Willa Paskin's Game Of Thrones

In today’s world, specifically in the twenty-first century, men are known to dominate society—especially in a workplace. This domination portrays women to be fragile individuals; however, after reading Marie de France’s “Lanval,” readers learn that the gender roles are interchanged—women are men and men are women. In “Lanval,” Queen Guinevere, King Arthur’s wife, is depicted as an authoritative woman—specifically over Lanval, the knight. Queen Guinevere wants Lanval to take part in an adulterous relationship—she wants to be his mistress: “Lanval, I’ve honored you sincerely, / Have cherished you and loved you dearly/All my love is at your disposal/ What do you say to my proposal? /Your

Society has created the concept of gender and how men and women have certain roles to follow. Some of these characteristics have been broken in today's society but many still exist. As people start to accept who they are and who they want to be, normal stereotypes do not stand out as much as they used to. By doing this, we are turning over a new leaf, where men and women are intermixing qualities and characteristics. Now a days, there are women who have become the providers and some men who have become the nurtures. Not being tied down by certain roles and expectations gives those who want to do more the chance to step out and be comfortable changing those said roles and expectations. In the novel The Hunger Games by Suzanne Collins, she portrays some characters as having opposite gender roles and expectations. Two characters who show this the most are Katniss Everdeen and Peeta Mellark. Both of these main characters are portrayed in a unique way throughout the novel and portray traditional roles and break them throughout the Hunger Games.

Kinzel and Solnit both aimed their articles at the male population to point out an issue that is usually swept under the rug. A man being the intended audience strongly affects the argument because they are the ones that the authors have a problem with. They want to get their point across but need to do it in a way that does not anger the reader. Kinzel shows her great understanding of the issue by talking about how women are capable of this type of attitude. She even describes her behavior in situations like this “I’ve always called it “lecture mode,” and I even have this habit where I take a deep, semi-dramatic breath before it shifts on, and I begin, on the exhale, with, “Well--” I always begin with “Well--” and I always conclude with, “Does that make sense?” (Kinzel). By acknowledging this male readers are more receptive to her message and more likely to be open minded.

In Twelfth Night by Shakespeare was written during the Early Modern Period, this was a time where men were more prominent when it came to being in charge. The play Twelfth Night shows this when one of the main characters, a girl named

Structurally, Walcott creolizes the epic genre and makes it his own. Homeric epics deal with battles and honor, which reflects the culture of the Ancient Greeks. Walcott is doing the same; he is reflecting the experience of the new empowered people of the receding empire and telling the struggle of his own tribe. The reader often comes across a reference that resonates with something read in the classic epics, and it would be unfair for Walcott to expect the reader to refrain from these associations and allusions made in the text. By Walcott expressing the struggles for identity in the Caribbean in Omeros, he is also expressing the hybridity of the islands by these associations. The names Walcott decides to use in his epic does not

I feel like the role of women in The Lion in winter are portrayed a different way than in The Book of the City of Ladies. In The Book of the City of Ladies their power is shown directly, but that’s not the case with The Lion in Winter. One women (Alais) was an important person to the kingdom but at the same time was nothing more than merely a pawn and a side piece to the king. She was only being used for power which in a way makes her more powerful

Shakespeare’s play, Macbeth, begins with the protagonist, Macbeth, being faced with a supernatural prophecy. The temptation of power further corrupts Macbeth as the play progresses, until his murders catch up to him. Despite the time in which a man lives, he is surrounded by opportunity and the constant battle between the loss and acquisition of power. For those deep in search for power often experience the blurring of the lines between right and wrong. In the 17th century, gender roles were strict and unmoving. Men symbolized the power and strength, while the women represented the caring and submissive traits of human nature. Shakespeare utilizes Macbeth and Lady Macbeth’s marriage to further toy with the audience’s minds and inverts the gender roles.Throughout the play, Macbeth and Lady Macbeth’s marriage demonstrates inverted gender roles; but as Lady Macbeth utilizes her influence over Macbeth, her driven attitude leads him down the path of corruption.

They have the power to sway opinions but not completely change them because doing so comes at a great price. Men ultimately make the final decisions in Watsons' text but when the females break free from their perceived place in the home it can completely change the situation.

Shakespeare challenges the assumption that men hold more power than women do. He subtly hints that the power men posses is superficial when Jessica dresses like a boy, and later when Nerissa and Portia disguise themselves as men in The Merchant of Venice. Masculinity is merely a costume that can be donned or doffed at will; therefore its associated power can be removed and redistributed as well.

There are more than enough examples from Macbeth and Great Expectations to prove that “subversion of gender roles,” a term that describes someone acting in a way that is not expected from those of their said gender, is evident in both writing pieces. There are a number of connections between the women of the play and novel; this can be seen in their stern, powerful and leader-like and always changing personalities that a number of female characters share. For instance, Miss Havisham’s burning hatred for men that she implemented into Estella 's mind, to Lady Macbeth’s level of ambition to have her husband become king. Others include similarities in levels of knowledge, even though they were considered “commoners” on a part of the social ladder where a lack of knowledge is expected, and examples of how they use their high levels of knowledge to their advantage. This can also be considered evidence of subversion of gender roles; women at the time were not expected to be knowledgeable by society as they are now. Other connections would be based on the topic of visual appearance overall, with connections to how they portray themselves to other characters and the reader throughout. The women of these two works show an exceptionable amount of power, control and capability of holding a family together a number of times throughout the novel and the play. A leading factor in this is their personalities- they spoke their mind, and were not afraid of the consequences. which happen to be

Throughout many pays and novels, women have had important roles of helping form the main characters, in the way they think, move or change the story. Women have always been subordinate to men all through history, but in plays, novels, short stories, etc, they have been given large enforcing roles, showing the power within women. William Shakespeare and Sophocles use guilt, pride, and influence to demonstrate the importance of the women’s role to support the main characters in both the plays of Macbeth and Antigone.

The Walking Dead is a televised American drama series about a group of people trying to survive a zombie apocalypse developed by Frank Darabont. The series stars Andrew Lincoln as sheriff's deputy Rick Grimes, who awakens from a coma after the world yields to a zombie plague (Griffiths, 2011). Dazed and confused from months in the hospital he wanders out to figure out why he cannot find anyone alive. He makes his way home only to find his wife and son missing. He sets out to locate his family and finds many other survivors on his journey (Tucker, 2010). The Walking Dead coordinates with many social themes such as

A Game of Thrones is set in the Seven Kingdoms of Westeros, a land reminiscent of medieval Europe. Fifteen years prior to the novel, the Seven Kingdoms were torn apart by a civil war, known as the “War of the Usurper." Prince Rhaega Targaryen kidnapped Lyanna Stark angering her family and of her fiancé, Lord Robert Baratheon. The Mad King, Aerys II Targaryen had Lyanna' father and brother executed when they demanded her safe return. Her second brother, Eddard, joined his boyhood friend Robert Baratheon and Jon Arryn in declaring war against the ruling Targaryen dynasty. The civil war ended when Prince Rhaegar was killed in battle by Robert Baratheon. The wealthiest family around The Lannisters

With social and cultural stereotypes in this era, men were viewed as more powerful while women were portrayed as weak. William Shakespeare tries to interpret the roles between genders by having characters of the opposite sex. In the play Macbeth, William Shakespeare uses rhetorical devices to demonstrate Macbeth’s and Lady Macbeth’s switch in traditional gender roles, which arise from the consequences for each character’s actions and speech.

To begin with, the power in the relationships in the novel lean towards the women. This isn’t inherently bad, but considering a few aspects, such as how Dicken’s depiction of the female characters and that he wrote the novel in the Victorian era, this portrayal of women is misogynistic. For example, Mrs.