William Blake Research Paper

“The Chimney Sweeper” (128): This version of the Chimney Sweeper is very upfront and saddening. The version that is presented in the songs of innocence is much more of a calm town and is not as straightforward, while this version is very short and to the point. In this version its very deep as the narrator basically just calls out the parents/church for doing these horrible things to the children. I really love all three stanzas of this poem because they all have a really deep meaning and Blake transitions through them very well. Reading this poem over and over I don’t know what to make of it other than it is an absolute horrible situation. I think it can be tied in to

Literature helped describe the movement of Romanticism because Romantics embraced nature, so they exalted the creative individual in the person of the hero. (Fiero) Much like the hero’s from stories of the past, the Romantic hero was an epic character with an awesome amount of ambition and determination. Unlike the fictional hero’s of the past that defended the traditions and moral values of a society, the Romantic hero might challenge to seek or reform them. (Fiero)

Before watching your presentation, I only knew the basics regarding William Blake. There are various interesting things that you mentioned that I did not know about. For example, you mentioned how he was more commonly known for his art rather than his poems. His art as a whole is really interesting. You mentioned how he took his encounters with the people around him, his brother’s death, and visions and reflected them into his work. One thing from that list that stood out to me the most were his visions. He was able to take his visions and portray them in his paintings even when many people found it difficult to understand the meanings behind it.

The reporting party is (RP) Ophelia Larose the grandmother of the foster child Aniyah Blake. The RP stated she and the biological mother had a visit with Aniyah on 6/19/15. The RP the foster father (Mark Cannon) did not bring food or diapers for the visit. When foster father was asked about the missing items the foster father replied "the FFA did not provide me with them when they dropped Aniyah off." The RP stated the child appeared very hungry and the bio mother provided the child with a bottle and diapers. The foster child had a diaper rash according to the RP. The RP got the impression the foster father did not want to participate in the

A hero is someone who remains seen in literature as a person with great courage and strength, yet though not always the case. The hero usually takes risk for the greater good. The Romantic hero becomes a type of literary idol with different morals. They are passionate about what they love, becoming obsessed with their newfound passion and become determined to perfect at what they do. They eventually become tragically doomed through creating their own individual moral codes by struggling with their internal battles within their minds. Mary Shelley presents us the first persona of a romantic hero through Victor Frankenstein in her book Frankenstein. Shelley fabricates Victor as the main narrator throughout the

The night was on Friday the 13th, and like every other 18 year old boy that just got their independence and just moved out of their parents home, Bellamy Blake was watching all of scary movies and crime shows on Netflix instead of putting all of his clothes, video games, dishes, and food away.

Some believe him to have been mad for his strange, idiosyncratic perspective of the world, others have considered him one of the greatest artists from Britain for it. Today, William Blake is one of the most well known British artist. Critics have held him in high reverence for his creativity and eloquence,and for the mystical and abstract aura found in his art work. But during his time, Blake had little recognition. Even so, throughout his life, Blake thought his work to be of national importance and understood by a majority of men.

Lastly, a Byronic hero has genuine guilt. This requires more action than contemplating, and continuously reiterating that a tragedy by his hand occurred. Manfred possesses all of these traits; however, Victor lacks true remorse and retention of his independence.

When Lord Byron wrote his narrative poem Childe Harold’s Pilgrimage, he sewed the seed for future heroes of literature. However, these were not to be the Cavalier heroes of old. Byron’s hero maintained certain characteristics to be admired of a hero, yet they also demonstrated characteristics that would ultimately come to define many great villains throughout literary history. These flaws in character helped pave the way for the hero who was not ideal in nature, rather one who illustrated weaknesses that made the character both unique and fascinating and in many respects, real. Known as the Byronic Hero, his

Byronic hero is said to be intelligent, cunning and able to adapt, mysterious as well as

William Blake’s Songs of Innocence and Songs of Experience are collections of poems that utilize the imagery, instruction, and lives of children to make a larger social commentary. The use of child-centered themes in the two books allowed Blake to make a crucial commentary on his political and moral surroundings with deceptively simplistic and readable poetry. Utilizing these themes Blake criticized the church, attacking the hypocritical clergy and pointing out the ironies and cruelties found within the doctrines of organized religion. He wrote about the horrific working conditions of children as a means to magnify the inequality between the poor working class and

The Byronic Hero is a term derived from the poetic narrative, Childe Harold’s Pilgrimage, by Lord Byron. Though the idea of the Byronic Hero originated with the creation of Byron’s characters, Byron himself possessed the physical features associated with the Byronic Hero. These features include dark brooding eyes, dark hair, pale skin and a slender frame. The Byronic hero derived from Childe Harold’s Pilgrimage, strays away from the typical “hero” role by possessing dual characteristics of good as well as evil, “And had been glorious in another day: but

These figures are the characters in many of his works. The role of Religion as a strong influence in Blake’s life was probably formed by the events he experienced during his upbringing. Blake came from a poor family and among other hardships witnessed the death of his older brother Robert at the relatively young age of 20. Robert’s death had a profound impact on Blake and after witnessing it he said that he saw his brother's soul "ascend heavenward clapping its hands for joy". The inspiration that William received from his brother death is an underlying theme in many of his works and most likely in his view of life as well. Songs of Innocence and Songs of Experience are two of Blake’s collections that emphasize his ideas. Many of the things that affected Blake’s life as a child: poverty, struggle, loss, confusion, and faith can be seen in these works.

“The Chimney Sweeper” is a poem written by William Blake (1757 –1827). His main aim is to expose the social defects in his age and the vices which afflict his society and to confront his readers with the dreadful suffering of the working paupers. According to Blake, the chimney-sweeping life is not a life at all; the labourer children have lost their childhood, their freedom, and their innocence. He criticizes the victimisation of children and the injustice of this oppressive labour. He shows how Tom; the chimney sweeper and other children suffer from long hard labour in addition to physical and psychological abuse. Blake insists that these children are living in abject and inhumane conditions of deprivation, misery and humiliation

William Blake was one of those 19th century figures who could have and should have been beatniks, along with Rimbaud, Verlaine, Manet, Cezanne and Whitman. He began his career as an engraver and artist, and was an apprentice to the highly original Romantic painter Henry Fuseli. In his own time he was valued as an artist, and created a set of watercolor illustrations for the Book of Job that were so wildly but subtly colored they would have looked perfectly at home in next month's issue of Wired.