Why We Crave Horror In Stephen King's On Horror And Society

My grandma once told me, “If you stay up too late at night, the boogeyman will get you”. I never believed her but I knew I wouldn’t want to see the Boogeyman if he actually existed. Most people would actually want to watch these horrible beings. In this case, they would want to view a horror movie such as “Friday the 13” or “Nightmare on Elm Street”. It is part of our Human Condition to be attracted to the films and asking for more. Stephen King’s claims in “Why we crave horror” asserts us that humans crave horror to face our fears, to re-establish our feelings of normalcy, and to experience a peculiar sort of fun.

Many authors tend to state their opinion very briefly in their work. This makes it vulnerable for others to agree or disagree on the opinion with facts. Common fallacies also known as logical fallacies and argumentation styles are the most critical ways an author can be debated on leading to ongoing arguments. Logical fallacies are faults in reasoning that weaken our arguments and argumentation styles are types of arguments that modify the text to create a structured essay. Logical fallacies and argumentation styles can either create a more developed essay or can make it vulnerable. This can be avoided with much revision and editing but there will always be someone to judge someone else’s work for any purpose if found. Like many novels that

Stephen King wrote a very brief essay titled "Why we Crave Horror Movies", in which he explained some of the reasons that people choose to go to horror movies to be entertained. In his essay, King goes on to explain that we as a people need horror movies as a sort of release; to feed the darker elements within all of us without having to sacrifice our humanity (also, civility). King does this by comparing people based on their levels of sanity whereas some societal "eccentricities" are completely acceptable, while some will get you thrown right into the loony bin. It’s summed up pretty well in this quote:

Stephen King never clearly states the thesis of this essay however there is enough information provided that we can infer one. We need to keep our inner lyncher at bay by feeding ourselves with small portions of demonic, bloody, violence, found in horror movies. King writes “It deliberately appeals to all the worst in us. It is morbidity unchained, our most base instincts let free, our nastiest fantasies realized...” (Why We Crave Horror Movies, paragraph 12) and by doing so he’s implying that horror movies are like a temporary fix for our violent craves.

sample, but it also appeals to population and emotion. To further explain why we crave

Come to find out we as humans do have a dark side to our personality. In fact, our brains make imaginary monsters, demons, witches, and other crazy scary figures you can think of. We are all plugged in with the positives and negatives. In why we crave horror Stephen King is correct because he states that humans crave horror to face our fears; however, he is also wrong by claiming that we as humans crave horror to establish our feelings of normalcy and to experience a peculiar way of fun.

In the essay, "Why We Crave Horror Movies" by Stephen King the author tries to prove that the modern day horror movie is are relief of violence, are fix of adrenaline and fun, and also something that can dare the nightmare. In a lot of ways these things can be related to real life situations. My relief of violence is playing video games, and my fix of fun and adrenaline is when I play football, and something that dares my nightmare is when I challenge my brother.

As I was lying in bed recalling the event happened an hour before I was thinking to myself that I will never look at lightning the same way again. Thunder and lightning was still present in the night sky as I lay there in bed thanking God I was alive and well. Each flash of lightning lit the entire room and each clap of thunder rattled the windows of my hotel room. Lightning can seem much more terrifying when you’re up 20,000 ft in the mountains, and the thunder sounds a lot louder too. The sound of nature’s fury seemed to slowly descend as the night went on, but my nerves did not. I was still stunned and in shock of being stuck in a lightning storm high in the mountains. I never thought about the power and damage lightning can inflict

King begins this article with the attention grabbing statement, “I think that we’re all mentally ill: those of us outside the asylums only hide it a little better—and maybe not all that much better, after all.” (King, 2013, p 641) Even if his readers immediately disagree, he has accomplished capturing their attention. Next he describes a few crazy behaviors that are common to most people: talking to oneself; making faces when no one is looking; and giving in to irrational fears of snakes, the dark, tight places, and things lurking where we cannot see them. Most people can relate to these behaviors and can reason this is true. He then moves on to explain how we face these fears and give our emotions a break by watching a horror movie. He likens this to a roller coaster that is a mixture of fun and delicious terror as it takes its participants by surprise with a 360-degree loop or, “plows through a lake at the bottom of the drop.” (King, 2013, p 641) The next example pulls on the emotion inside his readers to measure up to the perfect standard of beauty. He says horror films tend to make people feel more normal because the comparison is so grotesque that the readers know, “we are still light-years away from true ugliness.” (King, 2013, p

If somebody asked me what my favorite type of movie is I would probably say horror. I would say horror because it provides a thrill in me that no other type of movie sparks within me. When reading Stephen King’s article I realized there is more to a horror movie than just thrill, there is anticipation, and even suspense shown. In “Why We Crave Horror Movies”, Stephen King uses a mysterious tone and pathos to successfully persuade his audience of kids and adults into watching mysterious horror movies that will let you re-establish your feelings.

Can you imagine what the world would be like if everyone was mentally ill? If the only way for people to feel normal was to watch a horrific, bloody movie? In Stephen King’s essay “Why We Crave Horror Movies”, King states that “we’re all mentally ill...those outside the asylum only hide it a little better”(King 1). I completely disagree, if we were all mentally ill, murder would be legal, and killing people would be a daily ritual. Also if we are supposedly “mentally ill” that means that even cute, pure babies are mentally ill also, and that they also crave a good horror movie. This suggests that there is not one person on this planet that doesn’t crave watching the blood and gore of horror movies. King’s statements are clearly false because we all know at least one person that is still afraid of the dark, let alone Jack the Ripper who cuts people’s bodies to shreds. So, if people openly reject the nightmare forced horror movies, that means we all don’t “crave” them.

Throughout history, mental illness has been labeled as a defining deformity, that harnesses in its “victims,” into a box, parallel to the familiar “mime in a box” image. In a world where we glorify “normality,” a lack of illness, which by all means is a gift, the beauty of one mind takes away from the beauty of an outlier, even though, ironically people may not even recognize their differences. Hester, at a glance suffers from a literal scarlet letter, but an imprint on her brain may exist as well. Irrational actions, sudden emotional episodes, and destructive thoughts can only prevail for so long following sin; Hester’s persona has branches of self-defeating personality disorder, schizophrenia, and bipolar disorder. No one of her time, however, will bring the issue to light, Hester will be left known as the mistress, a witch, or “A,” rather than to explore her “complicated” condition. As decades pass, Hester’s state will remain, as the “A,” the mark of the stigma on mental illness today. When left neglected, society rejects the possibility that under a visible coating, mental deformities may lie; those who are divergent, who require affection more, are made subordinate, marginalized with no quest for a cure.

The emotion of fear injects the sense of dread all throughout our body, causing our muscles to tense up, pupils to dilate, body to sweat, stomach to clench, and to breathe heavily. Fear’s main intention of doing so is to warn ourselves of any potential danger we might be in and prevent any future harm done to us. (Dayton) So, for what reason might we humans want to experience fear; such as watching horror movies, when it is so closely associated with pain?

In the essay, “Why We Crave Horror Movies” by Stephen King, the author talks about the benefits of the horror movies on human beings. He argues that we all behave like mad people by performing weird things like talking to ourselves, showing disgusting faces and having odd fears. Comparing the horror movies with roller coasters, he states that young people are more fascinated by these adventures to prove the point that they can do this and are not afraid of taking challenges. He argues that we get fun by watching people getting hurt and suffering from menacing pain in the movies. Despite having insane thoughts in their mind which they want to execute in reality people are expected to show emotions that are accepted by the society. Horror movies gives psychic relief to these insane

Dramatic stories of people with mental health conditions appear pervasively in almost every media outlet, beginning generations ago, and continuing steadily in modern society. These themes--of violent madmen, hysterical witches, insane criminals, and every other generalization of the mentally ill--perpetuate the harmful misrepresentation and stigmatization of mental illness, which is a common element in modern everyday life. One of the greatest factors contributing to this situation today is the presence of said misconceptions in printed media--not just modern works, but also the appraised classics, such as William Shakespeare’s tragedy Macbeth and Mary Shelley’s gothic novel Frankenstein. Even as centuries pass and contemporary society advances, it is evident that ultimately, as the reader analyzes both Macbeth and Frankenstein, definitive British literature strengthens the negative stigma surrounding mental health, as it similarly misrepresents the legitimate issues regarding mental illness.