Willa Cather 's ' Neighbour Rosicky '

Naturalism is an ongoing literary movement that has been apparent since the 1900’s. It depicts how the environment, social conditions, and even hereditary characteristics influence and shape the way a human character will develop. It is believed that there is no escaping this realism, and each situation one experiences is what will establish the route of life that they will partake. A short story called “My Antonia”, written by Willa Cather is merely categorized with Realism and Naturalism, though it is evident that several aspects portray supernatural occurrences. The specific characters throughout these excerpts show the reflection of Naturalism by experiencing struggles of deprivation which resulted in their lives being shaped by

We hear of her moving to New York to escape her life as a child bride after being orphaned at a young age. This story allows the audience to gain a sense of sympathy for Holly, and enhances the pathos of the story. This pathos puts the audience into the shoes of Holly and enables them to understand the reasoning behind her escape. The use of language features like pathos and literary allusion allow the authors of both texts to convey the theme of escapism.

In Alexander Solzhenitysn’s story “Matryona’s Home”, Solzhenitsyn creates a relationship between an out of town visitor, Ignatch and an elderly woman, Matryona. Matryona reluctantly opens up her home to Ignatch, over the course of their housing together they begin to form some sort of a friendship. Ignatch begins to understand Matryona’s way of life that “she illustrates a spirituality that eschews greed and self-interest” (Paloni). Her willingness to help others without expecting anything in return is her main flaw and ends up becoming the death of her. Foreshadowing and irony are used throughout the story to show how society misuses Matryona.

When telling the reader about the Box Man’s choice to be homeless, Ascher refers to an anecdote where the Box Man encounters the mayor of New York City, “Last winter, Mayor Koch tried, coaxing him with promises and the persuasive tones reserved for rabid dogs. The Box Man backed away, keeping a car and paranoia between them.” When describing this scene, Ascher makes the mayor sound condescending by using words like “coaxing” and comparing the way he speaks to the way one would speak to “rabid dogs”. The way that the mayor treats the Box Man makes the reader feel sympathy for the Box Man and the way homeless people are treated, and the readers feel guilt due to the way they might have treated homeless people like the Box Man. This advances Ascher’s argument and further persuades the reader to reflect on their own actions and thoughts towards the idea of homelessness. Another tool that Ascher uses to help argue that homeless deserve respect is precise diction.

Mordecai Richler’s novel The Apprenticeship of Duddy Kravitz, is a novel that shows the life of a child who was raised in the Jewish ghetto of downtown Montreal during the 1940’s named Duddy Kravitz. Duddy is a kid without a moral compass; due to that, he will do whatever it takes to acquire land. The reason Duddy is so obsessed with getting land is because one of the role models in his life once said “A man without land, is nobody”. Duddy’s morality was shaped by a lack of positive role models during his childhood.

This story begins to drive the sense of emotion with the very surroundings in which it takes place. The author starts the story by setting the scene with describing an apartment as poor, urban, and gloomy. With that description alone, readers can begin to feel pity for the family’s misfortune. After the apartments sad portrayal is displayed, the author intrigues the reader even further by explaining the family’s living arrangements. For example, the author states “It was their third apartment since the start of the war; they had

The authors are able to convey the theme of poverty by creating similar settings in New York City and Ireland. Lutie, the main character of The Street, walks down the frigid sidewalk of New York observing the setting surrounding her. The author illustrates the cold by writing, “She shivered as the cold fingers of the wind touched the back of her neck…” (Petry). This quote shows the way the author portrays the wind. She uses personification to give it life.

     After leaving Poland to venture out into the New World of America, the Smolinsky family endured impoverished lifestyles and countless hardships. For example, After an incident between Reb and the landlady (which made Reb revered), boarders began to occupy the Smolinsky family’s

Social and physical environments are an integral part of a well developed story. The physical environment is a stage for the introduction of characters. The Stage will immerse the characters within a story and give it context. Social environments are defined by external social constraints. These constraints are used to build and define a culture. The social constraints of a culture will place bounds and limits to the actions of it’s members. This paper will briefly discuss the importance of Social and physical environments, within “Paul’s Case “by Willa Cather and “Death by Landscape” by Margret Atwood

Since the beginning of time social constrictions have always retained a firm grasp on the ideas and actions of humanity. While it remains a formidable foe, still some choose to fight back against the norm. This never-ending war is responsible for major advancements in the social order, but not every story is so successful. In Kate Chopin’s “The Awakening”, Edna Pontellier finds herself fighting this very battle that, although begins with a positive outlook, ultimately ends in her demise.

     In Kate Chopin’s short story, “Desiree’s Baby”, she demonstrates how racism played a major part in people’s lives in the 1800’s. Kate Chopin is extremely successful in getting her readers to feel disturbed by the events in the story. Through words and images, the reader feels touched by the story, either by relating to it at some points or when confronted with things we frequently decide to ignore in the world: the evil some human beings are capable of possessing.

The story unfolds very smoothly and evenly in spite of of the stirring and at the same time troubling subject of the matter. We get acquainted with the main characters – The Crutchman family “so very very happy and so temperate in all their habits and so pleased with everything that came their way”, due to the anaphoric repetition the author creates intensification, that states the problem –

In this paper, I plan to explain Dostoevsky’s criticism of Western Individualism. Dostoevsky’s first criticism resides in the idea to “love life more than the meaning of it, “which is presented by the character Alyosha (Dostoevsky 3). Allowing this character to discuss this topic, along with the commentary of Ivan, demonstrates their mindset to solely focus on their own lives, opposed to caring for others. This leads to them living for the now, and not focusing on how their decisions will affect their future or others. Dostoevsky disapproves of this notion because living by this mentality encourages the guidance of logic, which is dangerous because it could tell you to kill yourself. From Dostoevsky’s Eastern Orthodox background, he believes that the only way from living from this situation is to deny it. By denying this way of living, the focus toward life will not be directed toward yourself, but toward the way you can impact the environment around you. Ivan clearly does not believe in these values, due to his intentions to commit suicide at the age of thirty. As said before, living by the idea to “love life more than the meaning of it” leads to death, and Ivan indulges in this to the fullest (Dostoevsky 3).

It would be a challenge not to wonder what causes him to be so nasty, audacious, and insensitive toward everyone, including himself. The transient beauty of Bukowski’s prose is hidden within the elusive and terse nature of his writing. Although it might be hard to appreciate at first glance, it gradually becomes more transparent as the reader becomes increasingly familiar with the two books. With this, the reader gains the ability to enter into the mindset of the protagonist and embark on a series of self-reflections regarding what type of person he/she might have become if he/she experienced similar neglect. Charles Bukowski wrote in a scramble, with a nothing-to-lose truthfulness that became the expedient in reliving the downtrodden generation in which Chinaski is raised. Along with some opinions that were expressed in the critical article in Time Magazine, Bukowski’s main character has deemed himself as none other than what he is in life: a “low life loser.” It does not require an immense level of effort to describe him as such, but attempting to explain a man of his particular genre is unquestionably abstruse. He is ornery and taciturn; when he does speak, it is with no apologies. He lives his life botching any remedial job for which he is lucky enough to get hired, and has no desire to escape the sphere he lives in as a “loser.” The reader must first ask why Henry

We will begin with an analysation of his family situation. Praskovya, his wife, had been a love constructed from the start of an economic and sociological expectation rather than that of a true courtship. The happiness therefore of the union was derived solely of a necessity to fulfill a desire on the part of others for a “success” of sorts, surely her desire as well. “Ivan Ilyich could have counted on a more illustrious match, but even this one was quite good. He had his salary, and her income, he hoped, would bring in an equal amount. (Tolstoy, 56)” Tolstoy goes on to make several remarks on the benevolent nature of the relationship between he and his wife. The arrival of his children creates no great marker in his life, and proves to be little more than a factor in his ever-lengthening retreat into his life of solitude and work.