Carlton Room Divider

On Wednesday, at approximately 8:24AM, I, Officer Larry Thomas (206), responded to the Central Building Room 413-4A , in reference to a code blue medical call.

With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.

The room I assessed is at Kearney Sixpence. I used the Bright Futures Preschool room for toddler’s that are between the ages of eighteen months to thirty-six months. This room is the room that I am at for my TE 343 field placement. Because this preschool is for toddlers, I used the Infant/Toddler Environment Rating Scale.

The Alliance for Aging Research is a non-profit organization that promotes the use of federal funding for embryonic stem cell research. As an agency geared toward improving the health of human beings as they age, some of their responsibilities include lobbying for federal legislation, conducting studies and surveys, and creating and distributing educational materials to health care professionals and the public. With Baby Boomers closely reaching the later stages of life, this group has found themselves focused primarily on research programs for the geriatric.

The de Young museum seen from a distance is a bold architectural statement, with its sleek horizontal building, indeterminate dark brown color and its massive tower emerging from its slightly bent curving roof. The building is an example of boldness, internationalism and cultural neutrality. Its setting in the Golden Gate Park’s landscape with the topography, vegetation; weather and light are taken advantage of. The significance of nature and the art that is housed in the museum from the Americas, Oceania, and Africa can be seen as having resonance in the architecture. Many of the works of art are sacred in their cultures, are made of natural materials and were never intended to be displayed in formal settings. Post modern theme of ‘context’ comes into expression as Jacques Herzog put it: “These objects belong to nature. We wanted to emphasize that”.

ln Atwood’s essay about Nineteen Eighty-Four, the lesson that was learned is that not everything is not as it seems. Atwood summarizes the book and explains the importance of Room 101, and how it is not only a metaphorical figure. She teaches the reader how the problems that are in Nineteen Eighty-Four are not only issues that are in a book, but how they occur in our world today.

Designing and decorating a room is giving it a sense of purpose and personality. In the sixties, this became about capitalising on the influence of the Space Race, which right from its ‘infancy’ was having an observable impact on culture and art. It brought with it a growing appetite for what was considered to be the cutting edge of technological and human advancement. It is agreed that it was in the architectural landscape of the West’s cities that this shift was most noticeable. They were updated with ‘upswept winglike roofs, domes, satellite shapes and starbursts that became the dominant visual language of motels, diners and gasoline stations’. It is for this reason that Colombo’s apartments were as contained as spacecraft and I feel contextualises something of the general climate that lead to the chrome dipped Factory itself being a rather futuristic ‘spillover from the silvery streamlining of the space program’. For Warhol, for whom the now was paramount, working from somewhere that so greatly embraced innovation would have been integral. (Kennedy, 2007)

In Florence, Italy, a young prodigy began his work that would become an icon of Renaissance art and inspire the world through new ideas within and outside of art. Leonardo da Vinci Unlike many artists who left the world with only their masterpieces, Leonardo, a ADHD man who could never seem to finish a project, left behind numerous incomplete works of art. That is why an aspect of Leonardo da Vinci’s life that I have found fascinating are his sketchbooks. When viewing these various sketchbooks, one can learn about how he creates his art, his diverse interests, and his ideas.

Postmodernism is a universal movement, present in every art and discipline. In architecture, postmodernism is precise as well as ambiguous thereby in need of an explorative pursuit for a consensus of what is meant by the movement in this perspective - between the works of Charles Jencks, a primary theorist of this architectural turn; Heinrich Klotz, a leading architectural critic; and William Curtis, an architectural historian. The progression of this paper is highly influenced with Jencks’ studies as his works are often times referenced as well by both Klotz and Curtis in their individual interpretations and further accompanied with either supporting statements or contradictions.

This is an essay which will primarily discuss the items in my life and possibly your life which particularly annoy, aggravate, irritate, infuriate or events in life we just find completely maddening. This essay is almost based on the novel, called "Room 101".

“How do you make a building for contemporary art that stays contemporary in the future without stooping to a neutral language? And how do you attract a big public without compromising the selfish, private, exclusive time we all want to have in a museum?” These questions, put forward by Elizabeth Diller of Diller Scofidio + Renfro, represent the urbanistic motivation supporting the construction of Boston’s Institute of Contemporary Art (ICA). In such a manner Boston’s ICA engages, not only with the urban citizen, but also the urban landscape in which the site is located. The ICA conveys the idea of architecture as art in itself. As a presenter of art to the urban citizen and because of its open design, the inside allows the citizens to not only appreciate the art within the building but also see the art of the building’s natural environment and setting.

The Bauhaus school was founded in 1919 in Weimar by German architect Walter Gropius (1883 - 1969). In 1923, Walter Gropius introduced the agreement between “creative artists and the industrial world”. The Bauhaus is most famous for the idea of combining forms and functions. They combined both fine arts and design elements to create a curriculum that trained artists and designers to be capable of producing both functional and aesthetic work. One of the main goals was to bring design and technology together. During the Bauhaus period, Fine art and craft were combined together and aimed toward problem solving for an innovative, modern and industrial society. Nowadays, the Bauhaus legacy continues in modern designs, such as minimalism, or design brands like IKEA. In this essay, I will analyze Bauhaus’s influence on modern design, including architecture and furniture design by exploring different examples from different periods of time.

The 50’s were the most revolutionary years for design. The war had ended and there was economic stability, only to bring out the quirkiest side of designers and artists. More people were curious about modernism and were extremely welcoming to the way designers were experimenting. The trend of bubblegum, neon and pastel colors, space based and atomic themes and abstract art dominated architecture, clothes, crockery, furniture, cars, etc. Smaller post war houses demanded light, stackable and compact furniture, thus leading to the rise of Formica, chrome, vinyl, plywood, fiberglass, aluminum and plastic furniture. But that didn’t stop designers from experimenting with wood and leather. Charles and Ray Eames and Robin and Lucienne Day were the pioneers of modern architecture and design. What separated these couples from other designers was the brilliant combination of art and form in their creations, which

The Second World War lasted from 1939 to 1945, which involved most of the world 's nations, organized into two opposing military alliances: The Allies and the Axis. It is considered the most extensive war, with more than 100 million armed forces assembled. The Allied forces placed their entire economic, industrial, and scientific capabilities at the service of the war effort, destroying the difference between civilian and military resources. It was the deadliest conflict in human history (Reference), which resulted in over 70 million fatalities caused by military action against civilians, the Holocaust and the use of nuclear weapons in warfare. This essay concerns itself with why and how the allies won the Second World War. Joachim von

“Design is for living”. The adage fashioned a widespread shift in design during the 1940s and 1950s. It revolutionized the form by creating an electrifying visual language that signaled a new age and a fresh start- two of the powerhouses were Charles and Ray Eames. The Eameses were a husband and wife team whose unique synergy led to a whole new expression in furniture and architecture. The couple advocated the principles of Modernism through the adaptation of innova¬tion from wartime technology .Their design style can be branded as “California Modernism,” a term that is often used interchangeably with “Mid-Century Modernism.” This distinct style embodied an approach to design that opposed the “social conscience” of the Bauhaus in order to embrace looser, warmer design which was both more expressive of local character and in touch with the realities of commerce and salesmanship. With the west-coast coming-of-age, economy shift from making goods to producing information and the global expansion of American culture; their lives and work embodied some of America’s defining movements. They contributed to architecture, film, industrial and graphic design. They were known as pioneers of affordable mass production and residential constructions. The evolution from furniture designers to cultural ambassadors validated their bents and overlaps with country’s interest and projected how design can enhance the lives and practical needs of ordinary people and not just the elite.