William Faulkner's As I Lay Dying

Another example, is when Addie speaks. She speaks to reveal her selfishness. She admits to having an extramarital affair with the local preacher, who is Jewel’s biological father. The reader can see this when Addie says, “I gave Anse Dewey Dell to negative Jewel. Then I gave him Vardaman to replace the child I had robbed him of” (176). Further, Addie admits that she wants to be buried in Jefferson because she wants to spend eternity as far away from the Bundren’s as possible.

However, Jewel has a much different view of their journey. Jewel sees it as a way to make up to his mother for not being there when she passed (Faulkner 48). Therefore, he does everything in his power to get her there . . . including running into a burning barn and nearly drowning to save her coffin (Faulkner 154 and 221). These acts, although seemingly heroic, arise as truly selfish and shallow. These shallow acts can exist through Jewels “pale eyes” which look “like wood” (Faulkner 4). This simile compares Jewel to a simple substance which mirrors how his actions towards his mother are self-absorbed. Wood is two dimensional and shallow. When Jewels refuses to let the past go and continuously holds on to the idea of upsetting his mother, he in turn works for his own benefit. Jewel seeks his mother's approval out of self absorption and not out of love; he acts shallow and hollow like wood. In turn, Jewel ignores his siblings and continues to push towards

She becomes a wife and a mother. She loves her children and they adore her. When she grows old they will take of her, and when she dies, they long for her the rest of their days. The concept of such a desired and completed journey of motherhood and womanhood is dismantled in William Faulkner’s As I Lay Dying. On a spectrum of maternity, characters Cora Tull, Addie Bundren and her daughter Dewey Dell each represent a different degree. Cora is a dedicated mother, Addie struggles to accept the idea of motherhood, and Dewey Dell rejects the role altogether. Through these female characters, Faulkner also aims to point out the absurdity of the universal experience of womanhood.

It would seem that the primary struggle that Darl faces in the novel is the differentiation between “being” and “not-being” and the value, meaning, and importance of his own self. In the same way that Vardaman does not understand mortality, Darl does not understand himself, and this severely clouds his judgment when it comes to coping with the death of his mother. Darl seems to be a rational person at the beginning of the novel, but he plagues himself with questions regarding the fact that, “In a strange room you must empty yourself for sleep. And before you are emptied for sleep, what are you. And when you are filled with sleep, you never were. I don’t know what I am. I don’t know if I am or not” (Faulkner 80). Darl cannot navigate his own identity, and it seems that this, combined with his subpar relationship with Addie, leads him to attempt to cope by repressing his despair in multiple failed attempts to understand himself. Butchart notes that “By dissociating himself from his mother and employing dangerous defense mechanisms, Darl’s sanity atrophies” (Butchart 60). The descent to madness that Darl endures is a sympathetic plight to most readers, since Darl is arguably one of the more sympathetic characters in the novel, but this decline is ultimately guided by his inability to come to terms with himself and his actions, especially concerning the fact that he was not present at the death of his mother. Jewel copes with the death of his mother in a way that is similar to the method that Darl utilizes, in that he represses his feelings, despite the fact that his close connection with Addie allows the reader to assume that he is the most hurt by her death. Jewel then uses his grief to fuel his devotion to heroic duty, which is primarily seen in his efforts to save Addie from the burning barn and

    Analyzing character in a Faulkner novel is like trying to reach the bottom of a bottomless pit because Faulkner's characters often lack ration, speak in telegraphed stream-of-consciousness, and rarely if ever lend themselves to ready analysis.  This is particularly true in As I Lay Dying, a novel of a fragmented and dysfunctional family told through fragmented chapters.  Each character reveals their perspective in different chapters, but the perspectives are true to life in that though they all reveal information

A morally ambiguous character in As I Lay Dying is Anse Bundren. Anse Bundren’s dedication and determination to fulfil his wife’s wish counterpoises the fact that he is self-centered and neglectful towards others. With his two biggest goals in mind, burying his wife and getting a new set of teeth, Anse Bundren demonstrates the theme of self-interest vs. heroic actions. Most of the members of the Bundren family have goals at the end of their journey to Jefferson, but Anse’s two goals are both the most selfish and altruistic goals of the book.

William Faulkner’s As I Lay Dying examines the connections and disconnections between speech, silence, and the meaning of words. However, having words is as good as having no words because the characters in this book, especially the members of the Bundren family, use words that obfuscate their true emotions. Faulkner uses his characters to portray speech as just another factor of nominalism and allows only silence to present the truth.

The Bundren's disconnect as a family is the result of Addie’s death, mothers are the glue that holds a family together. Even when alive, Addie’s favoritism of Cash and Jewel, the two children she claimed as her own caused the disconnect. Both Cash and Jewel are the heroes of the story as they display actions of devotion to their mother. Cash makes her coffin and doesn’t interrupt the journey even when his leg is broken. Jewel is the one to save her coffin

The only child she feels emotion for is Jewel. He is not Anse’s child, but a love child she has from an affair with Reverend Whitfield. Jewel is not born out of an obligation to Anse, but from a moment of passion that Addie does not feel with her husband. This is why she treats him better than her other children. She calls Jewel her “salvation” and “her cross” (Faulkner 168), saying he is both her reward and her punishment. Jewel does not belong to Anse, meaning that

The author of As I Lay Dying, William Faulkner, really contributes to the aspects of literature through his ability to tell a seemingly incredible story through only the “stream-of-consciousness” technique. Faulkner takes his insight beyond the piece, through other’s views and thoughts. Although the characters might be acting differently upon each subject or handling each action in opposite ways, the tone and theme that he uses really brings the whole piece to a perfect balance. In As I Lay Dying, Faulkner displays contradicting elements through the reactions of the family members towards the mother’s death with the use of dialogue, tone, imagery, and internal conflict.

The conversation to redefine gender roles is often dominated by polarized extremes. In As I Lay Dying, William Faulkner explores the social and psychological effects of the traditional southern female gender role with the character Addie Bundren. Through Addie’s narrative, Faulkner presents the struggles of a woman as she lives the oppressive consequences of expressing her sexuality: childbearing and motherhood. The same consequences are reflected in the destruction of the life of Addie’s unwed daughter, Dewey Dell. Through these women’s stories ,Faulkner reveals the damaging effect of institutional patriarchy in women’s lives as storyteller rather than feminist.

In the short story “A Rose for Emily”, William Faulkner escorts the reader through the peculiar life of the main character Miss Emily Grierson. The gloomy tone of the story is set by the author beginning his tale with the funeral of Miss Emily. During course of the story, we are taken through different times in Miss Emily’s life and how she was lost in time, with the town around her moving forward. Through the use of southern gothic writing style, narrator point of view, and foreshadowing, Faulkner aids the reader in creating a visualization of Miss Emily and the town in which she lives while also giving an insight into her sanity.

Though the world keeps on turning, the death of a loved one always has lasting and sometimes surprising effects on those who loved the ones who died. It changes a person by making them deal with their own mortality, morality, and grief. However that is not the case in As I Lay Dying by William Faulkner. The effects of the death of Addie Bundren are very evident in the Bundren family through their actions and thoughts throughout the book. Though they love Addie, they use her dying wish to be buried in Jefferson as an excuse to head into town to fulfill their own agendas. This love and selfishness show the two sided nature of the family. On one hand they are genuinely grieving Addie’s death and on the other they are using her desire for their own gain. A majority of the family members grow out of their grief in their own ways through their individual suffering. Some of them choose to replace Addie in some regards with an animal or decide to deal with their grief in small segments, giving them more character depth, and uniqueness. Though the resolution of the family’s character development is not always ideal, the process to that outcome reveals that above everything else, that they are perfectly human.

William Faulkner’s As I Lay Dying explores the meaning of different point of views, and reminds us that everything is in the eye of the beholder. Much of the novel alternates between fifteen characters whom deliver interior monologues with varying degrees of emotional intensity and coherence. Through these passages, we are able to piece together the story of Addie Bundren’s death and the journey the family undergoes to bury her. In the essay, I will argue that Faulkner used the Faulkner presents the versions of reality and makes us question the truth behind the word, sane.

The novel As I Lay Dying by William Faulkner is about a family’s struggle to bury their dead mother. The story is told by fifteen different narrators in the first person.