Why Is Success So Strongly Behind The Idea Of Whiteness? Essay

Prior to beginning my readings on white racial identity, I did not pay much attention to my white race. If someone had asked me to describe my appearance I would have said short blond hair, blue eyes, average stature, etc. One of the last things I would have noted was the color of my skin. Growing up in overwhelmingly white communities, I never thought to use the color of my skin to differentiate myself from others. Over the course of this dialogue I have learned that my white racial identity is one of the most defining aspects of my appearance in this society. There is a certain level of privilege that I am afforded based solely on the color of my skin. According to Peggy McIntosh, “White privilege is like an invisible weightless

As a biracial woman growing up in the South, I never knew my place in the world. My father is a dark-skinned African American and my mother is a fair-skinned Caucasian, leaving my sister and I to fall somewhere in the middle. In elementary, my unique background caused numerous personal problems. Friends would assume I was adopted. I would frantically defend myself by saying “I am not adopted! My mommy is white and my daddy is black, and there is nothing wrong with me.” My classmates often told me that I was not possible: “black goes with black, and white goes with white.” In time, both races rejected me. I was bullied by the black girls at my school for being “too white” regarding my clothes and my hair. I continued to struggle with this

In society, race clearly affects one’s life chances. These are the chances of getting opportunities and gaining experience for progression. The social construction of race is based on privileges and availability of resources. Looking at society and the formation of race in a historical context, whites have always held some sort of delusional belief of a “white-skin privilege.” This advantage grants whites an advantage in society whether one desires it or not. This notion is often commonly referred to as reality.

In the article "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist views toward the natives of Africa. After one reads Achebe’s critique, it is clear that Conrad wanted the novella to be perceived as a racist text. Conrad depicts the uncivilized treatment of nonwhites during the period of colonization without condemning such actions. After analyzing Achebe’s famous work and Conrad’s novella I have come to agree with Achebe; Conrad “was a thoroughgoing racist.” (Achebe) Heart of Darkness portrays this position clearly. Throughout the novella, Conrad describes and represents the Africans and Africa itself in a racist way. According to Chinua Achebe, the harsh behavior of English people towards the natives, the lack of equality felt by the English towards the Africans, and the word choices of the English to and about the savages reveal Conrad's racist position in the work.

Heart of Darkness creates a prejudice way of presenting Africa, Joseph Conrad shows the African Congo through the perspective of the colonising Europeans, who describe all the natives as savages, which perpetuates the stereotype of the uncivilised African in the eyes of the European readers.

Rather than merely examining the affects of racism on people of color, the book turns its attention to whiteness and how a system of white privilege, supported and perpetuated by whites, also damages whites by inhibiting them from making meaningful connections with other human beings. Until I almost reached the end of this book I was uncomfortable and disturbed by the way the book made me feel. As a white male, I am aware of the pain that my ancestors have created for others to advance the free world. I have pain for those who suffered and disagree with actions that were taken by my white predecessors. But I believed that we are now in a much more advanced world where we have chosen the first black president and equality was a focus of most Americans. Identifying with my culture as currently being a white supremacist society is something I have never considered, or would not want to consider. In Neuliep, within the Coudon and Yousef’s Value orientations, we perceive the human nature orientation within the United States with people being essentially rational. This term, rational, can be somewhat subjective. And if we continue with the same value system, and look from ‘the self’ values, we foster our self-identities from the influence of our culture’s values. If we are to reflect truthfully to how our country evolved and what we ‘had to do’ to create our freedom by limiting the freedom of other, how would we then perceive

Within this excerpt, Shannon Sullivan argues that habits go a long way in instilling the concept of how white people uphold white privilege in ways that they repress people of color by refusing to recognize that they are contributing and benefiting from white domination. She argues that the unconscious racism of white privilege equals to the conscious racism of white supremacy. Sullivan shows that whites claim that it is their ignorance that causes them to appear to be racist. They lack knowledge in people of colors’ interest, value, culture and the biological basis for racial categories. She states that those perceived with racists mindsets believe that if they are given more accurate information about the lives, worlds, and values of people

Many are unaware of the effects that race has played in their lives over the years. Some may not understand its implications, but are very oblivious to it. Race can influence such things like attitude and behavior. Nowadays being white or black means something more than just a Crayola color. No longer are they just colors, they are races with their own rules and regulations. People of color have been inferior to the white race for centuries. In their own way Zora Neale Hurston shows this concept in her story “How it feels to be Colored Me” as does Richard Wright in his autobiographical sketch “The Ethics of Living Jim Crow”.

In Joseph Conrad’s book, Heart of Darkness, the globe is imagined as one where there are those that are civilized and those that are considered “savages” and “barbarians” by the civilized people. These civilized people are the Europeans, and the so-called “savages” are the African slaves.

Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe. He first states Conrad as “one of the great stylists of modern fiction.” [pg.1] He praises Conrad’s talents in writing but believes Conrad’s obvious racism has not been addressed. He later describes in more detail that

    Joseph Conrad's novel Heart of Darkness portrays an image of Africa that is dark and inhuman.  Not only does he describe the actual, physical continent of Africa as "so hopeless and so dark, so impenetrable to human thought, so pitiless to human weakness" (Conrad 94), as though the continent could neither breed nor support any true human life, but he also manages to depict Africans as though they are not worthy of the respect commonly due to the white man.  At one point the main character, Marlow, describes one of the paths he follows: "Can't say I saw any road or any upkeep, unless the body of a middle-aged negro, with a bullet-hole in the forehead, upon which I

Chinua Achebe, a well-known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe,"(Achebe, p.251) while he also "projects the image of Africa as 'the other world,' the antithesis of Europe and therefore of civilization."(Achebe, p.252) By his own interpretations of the text, Achebe shows that Conrad eliminates "the African as a human factor," thereby "reducing Africa to the role of props."(Achebe, p.257)

A famous criticism of Conrad’s novella is called An Image of Africa, which was written by an African native named Chinua Achebe. In Achebe’s criticisms of Heart of Darkness, he points out the difference between descriptions of the European woman and the African woman, who was Kurtz’s mistress. The narrator describes the European woman as being calm and mature, and the African woman as being “savage” (341 Norton). Even though many writers claim that Marlow is kind to the Africans by bringing light to their situation, the real problem does not lie in his description of their situations, but his descriptions of the people themselves (30 Heart of darkness Interpretations).

He uses derogatory and offensive remarks that devalue people of color and make them out to be savages. Chinua Achebe, a well-known writer, talked about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad "set Africa up as a foil to Europe,"(Achebe) while he also "projects the image of Africa as “the other world”. Africa is said to be a “prehistoric” world. Conrad described this land as non-advanced and inferior to the western countries.

In the book, Heart of Darkness by Joseph Conrad, all the characters are pulled into a well of black despair. Conrad uses the darkness of the situation contrasted to the light of society to show man’s dependence on western morals, and how when these morals are challenged by the darkness, the light crumbles under its newly weakened foundation. The contrast between light and dark is most stark in the themes of setting, the changes in Europeans as they drive farther into the Congo, and the white man’s collapse under the ultimate darkness of the Innermost Congo.