When the sorcery of Puck, an elf, is altered and Titania awakens in Act Four of A Midsummer Night's Dream, Titania assumes she has been fantasizing and dreaming, saying, "what vision have I seen! / Methought I was enamour'd of an ass." Oberon then, in a humorous tone, indicates that Titania has been enamored of an ass... furthermore that the donkey is situated directly alongside her! Titania is able to swiftly understand things distinctly again, and though Titania seems to not remember why or how she had ended up alongside the absent-minded Nick Bottom, Titania surely no longer wants to be in his presence.
Another major change is the heartfelt tone of Titania and Oberon's relationship. Titania and Oberon started out, in the play, fighting
When Puck begins to interact with the four lovers very shortly after, however, Egeus's ridiculous accusations of Lysander bewitching Hermia take an ironic echo as Oberon bewitches Titania with a love potion, suddenly bringing the ridiculousness of Egeus's statements into a new light. Puck, the perpetrator,
Furthermore, the lines earlier shows Oberon’s plan to control and submit Titania to his will. His plan to make her fall in love with animals by using a potion indicates that he wants to embarrass Titania. He wants to use his power to manipulate her feelings. He craves the control that he did not have earlier in the play when Titania did what she wanted to do. Therefore, his desire to gain control results in the changing of Titania’s fate. Titania’s actions are based on Oberon’s power. Likewise, Oberon gains satisfaction by executing his plan which empowers him and gives authority. Further, not only does Oberon make plans to control Titania, but he also becomes the cause of the conflict among Lysander, Demetrius, Hermia, and Helena. Oberon’s decision to meddle in their affairs directly impacts their fate as they become powerless over their situation. Oberon’s overwhelming sense of entitlement for utter control affects the events that transpire in their lives. Specifically, Oberon’s interference changes how two of the main characters, Lysander and Hermia interact with each other. Their mutual attraction to each other is altered as a result of Lysander’s will becoming influenced by Oberon. Thus, Lysander professes his love for Helena. Then, Hermia verbally attacks Helena:
Titania is arguably the strongest women in the play; however she is still susceptible to the devious schemes of Oberon and Puck. She is tricked, by the use of a love-juice potion, into falling in love with Bottom who appears to have an ass’s head, “An ass’s nole I fixed on his head” (III.ii.17). This event leads to Oberon asking her for the changeling child “Which straight she gave to me,” (IV.i.58) showing that even strong woman can be tricked by men, which is still
The two had been on bad terms with each other, constantly arguing. Oberon was acting childish as he refused to join Titania and her fairies in their dance, unless given the chageling boy that he wished for. He thought to play with Titania's feelings after again being told he may not have the boy. He tricked her heart so that he could ask her for the changeling boy without her being in her right mind to refuse. He took things to an extreme, brainwashing her just to obtain the child.
Bottom is someone who seems to be very narcissistic and full of himself, when in reality he is an extremely flawed person who is seen throughout the play to almost like an ass. This transformation of his head can also be seen as a representation of his character as the term ass is often associated with someone who is generally just a rude or obnoxious person. Anther stage instruction that is important to the story is the following, “Enter OBERON and squeezes the flower on TITANIA's eyelids” (Shakespeare). This state instruction helps to give a suspenseful mood to the story, as Oberon is using the juice from the flower he is squeezing on her eyelids to put a spell on her that will cause her to fall in love with the next person that she sees. This causes a brief moment of suspense and mystery as the audience may wonder who she will fall in love with.
Oberon, riddled with jealousy over his queen’s beloved “changeling”, plots to make a fool out of Titania with his magic potion so he may steal away the child. Oberon's love-potion has the same effect of that of the famed Cupid's arrows, it charms the sight of those it is anointed upon, and gets them to fall in “love” with the first creature they see. Oberon anoints the eyes of Titania and she ends up falling in “love” with the first creature she sees, Bottom, an actor who is rehearsing in the woods, who’s head has been turned into that of an ass by Puck. Oberon plan is successful, he is in fact able to steal away the child while his queen dotes upon Bottom, but then things start to get more complicated in the moonlit woods.
Titania, before her bewitchment, warns Oberon that their own lovers' spat is causing havoc on earth. She speaks of "winds, piping to us in vain/As in revenge" (2.1 88, 90), of the moon, "pale in her anger" (104), and how the seasons "change/Their wonted liveries" (112-13). At first, Oberon cannot see beyond his jealousy of the little changeling Titania has adopted. He sets into motion fantastic spells that upend real love, mimicking the more serious complications wrought by human politics. Naturally, Titania's premonition bears fruit when Puck transforms Nick Bottom into an ass, and again when Lysander falls in love with Helena and forgets about Hermia. These turns of events eventually worry Oberon, too. He tells Puck to make sure to "lead these testy rivals so astray/As one come not within another's way" (3.2 358-59). He prescribes the potion to set things straight, calling the evening's pranks "a dream and fruitless vision," and declaring that with his corrective action, "all things shall be peace" (3.2 377).
Titania gets deceived by Oberon because he ordered Puck to put a love potion into Titania’s eyes.He did it because he wanted her attention and wanted the child for himself. “I'll watch Titania when she is asleep, And drop the liquor of it in her eyes” (II,1,551-552). Titania was busy with the child and never payed attention to Oberon. “Give me that boy, and I will go with thee” (II,1,513). Oberon deceiving Titania wasn't the only deception, the second deception was the love potion. The love potion made Bottom to appear handsome, but in reality Bottom had a face of an ass (donkey). “I pray thee, gentle mortal, sing
Right after Bottom scared all the people with his ass, he meets Titania (Applied to the love juice). Titania immediately falls in love with Bottom and his ass’s head. When she hears Bottom sing, she says "I pray thee, gentle mortal, sing again: Mine ear is much enamour'd of thy note; So is mine eye enthralled to thy shape; And thy fair virtue's force perforce doth move me. On the first view to say, to swear, I love thee." (Act 3 Scene 1 Line 121). She treats Bottom like her own child, she feeds him, she sleeps with him and pampers him. This is a comedy, as it is absurd to fall in love with a person with an ass. When Oberon takes the spell away from Titania, she also thinks that it is not possible and is startled. She says “My Oberon, what visions i have seen! Methought I was enamour’d of an ass.” (Act 4 Scene 1 Line 75). Titania is a the queen of fairies and has a lot of power and reputation amongst her people, In Act 3 Scene 1 Line 139, she was so powerful, she could just say “I’ll give thee fairies to attend on thee”, and Peaseblossom, Cobweb, Moth and Mustardseed immediately came to serve her. Titania should not be under a spell. Imagine Julius Caesar falling in love with a hippo, it just does not make
The second song we wrote is meant to describe Oberon’s feelings while Titania believes she is in love with Bottom. My partner and I agreed that Oberon and Titania play a very important role in the overall story, if not the most important role. Their fighting triggers
In the play, A Midsummer Night’s dream, Hermia, Egeus’s daughter is denied to wed her love Lysander, but has to comply with her father’s wishes and marry Demetrius. Infuriated, Hermia runs off with Lysander to his aunt’s house, sick of the Athenian law. As the lovers wander off into the forest, Helena, who is madly in love with Demetrius, tells him about the whereabouts of Hermia. In another part of the forest, Oberon, king of fairies meets Titania, the queen of fairies, arguing for a changeling child from India. When Titania refuses to give him up, Oberon plans revenge, by hiring Robin Goodfellow, also known as “Puck”, to retrieve a magical love flower, anointing her eyes and Demetrius’s, feeling bad for Helena after how Demetrius had treated her. Accidentally, Puck spreads it on Lysander’s eyes, creating major conflicts, later being resolved as the 4 lovers get married.
The above shows that Titania and Oberon share a relationship that is inseparable. They swallow their pride and come back together, planning to even bless the marriage of Theseus and Hippolyta even though those were the other two in the affairs. Hippolyta proceeds to call Oberon ‘my Lord’ and Oberon calls Hippolyta ‘my Queen’. This shows that their love is still prevalent. ‘True love’ is the baseline in the play and is the primary form of love.
When she talks about misery and life being gloomy she says, “the ox hath therefore stretched his yoke in vain, The plowman lost his sweat.” Since her man isn’t around, the plowman has nothing to do and the ox works for nothing. When Titania is talking about all the bad things that have happened, she wants Oberon to come back to her and come dance. She says, “if you will patiently dance in our round/And see our moonlight revels, go with us/If not, shun me, and I will spare your haunts.”
They are the former couple’s inverse, and the play’s characters lives all change because of Oberon and Titania.