William Least Heat-Moon's From Blue Highways

The Road, a post apocalyptic novel,written by Cormac McCarthy, tells the story of a father and son traveling along the cold, barren and ash ridden interstate highways of America. Pushing all their worldly possessions in a shopping cart, they struggle to survive. Faced with despair, suicide and cannibalism, the father and son show a deep loving and caring that keeps them going through unimaginable horrors. Through the setting of a post apocalyptic society, McCarthy demonstrates the psychological effects of isolation and the need to survive and how these effects affect the relationships of the last few people on Earth.

“Denying what you feel will not make it go away. It ensures that it never gets resolved,” (Denial). Taking action on difficult situations allows individuals to combat reality and avoid unfavorable circumstances. However, many people think that avoiding the truth means avoiding the situation, equivalating that the circumstances are not real. This leads to other, more costly problems. Cormac McCarthy’s The Road is set in a post-apocalyptic world where a father and son are journeying in hopes to escape the destruction around them. Similar to McCarthy’s book, Toni Morrison centers on a young African American girl, Pecola, in The Bluest Eye, who hopes to escape the ill perceptions of others in her struggle to fit beauty perceptions within her society.

A man and his son travelling alone amidst the ruins of a previously prosperous nation; a young man venturing into a treacherous land to tie up the loose ends in his life; a broken ranch hand that suspects he had a conversation with death: in the most desolate and uncertain environments, the surrounding world can lend a bleak and lifeless perspective to one’s struggle to survive. In lands without accompaniment from other humans, the will to live can be as difficult to muster as shelter for the night or the first meal in days. Cormac McCarthy explores the difficulties of survival under the tension of barren landscapes and youthful inexperience and their effects on the loss of innocence. Gained maturity enables humans to persist and stay hopeful, even in the least hopeful situations. These environments and mindsets play an important role in the messages of three novels by Cormac McCarthy: The Road, The Crossing, and Cities of the Plain.

The Road is about a father and a young boy who take on the south after a huge catastrophe hits the world. The father and boy in the story are never named, which makes it very hard to read. They have many hardships like finding food, supplies, and shelter. They come along many different things like abandoned houses, people, and terrifying landscapes. When the father and young boy come upon the house and different people, the reader is excited because you never knew what was going to happen to the main characters, and when something good happened, their success was your success. Even though they battle through these hardships they find a way through it. The Road has a deep explanation of the road, the father’s dream, and the different people the man and the boy meet along the way. The author, Cormac McCarthy, uses imagery to make the descriptions vivid and clear which adds to the intensity of the novel.

In the Robert Frost poem ‘’The Road Not Taken’’ there is a pervasive and in many ways intrinsic sense of journey throughout. In such, the poem explores an aspect associated with human decision, or indecision, relative to the oxymoron, that choices with the least the difference should bear the most indifference, but realistically, carry the most difficulty. This is conveyed through the use of several pivotal techniques. Where the first such instance is the use of an extended metaphor, where the poem as a whole becomes a literary embodiment of something more, the journey of life. The second technique used is the writing style of first person. Where in using this, the reader can depict a clear train of thought from the walker and understand

The Road portrays the journey of the father and son across a black and white world that is analogous to my experiences of the quest of survival in Afghanistan and the refugee camp in Pakistan. Where many have abandoned their beliefs and morals to survive the hellish situation. Those who survive with their beliefs and values still in intact are constantly challenged on a day-by-day basis. Their survival must be persevered to keep the fire burning, however small for their own children. There must be some goodness that remains for their children to carry into the next generations. They must always remain

There are many people who travel a distance in life to find the path they should take or to remember the path they once took. In the poem “The Path Not Taken,” by Robert Frost and the short story "I Used to Live Here Once" by Jean Rhys there are many similarities and differences. The authors’ use of describing a path helps them personify life’s journeys and self-reflection.

Life in the Iron Mills is a tragic yet poignant story of the effects of a man’s socioeconomic status. Although set in the nineteenth century, the story is all too familiar. The short story begins with a reflective narrator begging the audience to read the story with an open mind not tainted by the ideals of high society (Davis). The narrator suggests the story be read from the perspective of the protagonist, Hugh Wolfe, a lowly puddler at the iron mill (Davis). Hugh works long, hard hours at the mill for little to no pay in attempts to provide not only for himself but also for his cousin, Deborah, and a young girl, Janey (Davis). In Hugh’s spare time at the mill, he carves sculptures out of korl (Davis). Hugh leads a typical life of a working class citizen.

Most songs represent the sun as its protagonist and the moon as antagonistic. In the song "The Moon" the composer ,Andy Beck, sets the moon as the protagonist. Using a different prospective for the moon, Beck uses the moon as a symbol of beauty. The moon becomes a sense of clarity and relaxation to the singer and its listener. Near the end of the song the moon begins to set, while the sun

“The Road” depicts a solemn and deteriorating environment that can no longer provide the fundamentals to a society due to the nuclear disaster. The sudden depletion of the resources within their environment made it difficult for the father and the son to find sustenance. They were constantly traveling towards the South looking for safe places to situate themselves because the father knew that they would not be able to survive the nuclear winter. The genre of the novel is post-apocalyptic science fiction because it revolves around a dismantling society. Cormac McCarthy’s “The Road” depicts how environmental destruction finally gave sense for people to value the world and what it had to offer.

The Road takes place in post-apocalyptic America after an unknown disaster occurs. The novel centers around a boy and his father, both of whom are never given names. In an analepse, the reader learns that the mother of the boy kills herself with “a flake of obsidian” as she fears that she would be raped and murdered (McCarthy 30). “[The man] hadn’t kept a calendar for years” and the reader is left unsure what year or month it is (McCarthy 2). The man is sure, however, that winter is approaching and it would be best for him and the boy to travel south where it is warmer. They have nothing but a pistol, their clothes, and a cart with food they scavenged for. The world is barren with “dust and ash everywhere” (McCarthy 3). The story chronicles the man and boy’s journey to the south while they look for food, supplies, and shelter. The pair must fend off “bad guys” during their journey as well (McCarthy 39). When one of these “bad guys” puts his knife at the boy’s throat, the man is left with no other option than to shoot the “bad guy” leaving a “hole in his forehead” (McCarthy 34). Another gruesome event occurs when the man and boy are looking for food in a house they found. While walking down a cellar’s stairs, they smell an “ungodly stench” (McCarthy 56). In the cellar, there are “naked people” who are whispering “help us” and a maimed man on a mattress with his “legs gone to the hip and the stumps of them blackened and burnt” (McCarthy 56). These people are being kept to be eaten eventually and the man and his son

In a desolate world ravaged by fire, a boy and his father trudge across the countryside. They encounter people in their most desperate times where their motives are unpredictable and noone can be trusted. The boy and his father try to maintain their morality while facing starvation and having to deal with unpredictable people they encounter on the road. Cormac McCarthy in his novel The Road, uses the theme of hope to demonstrate the human trait that purpose is essential to survival.

Imagine yourself living in a barren, desolate, cold, dreary world, with a constant fear of the future. The Road, written by Cormac McCarthy and published in 2006, is a vivid and heartwarming novel that takes us through the journey of a father and a son as they travel South in a post-apocalyptic environment facing persistent challenges and struggles. McCarthy proves that love unleashes immense strength to overcome obstacles, even in times of desperation.

The next subject is the west, the American symbol of autonomy and freedom. The west and its wild, unbridled spirit have been celebrated as an American utopia in literature, lore, song and cinema. Paradise states early on “the stars seemed to get brighter the more we climbed the High Plains. We were in Wyoming. Flat on my back, I stared straight up at the magnificent firmament, glorying in the time I was making” (30). Even the popular music of the time focused on the romantic concept of moving west. In his essay, “Free Ways and Straight Roads,” Lars Larsen notes how in the late 1940s, “Nat ‘King’ Cole’s version of Bobby Troupe’s ‘Route 66’ helped redefine Steinbeck’s grim migrant road as a place of ‘kicks’” (37). However, the west was not exactly the west of Paradise’s dreams. Not only is Sal disillusioned by the mass commercialism of a Wild West festival, but he spends two weeks in a migrant camp in California in abject poverty living on fresh picked grapes before fleeing

From reading the “Night Drive” by Wil. F. Jenkins and putting the details in the test together I have came to conclusion that Mr.Tabor did commit a crime. One reason of why I believe Mr.Tabor committed a crime was when he started to show that he know where Madge was driving because he was supposedly a “Stranger” to this area. In the text he says “We’re near the turnoff ”(W. Jenkins pg. 2), and he mentions where the girl was killed, how long she was dead before she was found, he explained how the two murders were different, and how the police found the murder. When Mr.Tabor says all of that information that reveals to Madge and us the readers that he was either their, or he contributed and or was the killer and the person behind the two murders.