William Blake's The Lamb Essay

such a terrifying beast?” and “Who is God who dares to make such a terrifying

In the poems "The Lamb" and "The Tyger," William Blake uses symbolism, tone, and rhyme to advance the theme that God can create good and bad creatures. The poem "The Lamb" was in Blake's "Songs of Innocence," which was published in 1789. "The Tyger," in his "Songs of Experience," was published in 1794. In these contrasting poems he shows symbols of what he calls "the two contrary states of the human soul" (Shilstone 1).

The most leading literary device used in Blake’s poems is symbolism. In this particular poem, “The Lamb” is a reference to God himself. This is because of the trinity that is involved with being a Christ follower. The trinity is the Father, the Son, and the Holy Ghost. The child in the poem, is a symbol as innocence and purity just like Jesus Christ. Christians are to “receive the kingdom of God like a child” (Luke 18:17, ESV). This means that we are to have child-like faith, and trust in God, just like children do in their parents.

Just like the “lamb” that was born into this world through a virgin and was sacrificed for all mankind, this same “lamb” made us and called us by his name. In his poem "The Lamb," William Blake clearly uses repetition, personification, and symbolism to describe his religious beliefs and how a pure sacrifice is portrayed by a little lamb. Laura Quinney’s book, “William Blake on Self and Soul,” shows the religious side of Blake when it says, “Blake makes this argument in his address “To the Deists,” where he insists “Man must & will have Some Religion; if he has not the Religion of Jesus, he will have the Religion of Satan” (Quinney, 2009). Blake uses his religious view to show us he believes that our creator is the Lamb of God. He distinctively uses the innocence and purity of a little lamb and how its creator clearly takes care of it. The lamb is fed, given water by the stream and a bidden a blessed life.

The Songs of Innocence poems first appeared in Blake’s 1784 novel, An Island in the Moon. In 1788, Blake began to compile in earnest, the collection of Songs of Innocence. And by 1789, this original volume of plates was complete. These poems are the products of the human mind in a state of innocence, imagination, and joy; natural euphoric feelings uninhibited or tainted by the outside world. Following the completion of the Songs of Innocence plates, Blake wrote The Marriage of Heaven and Hell and it is through this dilemma of good and evil and the suffering that he witnesses on the streets of London, that he begins composing Songs of Experience. This second volume serves as a response to Songs of

Thesis Statement: The Lamb written by William Blake is a beautiful spiritually enriched poem that expresses God’s sovereignity, His love for creation and His gentleness in care and provisions for those that are His .

Many people are viewed by their actions in life. Most would believe to be born pure and innocent. William Blake wrote a poem called, “The Lamb” which told the message that jesus created an sweet, gentle animal. The lamb symbolizes purity and innocence. The archetype means the people who consider themselves like a lamb are followers not leaders.

The rhyme, the repetition of similar sounds, is one of the easiest sounds devices to spot. Poe added variety by using internal rhyme, rhyming words that fall inside a line. For example, “Ah, distinctly I remember it was in the bleak December;” The repetition, of rhymes and of words and phrases, helps give “The Raven” its distinctive rhythm. For instance, “As of someone gently rapping, rapping at my chamber door.” The alliteration, the repetition of initial consonant sounds, is used to create rhythm or to stress key words. In the poem, “While I nodded, nearly happing…” The onomatopoeia, is the use of words that sound like their meaning, such as the word “rustling” in the poem, “And the silken, sad, uncertain rusting of each purple

Throughout “Innocence” there are many references to “The Lamb” representing Jesus Christ who was the Sacrificial Lamb, as shown in the poem “The Lamb.” Another common image of religion used by Blake is that of religion as the Shepherd, the Shepherd is “watchful” and ever watching over his sheep, protecting them, Blake is showing religion as

In the following plate, "The Little Boy Found," Blake reconciles the negative image of the priest and religion that was presented in the previous work. It begins by telling the tale of the boy who got lost by following the "wandering light," representative of the church's blinding standards for religion. God hears the boy's cries and comes to his rescue "like his father in white." This could be referring to God appearing as a human in the image of his father. God leads the child back to his mother. The mother had been looking for her child who had been led off track by the misconception of the "mind forged manacles" of religion.

show a large amount of similarity, as well as differences, both in the way he

The Lamb' begins by a child asking the lamb if it knows who made it. The fact that the inquirer is a child is established later in the poem. The answer, of course, is God. The child describes the gifts God has given the lamb-life, food, clothing, and a sweet voice. In the second stanza, the child tells the lamb that it was made by God, and that 'he calls himself a lamb', and that 'he is a little child'. The poem ends with the child saying 'Little lamb, God bless thee!'

William Blake used animals as basic building blocks for poems such as “The Lamb” and “The Tyger.” By using these carefully selected animals to depict good and evil, the reader truly understands Blake’s words. All readers can relate to animals such as an innocent lamb and a

William Blake is one of England’s most famous literary figures. He is remembered and admired for his skill as a painter, engraver, and poet. He was born on Nov. 28, 1757 to a poor Hosier’s family living in or around London. Being of a poor family, Blake received little in the way of comfort or education while growing up. Amazingly, he did not attend school for very long and dropped out shortly after learning to read and write so that he could work in his father’s shop. The life of a hosier however was not the right path for Blake as he exhibited early on a skill for reading and drawing. Blake’s skill for reading can be seen in his understanding for and use of works such as the Bible and Greek classic literature.

William Blake was one of those 19th century figures who could have and should have been beatniks, along with Rimbaud, Verlaine, Manet, Cezanne and Whitman. He began his career as an engraver and artist, and was an apprentice to the highly original Romantic painter Henry Fuseli. In his own time he was valued as an artist, and created a set of watercolor illustrations for the Book of Job that were so wildly but subtly colored they would have looked perfectly at home in next month's issue of Wired.