Throughout the novel, Into the Wild, Jon Krakauer sincerely disentangles the haunting enigma of Chris McCandless. By tracing the places, people and experiences intertwined in the life of McCandless, Krakauer narrates the life story of a puzzling corpse found in a bus buried in the Alaskan frontier in a truly authentic way of storytelling. Although Krakauer inserts direct quotes from people who McCandless came into direct contact with and experts from primary source journals, Krakauer’s own voice in the narration of the dead man’s life is trustworthy due to the similarities the protagonist and the author share. Common connections such as similar paternal stress made outstanding impacts in both men’s lives, starting at a young age. Furthermore, a sort of agitation with the soul ailed Krakauer and McCandless fueled by a reckless persona confined in the modern world. Lastly, a craving for human contact when in total isolation troubled both the author and subject in their adventures narrowed in the natural world. The mutual bond apparent to the reader between Krakauer and McCandless makes the writing in the novel sincere enabling Krakauer to speak of a dead’s man life with profound authority and truth. Unconditional understanding through shared paternal issues, agitation of the soul, and need for human contact grants Krakauer access to divulge into the conundrum of Chis McCandless and authority to earnestly narrate the mysterious
In Jon Krakauer's novel Into the Wild, the main character, Chris McCandless, seeks nature so that he can find a sense of belonging and the true meaning of who he is. However, it is the essence of nature that eventually takes his life away from him. At the end of his life, he is discovers his purpose and need of other people. After Chris McCandless death in Alaska, Krakauer wrote Into the Wild to reflect on the journey that McCandless makes. Krakauer protrays McCandless as a young man who is reckless, selfish, and arrogant, but at the same time, intelligent, determined, independent, and charismatic. Along with the irony that occurs in nature, these characteristics are the several factors that contribute to McCandless death.
Through this technique, Krakauer helps to develop Chris’s personality and t conveys the author’s purpose of tell McCandless’s story.
Jon Krakauer diverges from the story of McCandless’s journey, to inform the readers how all of the other adventures that occurred were similar. He wanted to show how other people were in his situation, that wanted to conquer the world with what the others had with them.
“As a youth, [Krakauer was] told, [he] was willful, self-absorbed, intermittently reckless, moody. [He] disappointed [his] father…. Like McCandless, figures of male authority aroused in [him]…confusing medley of corked fury and hunger to please. If something captured [his] undisciplined imagination, [he] pursued it with a zeal bordering on obsession, and from the age of seventeen until [his] late twenties that something was mountain climbing” (134).
Krakauer uses research about the life of McCandless in order to establish his ethos and convey his thesis of the novel. When Krakauer presents the information concerning McCandless’s death, he quotes directly from the moose hunters who found him dead and describes the exact setting of the situation. Krakauer beings by explaining the scene at which the moose hunters found him, “A few hundred yards beyond the river the trail disappeared” (Krakauer 12). Krakaurer’s use of description enables readers to visualize the scene better and create a major sense of trust between the author and reader. Krakauer then imbeds a quote directly from the moose hunters that found McCandless’s body who explains that there was “a real bad smell from inside” (Krakauer12). Appealing to the reader’s sense of smell, and also using the perspective of the exact people that found McCandless’s body, establishes a more ethical appeal to the audiences trust in the information the author is presenting. Also, Krakauer cites an exact note found on the bus where McCandless was discovered which states that he is “Near death” (Krakauer 12). The note displayed in the text is written in a different font, implying that the proceeding text is written by a different author, and is also signed by McCandless himself. The research Krakauer did is directly shown here because of his factual evidence. The use of factual information from the scene of the death provides a
To say that Krakauer does have a bias towards McCandless is a rather obvious statement and something known to the reader from the author’s note. “My convictions should be apparent soon enough, but I will leave it to the reader to form his or her own opinion.” Yet despite a personal bias Krakauer has towards McCandless he keeps his promise to the reader and serves as an impartial enough biographer to allow the reader to form their own opinions. By interviewing both those who knew Chris or Alexander Supertramp on his journey to the last frontier and Alaskan locals, Krakauer steps to the side and lets others give their thoughts or memories as well as criticisms of the man who met his fate in the Alaskan wilderness. Krakauer does interfere with Chris/Alex’s story at one point in order
3. Krakauer argues in Chapter 14 that McCandless’s death was unplanned and was a terrible accident (134). Does the book so far support that position? Do you agree with Krakauer? Why or why not?
In my opinion I believe the authors main point in this essay was to vindicate anything that Chris McCandless did in his life. When reading I could definitely sense Krakauers natural liking for McCandless. He was sympathetic to McCandless, based on Krakauers sense of a shared experience in their youth and up until McCandless eventual death and Krakauers perceived near death experience on the Devils Thumb.
Krakauer’s first person point of view shows his thoughts and his experiences as he climbs the Devil’s Thumb. “The climbing was so steep and so exposed it made my head spin” (142). Krakauer can easily show his encounter with the wild and what runs through his mind. His first person point of view also symbolizes how McCandless could have felt during his hike on the Stampede Trail. “My eyesight blurred, I began to hyperventilate, my calves started to shake” (143). Krakauer’s experiences were similar to that of McCandless’s because the Devil’s Thumb is abreast to the Stampede Trail and they went through comparable weather conditions. Not every day does McCandless write in his journal, so Krakauer must show what may have happened to McCandless using his first person view of his past. If Krakauer did not share his
Krakauer’s timeline allows him to influence the reader by showing specific things about McCandless at certain times to make him appear noble and inspirational. He also uses specific quotes from McCandless that accurately gives insight into McCandless’s thought
In Jon Krakauer’s, Into The Wild, Chris’ discomfort with the world was due to him being born this way, making his case a nature rather than a nuture.
Krakauer uses an exceptionally descriptive writing style in this book. The author focuses on describing an event or a character in detail. This quote is an excellent example of the author’s writing style. The author uses figurative language and sensory details to create detail which allows the reader to envision the setting in their mind. Without style, writing often becomes tedious and repetitive. Writing style is how the writer chooses to express himself or herself through writing. In conclusion, style separates decent authors from phenomenal authors. (86 words).
In the book, Into The Wild, a journalist who was known as John Krakauer tells the story of Christopher Johnson McCandless, rather known as Alex.
Krakauer portrays Chris like he is searching for an answer to life, and just wanting to get away from his life as he knows it. He describes it as epic journey that would change everything. What is Chris expecting to change? Is he expecting his life to change because he is going somewhere new? Or is he expecting to find some sort of answer?