second soliloquy of the play in which he laments the true feelings behind his inner conflict due to his mother and uncle’s marriage. He expresses his wanting to gain revenge on the King to expose his guilt, on behalf of his father, and ultimately works himself up by the end of the scene. Throughout the play, Hamlet has clearly developed a mad persona, which is well expressed in this passage and general soliloquy. In lines 617-635, Shakespeare shows Hamlet’s transition from being emotional and having a breakdown to being calm and controlled by altering structure; sentence length, rhyme, personification and going from describing abstract to physical objects.

Hamlet’s first soliloquy starts of with the cliché sound of ‘O’ which can represent a sound of a sigh or even the emphasis of the despair that Hamlet is feeling at that very moment. In the very same line Hamlet continues by saying, ‘O that this too too solid flesh would melt’ this is particularly important as it signifies the overflowing emotions and depressing thoughts that the following speech will have, it also shows how Hamlet wants to disappear from the situation he was currently in. The two words ‘solid’ and ‘melt’ juxtaposition each other; creating that imbalance his life has without his father. The overall phrase almost foreshadows his death at the end of the play as his soul eventually melts away.

One of William Shakespeare’s most prominent literary styles is his use of soliloquies throughout his plays. One of his most famous soliloquies occurs in the play Hamlet; beginning with the famous “To be, or not to be - that is the question” (III.1 56) spoken by an ambivalent Hamlet. This passage has been copiously interpreted and analyzed, both for pleasure and through exposition in an academic setting. It can be difficult to elucidate Hamlet due to his complex and ever changing views, however one thing that can be guaranteed is Hamlet’s paradoxical nature. With this in mind, Hamlet’s soliloquy shows an insight into his views on what it means to be mortal, and whether the afterlife is a more desirable option.

Hamlet’s first soliloquy in Act One is an examination of his own suicidal ideation.Hamlet seems to feel out of control, conflicted, and restless. The first portion of his speech expresses his desires- to either disappear by outside trauma or to disappear by his own hands without damnation. He describes his flesh as “too sullied”- meaning defiled. This shows he believes that he is a victim- he started out pure, but the trials he has gone through have made him dirty. He goes on to say that he wishes his skin would “melt, thaw, and resolve itself into a dew”. Melting implies the presence of heat, and thawing is the quality of something frozen. Heat is associated with passion, pressure,hell, and,problems. If intense heat is applied to

Hamlet first gives the reader a feel for his actions in his first soliloquy in Act I, Scene II. It begins with “O that this too too solid flesh would melt, Thaw, and resolve itself