Why Stanley Was A Modern Architecture Or Medieval Arts?

4. What “fearful sites” does the narrator visit? Stone steps of First Academy building and tree by river

The difference between the Middle Ages and the Renaissance is most visible through art and architecture, demonstrated specifically through an emphasis on religion or classical antiquity, and humanity. During the Middle Ages, art was more religious because it had a very religious influence from the church having such great power in the community. When the Renaissance started, art became more focused on ancient Greece. The Greek influence was because scholars were broadly studying the revival of classical antiquity. The architecture was affected in the same way because in the Middle Ages the style of the buildings was being influenced by religion. The style in the Renaissance was being more influenced by ancient Greece.

The library was the crown jewel of the house. It was at the center, and occupied both floors with a cherry wood spiral staircase connecting both the floors. It also had a great balcony off the second floor that overlooked the whole estate, and her parents hosted a multitude of social gatherings with “important, respectable people” whose names Essily couldn’t be bothered to remember. Every wall of the library was covered with bookshelves that were either filled with books, or various souvenirs her parents had acquired through the years, such as a large globe or a painting of some idyllic city. It was all lit by an enormous chandelier.Waiting at one of the tables in the center of the library was her tutor, Mr. Smith, and her

In this passage of The Glass Castle by Jeannette Walls, the reader obtains a very in depth description of what the Walls Family home in Welch is like once they move in. The author is this text is conveying how poor of a state their new home is. Walls uses the literary element figurative language to reveal the state of their home to the reader.

To begin with, we observe that the impressions of said main characters earn them an air of sophistication, or poise. For example, during Zaroff’s first appearance, preceding his “companion’s” entrance, he is displayed to possess “a cultivated voice marked by a slight accent that gave it added precision and deliberateness” (4). We find that through Rainsford’s eyes, Zaroff’s literal voice is minimally accented and, additionally, rather refined--displaying social awareness and voice control/manipulation. In further analyzation, with such a noble and literate description, the reader is able to spot Rainsford’s impressive use of vocabulary and Zaroff’s effortless application of his suave communication skills. In this way, both men simultaneously become recognized as aristocratic-like and worthy of respect. In addition to this, whilst Rainsford was entering the dining hall of Zaroff’s chateau, he went so far as to compliment the “medieval magnificence about it” and thought to himself “it suggested a baronial hall of feudal times with its oaken panels, [with] its high ceiling, [and] its vast refectory tables where twoscore men could sit down to eat”(5). The building is certainly elaborate and immense. Further building upon their materialistic imagery and personality, this observation of Rainsford showcases not only Zaroff’s actual wealth and nobility in his life, but also Rainsford’s himself--he is intellectually knowledgeable enough to recognize the “architecture” in and of itself.

After hearing about the wonders of Hampton Institute, he immediately set his heart on attending the school, though he had no knowledge of “where it was, or how many miles away, or how (I was going) to reach it” (Washington 20). Through much

Question 1. Choose an architect or practice whose work is covered by or relevant to this course and discuss critically one or more of their design projects or drawings or urban proposals as precedent case-studies. Selectively situate this work in relation to their body of work, and against the practices and concerns of the period. Focus on the architectural qualities of a specific key aspect of the design of the projects. Selectively consider how they might relate to the historical situation, cultural values, theoretical concerns and design practices of the time. This may involve a selective analysis of compositional design practices, material fabrication production and the experiential reception of built outcomes of the projects.

The Neoclassical architecture consisted in the mid-1800s to the early 1900s. One of the earliest phases of the neoclassical architecture grew alongside with the Baroque Period. The architecture is generally evident in England, where there are buildings like the St Paul’s Cathedral, The Royal Observatory, and The Royal Chelsea Hospital. Large-scale structures, Ionic pillars, and huge Renaissance-style noodles represent the Neoclassical architecture. Many took inspirations from simple shapes like spheres, cubes, and cylinders so they could provide a more abstract classicism. Two well-known architects of the neoclassical period were the British architect Robert Adam and American architect Thomas Jefferson.

A review of the house itself suggests that an architectural hierarchy of privacy increases level by level. At first, the house seems to foster romantic sensibilities; intrigued by its architectural connotations, the narrator embarks upon its description immediately--it is the house that she wants to "talk about" (Gilman 11). Together with its landscape, the house is a "most beautiful place" that stands "quite alone . . . well back from the road, quite three miles from the village" (Gilman 11). The estate's grounds, moreover, consist of "hedges and walls and gates that lock" (Gilman 11). As such, the house and its grounds are markedly depicted as mechanisms of confinement--ancestral places situated within a legacy of control and

Arete is an ancient Greek term that describes a man’s effectiveness at reaching his full potential and quality of being best. The arete of something is the highest quality state it can reach. Using arete as a principle for living life means that you are focused on the quality of everything you do and experience. Take actions that focus on arete and avoid actions that lack arete. The Golden age is typically defined as a time of great prosperity and learning. Significant contributions by philosophers, scholars, and politicians created advancements in thought, art, technology, literature, and science. As a result, society experienced a period of great excellence and virtue that is still seen today. Art and architecture during the golden age emphasized the accomplishments of human beings. Although most art and architecture were meant to commemorate the gods, they were created in the image of people. Sculpting was a huge influence during this time, artists began to sculpt people in more relaxed postures with more defined features. The sculptures were meant to create lifelike images of near perfection like the statue of Zeus at Olympia and the statue of Athena at Parthenos. The architecture was intertwined with their art detailed and to perfection to the human eye. A big part of their architecture was the column that can be seen in more infrastructure, like the Parthenon. Three types

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

7. In what descriptive terms does Poe describe the environment of the chateau and its

Perhaps because she has come from a family with new money and wealth is something to be proud of, this is shown very clearly through Mrs Elton’s love of her sister’s home Maple Grove. She holds it as a standard to which she measures everything up against, “The laurels at Maple Grove are in the same profusion as here, and stand very much in the same way – just across the lawn” (Austen and Duckworth 2002:221). Again, in this sense it is how the landscape can serve the human. At Maple Grove the value of the landscape is attached to the house and increases the value of Mrs Elton herself, emphasising again how it is what the human can gain from the landscape that can be considered important in relation to how one may perceive

Both the SaltWorks at Arc-et-Senans and The Tower Eifel in Paris, France, share similarities in which they were constructed to provide a specific function. Furthermore, both monuments are considered to have been influenced by the style of their respected times. I express, that even though these two monuments share a similar past, they both have been swayed to leap beyond their intended design and have adapted to become more than they were originally intended to be; both functional and metaphysical in their meanings. For example, The SaltWorks at Arc-et-Senans intention was meant to be factory to produce salt. It’s function and meaning later transform from being just a factory to instill the ideology of the Enlighten Age. This Enlightenment age is

Ludwig Mies van der Rohe (1886-1969), a German-born architect, is world wide acknowledged as one of the 20th century's pioneer architects. He refined the definition of modern architecture to emphasize open space, and uncover the industrial materials utilized in construction.