William H. Johnson 's Life

Lonnie George. Johnson is a former Air Force and NASA engineer who invented the massively popular super soaker water gun. Lonnie was born on October 6, 1949 in mobile, Alabama. When he was in high school his buddies gave him a nickname “The Professor”. Lonnie was the only African American that represented his high school in 1968 science fair sponsored by the junior engineering technical society (JETS). He earned his Master’s Degree in nuclear engineering from Tuskegee university.

The Black Arts movement refers to a period of “furious flowering” of African American creativity beginning in the mid-1960’s and continuing through much of the 1970’s (Perceptions of Black). Linked both chronologically and ideologically with the Black Power Movement, The BAM recognized the idea of two cultural Americas: one black and one white. The BAM pressed for the creation of a distinctive Black Aesthetic in which black artists created for black audiences. The movement saw artistic production as the key to revising Black American’s perceptions of themselves, thus the Black Aesthetic was believed to be an integral component of the economic, political, and cultural empowerment of the Black

One the most distinguished artists of the twentieth century, Jacob Lawrence was born in Atlantic City and spnt part of his child hood in Pennsylvania. After his parents split up in 1924, he went with his mother and siblings to New York, settling in Harlem. "He trained as a painter at the Harlem Art Workshop, inside the New York Public Library's 113 5th Street branch. Younger than the artists and writers who took part in the Harlem Renaissance of the 1920s, Lawrence was also at an angle to them: he was not interested in the kind of idealized, fake-primitive images of blacks - the Noble Negroes in Art Deco guise - that tended to be produced as an antidote to the toxic racist stereotypes with which white popular culture had flooded

The medal of honor recipient that I am writing about is Henry Johnson. His military rank was private and his service was in World War I in the U.S. Army. He was born in Alexandria, Virginia and received his Medal of Honor in 1918. In the army, Johnson risked his life beyond the call of duty. He served as a member of Company C, the 369th Infantry Regiment, the 93d Infantry Division, and the American Expeditionary Forces. On May 15, 1918, he did combat operations against the enemy on the front of the lines of the Western Front in France. Private Johnson and some other soldiers one day woke up early in the morning to go on sentry duty at the forward outpost then they received surprise attacks from at least twelve German soldiers. When Johnson

Jacob Lawrence was an African American painter, who was known for his portraits of the African American life. He was best known for his series titled, the Migration. Lawrence was born in Atlantic City, New Jersey on September 7th of 1917. After his parents separated, Lawrence and his younger siblings were put into the foster care system until his mother could support her children in New York. His education into the world of art was not only formal, but informal as well. It was formal because he learned from after-school community workshops at Utopia House and later at the Harlem Art Workshop. However, it was informal because he could observe the rhythms and activity of the streets of Harlem. Not only was he a painter but he was active as a teacher, in contrast Lawrence was active as both a painter and art educator. In 1946, he began teaching at Black Mountain College in North Carolina and would go on to teach at the Skowhegan School of Painting and Sculpture in Maine and the New School for Social Research in New York. In 1971, Lawrence became a professor of painting at the University of Washington in Seattle. “Later on in his career, he was also known for his serigraphs (silkscreens), many of them versions of series of paintings completed in earlier years, as well as for his book illustrations. Lawrence was still drawing and painting in preparation for still another series of works when he died in Seattle in 2000.” (Capozzola)

The intersection of social movements and Art is one that can be observed throughout the civil right movements of America in the 1960’s and early 1970’s. The sixties in America saw a substantial cultural and social change through activism against the Vietnam war, women’s right and against the segregation of the African - American communities. Art became a prominent method of activism to advocate the civil rights movement. It was a way to express self-identity as well as the struggle that people went through and by means of visual imagery a way to show political ideals and forms of resistance. To examine how a specific movement can have a profound effects on the visual art, this essay will focus on the black art movement of the 1960s and

At 11, Wiley’s mother enrolled him and his twin in a small art conservatory program at Cal State, and in the summer of 1989, he was sent to Russia for training in classical painting. After excelling in this program, he went on to earn his BFA from the San Francisco Art Institute and his MFA for the Yale University School of Art. Although Wiley achieved things beyond his neighborhood, he did not forget the black struggle he was familiar with growing up.

Jacob Lawrence's was born in 1917 and was an acclaimed African-American artist known for his detailed works that included the Migration Series and the War Series (Duggleby 7). His style consisted of water-based paintings portraying African-Americans life experiences in blacks and browns mixed with many bright and bold colors. Lawrence’s inspirations were based on Black Aesthetics and lives of black historical figures.

The main idea of the book was believing. Lady Bird Taylor believed in Lyndon Johnson. That's why they got married so soon, because she saw potential and ambition in him. She stood behind her husband in everything he did before and during his presidency. And she never spoke negatively about him to anyone.

The states had the power to set up local governments, hold elections, establish schools, pass marriage and divorce laws, and regulate in-state businesses. The government and states also shared powers they both had power to tax, borrow money, set up courts, make laws, and enforce

Today I interviewed John W. Hinson, a farmer from the south,who operated as a Confederate partisan sniper against Union forces in the Between-the-Rivers region of Tennessee and Kentucky during the American Civil War. I asked him a couple questions that he was more than happy to answer. Mr. Hinson said the union winning the civil war was a big mistake because it gave people of color false hope that they would be equals with the obviously superior white race. He also expressed that the war began created propaganda about slavery being abolished. He continued to say that the propaganda was crazy considering colored people were just property. John Winson says that he plays a major role in the economy and for many hungry folks in his community. He

John Altoon’s Jazz Players from 1950 is an oil on Masonite painting located in the Orange County Museum of Art in Newport Beach, California. Altoon’s piece conveys a sense of art deco style with his use of bold contour line outlining geometric shapes along with his use of strong saturated colors. Altoon’s Jazz Players reflects Modernism by exemplifying cubism as well as Harlem Renaissance art through the use of angular, geometric shapes and the depiction of the “New Negro.”

I like to believe that art was a way for Blacks to express their pain, hopefulness, and love that everything Black wanted and could just outright say was put into art; therefore, art was a happy place even though it expressed pain but in pain there is its own beauty. DuBois (1925:53) stated that even though Black art has both personal and universal aspects, that those two things are “combined with certain groups compulsion.” meaning that there was a Black person that spoke for the group through art. His thoughts would lead to black Aesthetic.

Art is something that can only be achieved with the manipulation of the imagination. This is successful when using objects, sounds, and words. Richard Wright and Amira Baraka brought the power of art into the limelight. Wright’s perception of art was for it to be used as a means of guidance, one that could uplift the Negro towards bigger and better goals. Baraka’s perspective of art was for it to be used as an active agent, one that could kill and then imprint society permanently. Baraka and Wright both wanted the Negro to see that there was a much brighter future ahead of them. Both wanted art to leave a stain, a stain that could not be easily erased, washed, or bleached. Both believed that Black Art had no need to be silent but instead daring.

It was in London on 16 May 1763 when James Boswell first met Dr. Samuel Johnson his future best friend and his main character of his book Life of Samuel Johnson at Thomas Davies’ book shop. The meeting occurred unexpectedly during Boswell’s educational trip to London. Biographical story unfolds the heroic image of Samuel Johnson whose moral wisdom is won through the constant struggle with despair.