Wil Lost's Narrative Theory Essay

As a polysemic text, television has the power to inspire a range of interpretations according to the denotation or encoding of the producers and the connotation or decoding of the televisual consumer. As first described by Stuart Hall in Encoding/Decoding, and then by Horace Newcomb and Paul Hirsch in Television as a Cultural Forum there exist three basic categories of potential readings of a singular text within the broad range of potential interpretations: dominant or preferred, negotiated, and oppositional, each of which depends on the ideological, political, and social position of the interpreter, as well as their experiences, making them, according to Newcomb and Hirsch cultural interpreters, or cultural bricoleur. As a parody, a genre

The television show stands to be viewed as if it was filmed on a handheld camera. The show has the tendency to be extremely awkward and people who do not take the time to watch a full episode will anticipate that the show may be identified as dull and a waste of time. One would feel that the show may be simple with no plot or meaning. However, after watching an entire episode, one will realize that a complex plot is not necessary to enjoy the show because of the awkward and entertaining relationships between the characters. Although, there are several plot twists that may catch the viewer’s

But most viewers are interested in excitement in their entertainment, which translates into the format and content of the “news” as well as direct entertainment. It is difficult to imagine that television viewers would have watched Truman grow up over almost three decades when even the most engrossing “soap” can not sustain a third of that time period.

The narrative perspective helps us discover the underlying moral of the story– that is its argument about how we ought to and ought not to believe or behave (Sellnow 2017). Part of the narrative perspective is the viewer’s narrative rationality which refers to the assessment of good reasons used to persuade masses of the moral (Sellnow 2017). Another element in this perspective is its coherence defined as plausibility. Often times viewers will better agree with a moral whose story is believable and characters relatable. And the more believable and relatable the more the story resonates and that connects to its fidelity or the degree to which the values in a story ring true (Sellnow 2017). Under a narrative lens several different aspects are examined such as the actions and conditions that create the active and static events, the setting, characters that based on their depth are either round or flat. With predictable characters being flat and the unpredictable round.

Narratives have massive importance in the driving of big ideas about how we view our world. They use many different techniques, to either subtly or plainly plant ideas into our minds. The author can point out big problems in our world, and by making it relevant to the consumer, lead them to think more about what is going on around them. They can turn something that doesn’t make sense to someone and by changing something very simple, make it more relevant.

John Jurgensen’s article asks us an interesting question: how many TV series can our brains take? As television series expand to grandiose levels, it gets harder to follow what is happening: who people are, and what their place in the overall story is hard to follow for a large number of viewers. Jurgensen attempts to address this within his article, and it has some interesting points.

The world is thriving in a miscellaneous collection of well-known types of media that allow people to indulge in new societies, sophistications, and stories they have never known before. Correspondingly, there is an assortment of ways to analyze this media to further understand the reason behind having meaning in literature in addition to the recipients’ responses to these specific meanings. In particular, one method used to examine media, as well as its ongoing objective in both classic and contemporary society, is Kenneth Burke’s dramatic pentad. In response to evaluating narratives from divergent perspectives, the pentadic analysis is composed of five parts: agent, scene, act, agency, and purpose. For instance, by applying this analyzation technique to the 1991 Howard Zieff film My Girl it can be illustrated through which means these five elements create value in a fictional composition. Specifically, My Girl is primarily an agent-based film focusing on Vada's Sultenfuss' exploration of life through the means of death. However, Vada's circumstances of her mother's passing during childbirth and father's house-run funeral parlour creates a narrative focused on purpose by being the initial reason Vada has an obsession with demise and disease.

All stories consist of a few common structural elements found universally in myths, fairy tales, dreams, and movies. They are known collectively as The Hero’s Journey. Understanding these elements and their use in modern writing is the object of our quest. Used wisely, these ancient tools of the storytellers craft still have tremendous power to heal our people and make the world a better place (xxvii).

Reality Television is a genre of television programming that documents unscripted situations and actual occurrences. The genre often highlights personal drama and conflict between characters to a much greater extent than other genres. (Lyle, 2008)The paper seeks to analyze the codes and conventions of authenticity used in the TV show American Choppers based in Orange County, New York. This reality-based TV show outlines the lives of Paul Teutul Sr., his son Paul Jr., makers of the universe 's most magnificent, one-off a kind custom chopper built around a specific theme (Mazzarella, 2008). Every scene catches the daily dramatization of this impulsive relationship the father and his son has, who are also a team as they fight impossible due

Maya Syag Introduction: In culture Television has a great effect on viewer understanding, As a result of that fact television is greatly affected by current events in order to help viewer understanding and promote a discussion. Int this research paper I will research the effects of current events on the TV, and the subsequent effect TV has on society. Additionally I will research issues of race in America and how that was portrayed on television as a result of the recent racial divide caused by the various police shootings of innocent unarmed black men.

Most people would prefer to watch Mean Girls, or Big Brother over a documentary about nature because they find it more entertaining. Novels, television programs, and films are largely made to reflect what the majority of people find entertaining and don’t teach many valuable lessons. Writers can write great stories that move us emotionally and confirm our deepest moral convictions but they choose not to because a large number of (many, numerous) people prefer them to entertain us only because they see dollar signs as more than moral signs.

Over the past decades many content creators, and storytellers have used a wide range of mediums and platforms to convey information, entertainment, and of course, emotion through stories. One could argue that the most interesting, and marketable story conflict in the world is through actual events that people can relate to, and something that people already have an established knowledge of. Ernst Junger was a German World War veteran, and storyteller who is most famous

The show Lost is a complicated, yet popular, television show because of its history, cast, and plot. J.J. Abrams is the creator of Lost (Stanley 1). He started the show in September 2004 (Jensen 1). It was immediately a hit. He started the show because 18.7 million people watched the Oceanic Flight 815 crash onto an island (Jensen 1). People were attracted to the horrific event and Abrams adopted this idea into a hit television show. For example, while Harold Perrineau was playing as Michael Dawson died when he was blown up while attempting to disarm a bomb (Snierson and Young 2). Ian Somerhalder died from terrible injuries after the plane had fell to the ground from the trees in which he played as Boone Carlyle (Snierson and Young 1). Mira Furlan was shot by Widmore's men playing as Danielle Rousseau (Snierson and Young 2). Dr. Leslie Arzt was played by O Daniel Roebuck which he died by being exploded when holding dynamite (Snierson and Young 1). Ethan Rom was played by William Mapother which he was shot by Charlie, which he had tried to kill in

Back in 2003 Henry Jenkins caused a massive stir in the media world when he introduced the idea of transmedia storytelling. Jenkins describes it as a process where elements of fiction are dispersed across multiple media platforms in order to serve the purpose of creating a coordinated entertainment experience. Jenkins goes on to say that preferably, each medium will contribute different aspects which will assist in the telling of a story and unveil new aspects. However a good transmedia text does not simply supply information, instead it allows the fans, or fandom, to interact with the world within the text (Jenkins, 2007). This essay will argue that transmedia storytelling impacts on how the audience interacts with the story, in order to

They way stories are told may morph, but never will storytelling cease. From their people skills to their memories, there is no argument that storytellers possess boundless talent and intelligence. They were the first educators. And now, storytelling is a large part of everyday life. The news in the morning, the gossip throughout the day, the casual response to the casual “What’s up?” – It’s all a form of storytelling. Our lives are steeped in it. In almost every conversation a story is told. At every turn a story is born. So we all are storytellers, and the world is our audience, just waiting to hear the gospel leave our