War is not heroic. War is sickness, struggle, and death. This is the message that poet and World War I soldier Wilfred Owen wanted to instill in his people back home. Those back home talked of glory and national pride and rooted for their soldiers, however, they were unaware of the horrors these soldiers witnessed and experienced. The soldiers and their people back home were not only separated by distance but by mental barriers, which Owen showcases in his poetry. Owen’s use of personification in “Anthem for Doomed Youth” degrades the soldiers to objects to show how the war dehumanized them to intentionally create a disconnect between the audience and the soldiers.
Wilfred Owen can be considered as one of the finest war poets of all times. His war poems, a collection of works composed between January 1917, when he was first sent to the Western Front, and November 1918, when he was killed in action, use a variety of poetic techniques to allow the reader to empathise with his world, situation, emotions and thoughts. The sonnet form, para-rhymes, ironic titles, voice, and various imagery used by Owen grasp the prominent central idea of the complete futility of war as well as explore underlying themes such as the massive waste of young lives, the horrors of war, the hopelessness of war and the loss of religion. These can be seen in the three poems, ‘Anthem for Doomed Youth’, ‘Dulce Et Decorum Est’ and
Wilfred Owen is almost begging someone (probably the ones who recruit the youth) to tell the world the truth about war, how tarrying everyone is and how difficult is to go on, to keep the hope. For the soldiers there are no dreams of a noble death that everyone will remember through stories. There are no legends that will become myth in their fighting, but real people and real horrific death. The concept of “heroism” that exists from classical literature is not longer valid.
By creating these nurturing, peaceful images of a beautiful countryside, Brooke evokes pride from his primary audience, which in turn creates a sense of nationalism. Furthermore, references to the themes of heaven and the afterlife create comforting images in the reader’s mind. Brooke describes a ‘pulse in the eternal mind’ for the ‘hearts at peace under an English heaven’, suggesting that those who die fighting for their country will find themselves in a heaven as idyllic as England. The paradisiacal images created by Brooke are a stark contrast to the gruesome images featured in Owen’s poem. Dulce et Decorum est is rich in similes that graphically illustrate the goriest details of war. The soldiers in the poem are described as ‘old beggars’ who are ‘coughing like hags’, which illustrates a loss of dignity, health and the innocence associated with youth. As the poem progresses, a soldier is the victim of a gas attack and is described vividly, with ‘white eyes, writhing in his face’ as ‘blood comes gargling from his froth-corrupted lungs, obscene as cancer’. Owen’s dark subject matter is further explored through his juxtaposition of ‘children ardent for desperate glory’ and soldiers marching like ‘beggars under sacks’. The use of these similes and images shocks the reader and conveys the ruthless reality of war.
“In his poetry, Wilfred Owen depicts the horror and futility of war and the impact war has on individuals.”
The author of “Anthem for Doomed Youth” leads his reader through his personal struggle and frustration of war. Owen has an abrasive approach when describing the death all around him and clearly expresses his anger with the “hasty orisons” for the dead. He speaks directly of battlefront in the first octet and then includes the home front in the second half of his sonnet. Owen’s purpose is not a commemoration of fallen soldiers. Rather, he divulges the disgust and disappointment of war. Like McCrae, Wilfred Owen paints a picture of the multitude of deaths. Back at the home front, “…each slow dusk a drawing-down of blinds.” We can construe that the author is not simply talking about preparing for bed in the evening, but rather lowering the blinds in a room where yet another dead soldier lies, as an indication to the community and out of respect for the soldier. There is a lack of “passing-bells for these who die as cattle….no prayers nor bells; Nor any voice of mourning save the choirs.” Owen writes as though he feels that there is indifference among the death of his fellow soldiers.
Wilfred Owen is today recognised as the greatest poet of the first World War, his poetry at the time was considered to be controversial as it revealed the truths behind trench warfare and contradicted popular attitudes at the time. The works of Wilfred Owen, and specifically, the poems of ‘Anthem for Doomed Youth’ and ‘Dulce et Decorum Est’ are both successful in powerfully giving a voice to the soldiers of war and conveying the dark and inextricable truth behind war provoking the reader to consider ideas about how this truth is told, rather than the bias opinions from the homefront.
One is to think of war as one of the most honorable and noble services that a man can attend to for his country, it is seen as one of the most heroic ways to die for the best cause. The idea of this is stripped down and made a complete mockery of throughout both of Wilfred Owen’s poems “Dulce Et Decorum Est” and “Anthem for Doomed Youth”. Through his use of quickly shifting tones, horrific descriptive and emotive language and paradoxical metaphors, Owen contradicts the use of war and amount of glamour given towards the idea of it.
Wilfred Owen’s poetry effectively conveys his perspectives on human conflict through his experiences during The Great War. Poems such as ‘Futility’ and ‘Dulce et Decorum Est’ portray these perceptions through the use of poetic techniques, emphasising such conflicts involving himself, other people and nature. These themes are examined in extreme detail, attempting to shape meaning in relation to Owen’s first-hand encounters whilst fighting on the battlefield.
Wilfred Owen’s “Dulce et Decorum Est” is a poem made of four stanzas in an a, b, a, b rhyme scheme. There is hardly any rhythm to the entire poem, although Owen makes it sound like it is in iambic pentameter in some lines. Every stanza has a different amount of lines, ranging from two to twelve. To convey the poem’s purpose, Owen uses an unconventional poem style and horrid, graphic images of the frontlines to convey the unbearable circumstances that many young soldiers went through in World War I. Not only did these men have to partake in such painful duties, but these duties contrasted with the view of the war made by the populace of the mainland country. Many of these people are pro-war and would never see the battlefield themselves. Owen’s use of word choice, imagery, metaphors, exaggeration, and the contrast between the young, war-deteriorated soldiers and populace’s favorable view of war creates Owen’s own unfavorable view of the war to readers.
Wilfred Owen's war poems central features include the wastage involved with war, horrors of war and the physical effects of war. These features are seen in the poems "Dulce Et Decorum Est" and "Anthem for Doomed Youth" here Owen engages with the reader appealing to the readers empathy that is felt towards the soldier. These poems interact to explore the experiences of the soldiers on the battlefields including the realities of using gas as a weapon in war and help to highlight the incorrect glorification of war. This continuous interaction invites the reader to connect with the poems to develop a more thorough
One of Wilfred Owens greatest works is ‘’Anthem for Doomed Youth’’. The poem discusses the pointless deaths of soldiers on the battlefield. It tells the reader that the only prayers or notice that these dead soldiers get on the battlefield are those of guns, fighting, and more dying, not the normal ceremonies that are used to honor the dead, this can been seen in the first lines of the poem were Owen writes: ‘’Only the monstrous anger of the guns/ Only the stuttering rifles rapid rattle/ Can patter out their hasty orisons’’
Owen’s poem has the clear intention of showing the true nature of war to the reader, which is mainly achieved by contrasting reality against the ways in which war is so
Wilfred Owen (1893-1918) is recognised as one of the greatest voices of the First World War. Owen is one of the greatest writers of war poetry in the history of the English language. Having experienced war as a former soldier he used his personal experiences to help write the famous poems we still read today. Owen’s fine poetry includes Anthem for Doomed Youth and Dulce et Decorum Est (1917) and Storm (1916), ‘1914’ (1914). In these four poems it illustrates how Owen has become so recognised for his work in the world war era. His most famous poem ‘Dulce Et Decorum Est’ shows ideas relating to the motives of men as well as the lack of morals within recruitment for the wars. Parallel to this Owen defaces the ‘glory war’ and describes the truth
Poems using strong poetic technique and devices are able to create a wide range of emotions from the readers. Wilfred Owen’s poetry effectively uses these poetic techniques and devices to not only create unsettling images about war but to provide his opinion about war itself with the use of themes within his poem. The use of these themes explored Owen’s ideas on the futility of war and can be seen in the poems: Anthem for Doomed Youth, Futility and The Next War. The poems provide unsettling images and belief of war through the treatment of death, barbaric nature of war and the futility of war.