Why One Sin Is Worse Than Another

At the most fundamental level, Dante associates the setting of darkness with sin and sin’s deceiving nature through contrasting the darkness of Hell with the light of Heaven. In the first Canto, Dante sees that his escape from the wilderness is the pursuit of the sun; although Virgil, his guide, offers a better path to achieve his goal, the sun nonetheless represents a lack of sin. Immediately from the start, the darkness represents animalistic sin, such as incontinence or violence. However, Dante’s incorporation of sins against reason with darkness do not become clear until later in his journey. In Hell, darkness, like the degree of sin,

In Dante’s Inferno, part of The Divine Comedy, Canto V introduces the torments of Hell in the Second Circle. Here Minos tells the damned where they will spend eternity by wrapping his tail around himself. The Second Circle of Hell holds the lustful; those who sinned with the flesh. They are punished in the darkness by an unending tempest, which batters them with winds and rain. Hell is not only a geographical place, but also a representation of the potential for sin and evil within every individual human soul. As Dante travels through Hell, he sees sinners in increasingly more hideous and disgusting situations. For Dante, each situation is an image of the quality of any soul that is determined to sin in

Imagine a place where tyrants stand up to their ears in boiling blood, the gluttonous experience monsoons of human filth, and those who commit sins of the flesh are blown about like pieces of paper in a never-ending wind storm. Welcome to Dante 's Inferno, his perspective on the appropriate punishments for those who are destined to hell for all eternity. Dante attempts to make the punishments fit the crimes, but because it is Dante dealing out the tortures and not God, the punishments will never be perfect because by nature, man is an imperfect creature. Only God is capable of being above reproach and of metering out a just punishment. While Dante 's treatment towards the tyrants is fitting, his views on the

Dante explains a little bit why the lecherous are punished the way they are. He states that he “understood that to such torment / the carnal sinners are condemned, / they who make reason subject to desire” (V. 37-39). Desire governs the wantons’ reason instead of reason governing their desire. Since will instead of reason governed the sinners’ choices in their lives, then in hell they are experiencing the physical representation of the choices their souls made. The lustful are at the will of the wind, which blows them anywhere without any direction. This parallels the choices they made in life as their wills guided them without the direction of the intellect. The

Dante’s The Inferno is his own interpretation of the circles of hell. The people that Dante places in hell tried to validate their offenses and have never seen the injustice of their crime or crimes. They were each placed in a specific circle in Hell, Dante has nine circles in his hell. Each circle holds those accountable for that specific crime. Each circle has its own unique and fitting punishment for the crime committed. There are three different main types of offenses; they are incontinence, violence, and fraud. These offenses are divided into Dante’s nine rings of Hell. Each of these rings has a progressively worse punishment, starting with crimes of passion and

In Dante’s Inferno, Dante is on a journey through hell in which he sees the different versions of sins and what consequences come after the immoralities. The person who commits a sin usually has to suffer in some way that would show revenge for the law of God. Dante threatens the people and tells them that they basically have nothing to look forward to except for having to suffer being separated from the will of God. Since these works were written by Dante, he had the power to judge others and decide how they will be punished for their sins. These visions that he had could very well be all false prophecies and may not be believed by every person. One thing that Dante did was to give enlightenment to sins that people did not know and made people

The text answers the question in a direct way using the works of Aristotle, “How his Ethics describes, and deals with at length, the three dispositions rejected by Heaven, Incontinence, malice, and bestial rage and how one of these offends God less and so incurs less blame?” (Canto XI 80-83). At this explanation a reader could draw the conclusion that God’s judgment is merciful and perfect. The question though still remains, if those of previous levels offend God less why do they still incur such a horrible punishment? This question leaves implications that God’s punishment might not be perfect and just. In previous cantos Dante seems to have developed some pity for those shades he has met in previous circles, such as Ciacco, and Francesca. He sympathizes with those damned almost as if he is realizing his own sins of his world. The implications of an imperfect and unjust God can ripple right to the very core of our own existence. If god is not perfect then

Dante gives a picture perfect example of their torment. It was said that, “And as they scrubbed and clawed themselves, their nails / drew down the scabs the way a knife scrapes bream / or some other fish with even larger scales” (Alighieri XXIX.82-84). The impression that Dante gives forces the reader into picturing the sinners drag their dirty nails into their prickly, scabbed skin, so rapidly and intense, that he compares it to a knife grating the scales of a fish. Dante also uses visual imagery to describe the lives of the gluttons. Since the gluttons spent their lives consuming massive amounts of food and drink, they represented themselves as garbage. Therefore, they were treated as such in Hell. The reader is able to visualize the punishment of a glutton through Dante’s vivid expression: “Huge hailstones, dirty water, and black snow / pour from the dismal air to putrefy / the putrid slush that waits for them below” (Alighieri VI.10-12). The reader can obviously picture the clean ground beneath all of the disgusting dirt, mold, mud, and rancid slush. Dante also puts the image of the rotting gluttons that lie under this filthy mess into the reader’s mind. Each realm contains something different, and Dante clearly proves to give the sense of a different image every time.

The story of “Dante’s Inferno”, by Dante Alighieri is a dark story which depicts nine circles of Hell. The one circle of Hell that we will be discussing is that of greed which happens to be the fourth circle. In the Fourth Circle of Hell, Dante and Virgil see the souls of people who are punished for greed. They are divided into two groups (The Prodigal and the Miserly), those who hoarded possessions and those who lavishly spent it. They use great weights as a torture mechanism where they are pushing them with their chests. This symbolizes their selfish drive for fortune during their lifetime. As they make their way further down, they come across a swamp filled with naked people with their faces scared by rage. One other form of greed is that of anger, which overcame these terrorized souls. The two groups are guarded by a character called Pluto which also happens to be the God of Wealth from the Underworld. The fourth circle (Greed), is one of the iniquities that most incurs Dante's scornful wrath, thus is of great importance to understanding the text.

Dante had different thoughts when seeing the good and the evil sinners. As Dante goes through the Inferno, he sees sinners who are tearing up and looking terrible. In circle eight, he witnessed sinners who have committed fraud and rape, yet also saw some who were accidently accused of those crimes and did not deserve to be in Hell. “Here pity, or here piety, must die if the other lives; who’s wickeder than one that’s agonized by God’s high equity?” (Aligheri, Canto 20). He felt pity for some, in which Virgil had to tell him to bear with it and that there is no pity in Hell. Dante was biased about his thoughts of good and evil when determining which sinner was good and which sinner was evil. Sinners are also in Purgatory and are considered good too, since they repented their sins.

The fourth circle of upper hell contains the hoarders and the spendthrifts, whose wills were too weak in life to manage their assets. Aware only of their own needs on earth, they each work towards their own goal in Hell, pushing a rock. They are forced, however to cope with like-minded souls and collide rather than cooperating, which results in eternal frustration.

In Dante’s Inferno, Dante narrates his descent and observation of hell through the various circles and pouches. One part of this depiction is his descriptions of the various punishments that each of the different sinners has received.  The various punishments that Dante envisions the sinners receiving are broken down into two types. The first type he borrows from various gruesome and cruel forms of torture and the second type, though often less physically agonizing, is Dante’s creative and imaginative punishment for sins. The borrowed torturous forms of punishments create a physical pain for the shades, whereas the creative punishments are used to inflict a mental and psychological suffering. However, it is possible for the creative

From Dante's perspective, crimes of passion or desire are the least abhorrent and consequently deserve minimal punishment in comparison to what he believes are the more serious offenses. These sinners, the carnal, the gluttonous, the hoarders and wasters, along with the wrathful and

What causes trouble in this world simply comes down to human nature, really, who’s on top. In this eternal fight to the pinnacle of the societal pyramid, there are bound to be those that suffer more than others. Dante Divine Comedy brings into question: “Which life should I care about more, the one on Earth or the one in the afterlife?” For those who may not believe in Heaven or Hell (an ever increasing number today) the choice is quite easy. In effect, Dante condemns anyone that he feels violates this “divine” order of sanctity (those that prefer the Earth life) by putting them in different circles of Hell. The different sins in Inferno are divided into those of pleasure/ambition, and those of intention to harm. Both are evident in the corruption of society with the former focusing on “improving” oneself at the expense of the individual and the latter “improving” oneself at the expense of others. Take the gluttons for example. People such as Ciacco indulged too much in lively pleasures such as

“The Christian church … conceived of hell as a place where the good were separate from the evil, and the deeds on earth were weighed and judges.”(Bondanella XXXIII) Hell is a place that was created as a punishment for those people who died with mortal sins and did not ask for forgiveness. In this case Dante’s hell in the Inferno is divided into three sections and nine circles. These circles within hell were based off of the seven deadly sins: lust, gluttony, greed, sloth, wrath, envy, and pride. Along with the seven deadly sins Dante’s Catholic religion also influenced him in his choices about who to put and where to put people in Hell. According to his beliefs, if you were not a Christian, you automatically went to Hell. (Trotter) As well even though Dante's hell affected all people no matter their religion, the representation of how Hell