Why Is Janie Crawford From Their Eyes Were Watching God?

Maslow’s Hierarchy of Needs is a structural progression of psychological and physical needs. Maslow hypothesized that there were two distinct types of needs: deficiency needs and growth needs2. The deficiency needs,

Joe is power hungry and seeks to dominate Janie, who cannot be held back and craves the freedom to manage her own life. With such caustic tension, it seems odd that Janie would stay with Joe until his death. Clearly, she was not afraid to walk out on a husband, so why did she choose to stay? Though Joe was frequently an oppressive dictatorial husband, he still offered more love to her than the cold, quasi-emotionless Logan Killicks. Only after finding love with Tea Cake, however, would Janie realize one of the major themes of the novel: in order to gain true happiness, you cannot sacrifice one desire for another, in her case freedom from oppression for love.

Janie recollects her image on love when she leaves with Joe which signifies that she values love over the stable life that she had already possessed.

Janie was no longer letting anything control her any longer. She was making her own decisions now by talking to Jordan and not listening to her grandmother, who told her to respect her husband. With the results of this, Janie ran from Killicks to marry Joe for numerous years while waiting for her hunger for love to be filled. However it never was with Joe. After the death of Joe, Janie soon found Tea Cake, who gave her the love she starved for: “after a long time of passive happiness, she got up and opened the window and let Tea Cake leap forth and mount to the sky on a wind” (Hurston 107). Hurston gave Janie Tea Cake to show that she was no longer going to wait around and wait for love. She was now going to find it herself. Proving that she was no longer the naive girl who sat under a tree and dreamed all day.

In Their Eyes Were Watching God by Zora Neale Hurston, the protagonist Janie Crawford has experienced and had interactions with the nature around her. These interactions symbolised Janie’s quest for love, her own independence and personal freedom through each endeavor. Janie’s quest for her womanhood was directly influenced by the natural environment around her. For instance, the novel states that Janie “Saw a dust-bearing bee sink into the sanctum of a blossom” (11).

Near the beginning of the book, Janie develops an idealistic view of love whilst lying underneath a pear tree. She is young and naïve, enthralled with the beauty of spring. She comes to the conclusion that marriage is the ultimate expression of love and finds herself pondering why she does not have a partner. In the rashness of her hormone clouded brain, she is drawn to Johnny Taylor, who is nearly a stranger. This is her first experience formulating ideas about

During the beginning of Janie’s Journey to be an independently minded woman, she loses her grandmother and moves away from her first failed relationship,. After Hurston sets the scene and Janie begins to tell her story, Janie mentions her grandmother from a young age raised her. Her grandmother, Nanny, is protective of Janie and disapproves of Janie having any type of romance outside of marriage. (19). Hurston alludes to the archangel Michael, the angel that guides the dead back to heaven, to prove Nanny is nearing death, “One mornin’ soon, now, de angel wid de sword is gointuh stop by me” (15). Clearly, Janie must come to terms with the fact that Nanny will not always be there and Janie will have to watch over herself. Even though Janie knows Nanny is dying, she still argues with Nanny about being married off, “Please don’t make me marry Mr. Killicks” (15). Through this argument, Janie proves that while she may not be ready to completely disobey Nanny, Janie begins to have her own voice. Notwithstanding Janie’s opinion, Nanny marries her off anyways. After reluctantly marrying Killicks, Janie realizes she does not like being bossed around, “Youse mad ‘cause Ah don’t fall down and wash-up dese sixty acres uh ground yuh got” (31). Janie empowers herself by standing up for herself in the face of her aggressor. While living with Nanny, Janie realizes that she does not agree with Nanny’s choices for Janie, but Janie stays silent. However, in the case with Killicks, Janie not only realizes that she does not agree with

Another desire of young Janie is to find true, passionate love in a relationship. Returning to the metaphor of the pear tree, Janie says to her Grandma, “‘Ah wants things sweet wid mah marriage lak when you sit under a pear tree and think’” (Hurston 24). Janie dreams of a peaceful, pleasant, and comfortable love in her marriage, similar to the quiet bliss of sitting in the shade of a blossoming pear tree. In her article, Kubitschek also points out Darwin Turner’s understanding that “‘All Janie wants is to love, be loved, and to share the life of her man. But . . . she must first find a man wise enough to let her be whatever kind of woman she wants to be’” (qtd. in Kubitschek 109). Unfortunately, this love and freedom was not acquired in Janie’s first marriage. Despite her hope that feelings of true love would develop with her first husband Logan Killicks, “she knew now that marriage did not make love. Janie’s first dream was dead, so she became a woman” (Hurston 25). Discontent with lack of passion in her first marriage, Janie decides to abandon her dream of finding love with Logan and does not hesitate to run away with Jody Starks when the situation presents itself. Deborah Clarke comments on this change in heart, writing, “Janie thus gives up a

Janie as a protagonist is the only character who believes, wants, and dreams of love and a better life. She, therefore, does this with the pear tree while her ex-husbands were stuck in the burden of overcoming slavery.

Abraham Maslow’s theory, Theory of Hierarchy Needs, is a motivational theory in psychology that has a tier model of the five things a human needs. Maslow stated that people are motivated to achieve certain needs and that some needs take precedence over others. The five stages, from bottom to top, include Physiological needs( food, water, warmth, and rest), the second stage: Safety Needs ( security and safety), third stage: Belongingness and love needs ( intimate relationships and friends), the fourth stage: Esteem Needs (prestige and feeling of accomplishment), and finally the last stage: Self-actualization ( achieving one’s full potential, including creative potential). The five stage model can be divided into

Janie’s outward appearance and her inward thoughts contrast following Joe’s death. She finally frees herself from his control only after he dies as she, “…tore off the kerchief…and let down her plentiful hair” (87). In freeing her hair, Janie begins to free herself from others’ control and social norms. However, she chooses to keep it tied up until after Jody’s funeral in order to keep appearances that she is grieving his passing in front of the townspeople. However, on the inside, Janie doesn’t really feel any sorrow and “sent her face to Joe’s funeral, and herself went rollicking with the springtime across the world” (88). It is only after Joe’s elaborate funeral that Janie shows her first act of freedom by burning “every one of her head rags and went about the house next morning with her hair in one thick braid swinging well below her waist” (89). She chose to let her hair be free from his domination, thus freeing herself from him overall and allowing herself to move onto the next journey in her life.

As a young woman, Janie wanted love, true love. In the beginning of the novel and Janie 's journey, she is under a blossoming pear tree where she spends most of her days. She is watching the bees fly to the blossoms, when she has an epiphany. “So this was a marriage! She had been summoned to behold a revelation. Then

All through the novel Janie travels through valuable life experiences allowing her to grow as a woman. Janie at first has a difficult time understanding her needs rather than wants, but as she continues to experience new situations she realizes she values respect. Janie’s first two marriages turned out to be tragic mistakes, but with each marriage Janie gained something valuable. When Janie is disrespected in her second marriage with Joe Starks, he publicly humiliates her, disrespecting her as a wife and woman. This experience forced Janie to come out of her comfort zone and stand up for herself.

Instead of treating Janie like the beautiful woman that she is, he uses her as an object. Joe was a man who “treasured [Janie] as a posession” (Berridge). Joe’s demanding nature suppresses Janie’s urge to grow and develop, thus causing her journey to self-realization to take steps backward rather than forward. In Janie’s opinion, “he needs to “have [his] way all [his] life, trample and mash down and then die ruther than tuh let [him]self heah 'bout it” (Hurston 122). It is almost as if Janie loses sense of her own self-consciousness due to the fact that she becomes like a puppy being told what to do by her master. The death of Jody is actually a positive thing. Joe’s controlling nature stifles Janie’s inner voice. While married to Jody, Janie became closer to others, however, she did not become closer to herself. Being on her own again gave her another chance to embark on her journey and realize who Janie Crawford really is.

Janie's quest is for self-discovery and self-definition, but she encounters many obstacles while trying to win this quest.