Why Is Virtue Important?

Oedipus’ pride, drawn from his own heroic qualities, is one factor of his ruining. A hero characteristically prizes above all else his honor and the excellence of his life. When his honor

The Aeneid, the famous epic poem written by Virgil, depicts the struggle of establishing an empire. The beginning of The Aeneid introduces Aeneas, son of the goddess Venus, whose fate is to find a new home in Italy after the fall of Troy. Throughout the perilous journey, Aeneas faces great obstacles as he strives to fulfill his prophecy and gradually transform into the ideal Virgilian hero. To emphasize his growth, I will discuss three themes in this essay: the extent of free will as it relates to fate, the influence of divine beings on mortals, and the principles of morality. All of these ideas serve as an understanding as to why Aeneas is unable to act on his own accord. This leads me to defend the view that humans require the positive guidance of a mentor figure to resist their self-indulgence.

Born of different backgrounds, upbringings, and experiences, Epictetus and Seneca are Roman philosophers who outwardly appear very different. Epictetus spent most of his youth as a slave while Seneca was born into money and became a tutor of Nero. Although these two men seem to be very dissimilar, they each shared a common purpose in studying philosophy and teaching people on how to live well. Each suggested different paths for how to do so. Epictetus suggests in his book, The Discourses and The Enchiridion, that living a life in accordance with nature could be achieved by living moderately. Seneca suggests in his work, Letters from a Stoic, that a happy man is self-sufficient and realizes that happiness depends only on interior perfection. Despite the differences, both Epictetus and Seneca are considered Stoics because of their shared belief in the idea that character is the only guarantee of everlasting, carefree happiness. The world outside ourselves will never give us happiness, nor will it be responsible for our unhappiness. It doesn’t matter what’s happening outside ourselves, Epictetus and Seneca claim that the only thing that matters is how we interpret those events. Further evaluating Seneca’s, Letters from a Stoic and Epictetus’s, The Discourses and The Enchiridion, we will clearly be able to differentiate the two in their ideas and opinions regarding stoicism and the keys to living a well, happy life.

In Julia Hejduk’s article, “Jupiter’s Aeneid: Fama and Imperium”, she defends her position against other scholars in her discipline, that the Jupiter that Virgil depicts in his epic poem, “the Aeneid” is concerned solely with power (imperium) and adulation (fama), and that he cannot be trusted to act unless driven by others praising these values or desecrating them. Her argument extends the callous descriptions and actions of Jupiter to those of Augustus Caesar. In summary, Hejduk argues that through depicting Jupiter in this way, Virgil criticizes both Augustus and his values, and as an extension the values the entire Roman Empire has been built upon. He emphasizes how war is depicted as more significant than peace or happiness since the founding of Rome. Virgil’s

Trimalchio, showcased in the most complete work of Petronius’ Dinner With Trimalchio, in the Satyricon profess many aspects of the rich and famous, where Jordan Belfort from Scorsese’s The Wolf of Wall Street embodies the rising fame and fortune of Wall Street. Trimalchio and Belfort both have comparatively similar characteristics that run in unison with each other throughout their respective roles.

The ideal virtue in Roman culture was piety, also known as pietas. Pietas had three components: duty to your country, duty to your family, and duty to the gods. When a person followed these guidelines in Ancient Rome, they were considered to have piety. Throughout Aeneas’ journey, the three components to pietas are demonstrated by actions taken by Aeneas’ character. In the epic poem, The Aeneid, the idea of pietas is central to the epic, opposing the Greek ideal of furor, or passionate desire/senseless fury. In this essay, I will analyze the moments in the epic that demonstrate how Aeneas uses these three components of pietas, and how this epic celebrates the shift from Greek ideals to Roman ideals.

Heroes today are courageous, noble, great leaders, and daring. Ulysses holds all these virtues, along with being clever. Heroes in ancient Greece are greatly looked up upon for their bravery, cleverness, and their will for sacrificing themselves for the greater good of their men. However, not all heroes are perfect. Heroes in ancient Greece show hubris, which penalizes them because the gods do not condone vanity. In addition, to the qualities of bravery, courage, nobility, and leadership, in Bernard Evlin’s take on The Odyssey, The Adventures of Ulysses, he indicates that cleverness can be more important than other characteristics.

In his epic poem “The Aeneid,” Virgil details an account of how the great empire of Rome descended from a Trojan leader named Aeneas. It is an action-packed story, filled with tales from the hardships at sea to the brutality of warfare as Aeneas journeys to Italy following the downfall of Troy. Aeneas, the hero of the story, is depicted in mostly a positive light throughout the poem and shown portraying a wide variety of emotions and traits, some seemingly contrasting one another—from scorching, merciless anger to tender, affectionate love. While he is a three-dimensional, rather well-rounded character, Virgil depicts women throughout The Aeneid in a more one-dimensional, usually negative light, establishing a hint of sexism and misogyny throughout

The Roman epic of Virgil's Aeneid describes the hardship and misadventures of Aeneas and the Trojans quest from Troy to Italy. Like Homer’s famous epics, the Iliad and Odyssey, Virgil’s narrative style and structure portrays similar attributes in the finding of Rome. Aeneas encounters several women on his journey who play a significant role throughout this epic in assisting or destroying his journey to Rome. His representation of female characters provides the readers with a better understanding of gender politics and reasons why some female leaders failed. Each of Virgil's female characters demonstrates a combination of traits throughout the epic; however, such behaviors of these women tend to develop unwanted conflict due to emotions.

They both lived lavished lifestyles and threw big parties for their guest. The parties were for the rich and the poor to glorify them the host of the parties. The events would have plenty of food for the guest and entertainment, but each man had a different type of food and entertainment. Trimalchio would serve his guest with extremely exotic dishes, would have dancers perform, and musicians to play music in the background. He would have more than enough servants to wait on him and his guest. The guest would get to tell stories on things they experienced, walk around the estate, and listen to Trimalchio talk about great wealth. Trimalchio was so power that people would stop whatever they were doing just to come and see why Trimalchio requested their present (Petronius 1).

     A comparison between Virgil's hero, Aeneas, and the Homeric heroes, Achilles and Odysseus, brings up the question concerning the relevance of the difference between the Homeric heroes and Aeneas. The differences in the poets' concerns are explained by the fact that Virgil lived many years after Homer, giving Virgil the advantage of a more developed literary and philosophical society than Homer had at his disposal. But the question remains: how are the differences between the Homeric heroes and Aeneas relevant to the epic at large? This question will be answered by first pointing out the differences between Greek and Roman society, then explaining

Before Augustus came to power, Civil war had ravished the basic principle of the Roman people. Piety, the warning to “fulfil our duties towards our country, our parents, or others connected with us by ties of blood” was undermined by faction. The duty towards country, parents and relatives was less of a bond because faction determined duty rather that Pietas. Thus Rome, a city founded in pietas, was that foundational principle. internal faction undermined the principles of pietas and corrupted its role in the city. Rome needed a moral reform towards pietas; Rome needed a refocus on the roots of the empire, its duty towards its ancestors, and unity based in pietas. Commissioned by Augustus, Virgil constructs the Aeneid so that it portrays the cruciality of pietas by redefining Greek epic heroism to include pietas. Each comparason of aeneas to another greek hero emphasises the pietas within him, showing how he is better because of it and combining the heroism of all the Greek heroes into Aeneas. By doing this, virgil shows that to unify Rome through pietas is to harness Rome’s power. Thus, Virgil reveals to the Romans a virtue which allows the individual Roman citizen embody and partake in the glory of Rome.

In Virgil’s poem, The Aeneid, the ideal Roman hero is depicted in the form of Aeneas. Not only does Aeneas represent the Roman hero, but he also represents what every Roman citizen is called to be. Each Roman citizen must posses two major virtues, he must remain pious, and he must remain loyal to the Roman race. In the poem, Aeneas encompasses both of these virtues, and must deal with both the rewards and costs of them.

Often readers will criticize the champions of classical and medieval epics for egotism. Critics cite examples from the Odyssey, the Aeneid, and Beowulf of conceit and egocentric behavior. Odysseus, Aeneas, and Beowulf display a well-known arrogance befitting their accomplishments. The motivation for this arrogance, to complete these tasks, to perform these feats, is often over-generalized to the point of inaccuracy and confusion. One must not let such misinterpretations interrupt the humanization of these characters. Through the examination of the desires and behavior of these epic heroes, we can discover an underlying need for recognition or honor. In classical and medieval western epics, the hero’s

In the discourse of literature, every tale presents a story with a hero. When it comes to culture, the author displays a heroic character as someone who demonstrates ideal characteristics that are based on the story’s historical background. These ideal attributes can include heroism, honesty, selflessness, and confidence. From Virgil’s tale of The Aeneid, Aeneas is portrayed as the protagonist and hero of the tale. Within this story, Virgil shows how the Roman culture is valued through Aeneas’s actions of heroism. His example of presenting the value of Roman culture to the reader is by illustrating the concept of romanitas. In the Roman culture, romanitas can be expressed in Latin as “roman-ness.” Though it is known to be a combination of