The William Bantram drawings that accompany Travels are simply mesmerizing. When you view the drawing you can feel your eyes jumping around trying to absorb every detail. Bantram’s drawings bring the plant or animal to life and it makes you feel as if you are viewing it in person. The drawing of the soft-shelled tortoise exemplifies Bartram’s ability to be an artist and a scientist all in the same drawing. As a botanist, Bantram collected plants and seeds as well as kept a journal where he described in detail all aspects of the natural scenery and animals which he came across in his travels. In the drawing of the soft-shelled tortoise, Bantram shows his scientific strength by drawing a highly detailed portrait of the shell’s structure, multiple
•Monitoring and coordinating the responses by the Law School to the Chief Judge’s pro bono requirements and bar admissions processes,
The process of discovery refers to the perception created upon experiencing the unfamiliar and redefining what is familiar. Discovery can be achieved through unexpected means or deliberate expeditionary, whether it be tangible or a fragment of our thoughts/imagination/emotions. Poems ‘The Tiger’ and ‘Young Girl At A Window’ by Rosemary Dobson and poem ‘Invictus’ by William Ernest Henley thoroughly explore this concept via their ideology of human nature and its effect on discovery.
Art is something that is often overlooked and never appreciated. What constitute as art depends on individuals and their interest. There are numerous art styles that contribute to the different styles of art. Famous artist Betye Saar and Charles White both contribute to the idea that art can be done in different ways, styles and methods. Betye Saar and Charles White were two African American artist who were very successful though they had two different styles of art.
Stetooden (2009) reveals that it is possibly Eric Carle’s childhood that has provoked the sensational books illustrated and written by him. Carle’s family left New York after living there six years to return to his parents’ home of Germany. It was in Germany where Carle’s father was drafted into the German Army and then not seen for eight years as he became a prisoner in Russia. The years of war and time without his father took toil on the author/illustrator. A frail father eventually returned, and Carle had to rely on his early memories of his father to encourage him and even give him artistic inspiration. Carle recalls one such memory that has inspired many of his books involving nature as he related that he and his father “used to go for long walks in the countryside together, and he would peel back tree bark to show me what was underneath it, lift rocks to reveal the insects. As a result, I have an abiding love and affection for small insignificant animals” (“Eric”). With his creativity and inner child, Carle who is now in his eighties has illustrated over 70 books, and he also wrote many of these books. His creativity does not end with books; his other interests lie in “painting, sculpture, printmaking, as well as furniture and building design” (Beneduce, p. 428). Eric Carle’s illustrations and books remain and continue to be famous not only in the United States but worldwide because they are creative and full of
The Australian Curriculum incorporates observations as one of the fundamental skills that students are required to learn (Assessment and Reporting Authority [ACARA], n.d., ACAVAM106). Observations, such as the observational drawing of leaves completed in topic two provide students with an opportunity to develop their visual literacy skills and inquire about the world around them (Dinham, 2014, p. 39). During the different stages of drawing development, students draw upon prior learning, which they have gained through observations, to express their thoughts and make meaning. In the same way, the artist Henri Rousseau, who’s jungle paintings have been described as “…primitive and naïve” drew upon his developing catalogue of prior learning to
I am analyzing the form and content of a stylized painting entitled The Palisades by John William Hill. This was found in the collection section of themetmusuem.org which was painted during the pre Raphaelite movement; when artist emphasized meticulous detail in what was observed rather than imagined nature. This artwork shows the aesthetics of nature, depicting a peaceful scenery with spacious green acres during the year of the 1870s. During the late 18th centuries, natural resources weren’t highly industrialized and that in itself shows how nature was essential for all human species. I argue that this painting shows how everything in nature connects and communicates with one another.
I selected a sculpture from the museum to analyze. The sculpture’s name is: Totem Pole. There was not one specific artist, instead there were several artists who helped create this piece of art. The Coosa Valley Woodcarving Club members worked together to carve this Totem Pole in 1985. The media used was wood and oil paints. The Totem Pole represents the many tribes of Native American tribes in this area. Meaning that the animals shown would represent different groups or tribes who are all a part of a close community. There are many elements of art that are visible with this sculpture. One element of art displayed is Line. There is a contrast of both regular and irregular lines where some regular lines are incorporated closely to irregular lines. This is shown on the wings of the bird towards the middle of the totem pole where the top of the wing is straight and the lines that are carved in a more vertical direction seem to look irregular due to the lines not being completely straight down. Irregular lines are used mainly here since the lines used look to be reflecting the wilderness of nature and
Both William Wordsworth and John Muir use imagery to express their relationships with nature. In paragraph two of The Calypso Borealis, Muir describes the environmental obstacles he encounters when he sets off to find the elusive flower: “fording streams more and more difficult to cross and wading bogs and swamps that seemed more and more extensive and more difficult to force one's way through.” Muir’s choice of words helps the reader imagine how difficult and harsh the environment was as
The observational leaf drawing activity provides an opportunity for students to inquire into the world around them as they collect leaves. Observational drawing assists in the development of visual awareness and enables students to express themselves through visual arts (Dinham, 2014, p. 362). Students are engaged in critical thinking as they organise and process their thoughts and “look closely at what they see and draw it” (Dinham, 2014, p. 374). Before beginning to draw students need to focus on the details of each leaf by using their sense of touch to feel the edge detail and look closely at the shape. Besides the shape, students need to carefully observe proportions, angles, sub–shapes and colours and the
As Pablo Picasso once said, “Painting is a blind man’s profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.” Picasso’s passion for art started at a young age, getting his passion for art from his father. Pablo Picasso is known for the innovative techniques he introduced to the art world. Each being influenced from his life around him, to modifications in the colors he utilized, or transitioning to an unorthodox style of painting, and even practicing printmaking.
At times, a hero may be revealed right through the glass, or it may be necessary to investigate deep down to find the true identity of a hero. In Dr. Seuss 's famous story The Lorax, The old, mysterious Once-ler is the hero because of his evolution past keeping the treasured land with the Truffula Trees undisclosed, consequently establishing a realization of the inadequate oversight of the actions presented in the story, formulates an effective solution to a problem that he created as an act of redemption. The Once-ler displays deep acts of heroism, which is why he is considered the hero of the text.
The use of geometric shapes in this painting allows the subject to be viewed in both a recognizable and unrecognizable state at the same time. Overall, geometric shapes and patterns play an essential role in what the viewer sees, which is further supported by a powerful color palate.
John Marsden’s and Shaun Tan’s epic picture book, “The Rabbits”, is an allegorical fable about colonisation, told from the perspective of the natives. An unseen narrator describes the coming of ‘rabbits’ in the most minimal detail, an encounter that is at first friendly and curious, but later darkens as it becomes apparent that the visitors are actually invaders. My chosen image (above), embodies the overall style of the book which is deliberately sparse and strange. Both text and image conveys an overall sense of bewilderment and anxiety as native numbat-like creatures witness the environmental devastation under the wheels of a strange new culture, represented by the rabbits.
His writing style is poetic, fluctuating between short and concise to long, organic, and flowing sentence structures. For example, he utilizes short, concise sentence structures to imitate the quick fluttering of the hummingbird’s flying patterns: “Consider the hummingbird for a long moment. A hummingbird's heart beats ten times a second. A hummingbird's heart is the size of a pencil eraser. A hummingbird's heart is a lot of the hummingbird (273)”. In contrast to the short, concise sentences, he uses the opposite effect when describing the heart of the blue whale. Instead, he uses long sentences and traditional words that are separated by commas to force his readers to read slowly and deliberately: “. . . for next to nothing is known of the mating habits, travel patterns, diet, social life, language, social structure, diseases, spirituality, wars, stories, despairs, and arts of the blue whale (274).” He also uses other methods to evoke feeling from his readers.
Using natural phenomenon as a starting point for abstraction, Mark Grotjahn’s paintings straddle the polarities of artifice and nature. His painting, Lavender Butterfly Jacaranda over Green (Fig. 2), expresses his fascination with nature. Transferring the experience of observation to an intrigue of creative possibility, Grotjahn harnesses the mysticism of nature through aesthetic formality.