William Shakespeare 's A Midsummer Night 's Dream

Throughout the play, A Midsummer Night’s dream, by the well-known playwriter, William Shakespeare, provided that the antagonist, Oberon, the King of fairies, is the root of all the problems. Despite this, we can look at the novel in a different way. To give an illustration, take the case when Oberon orders Puck to get the enchanted flower and pours its juice on Titania’s eyes, or when after overhearing on Helena and Demetrius argument, he orders Puck to pour the rest of its juice on Demetrius so he can fall in love with Helena and when Oberon realizes Puck puts the juice on the wrong person’s eyes.of this, the four lovers start to fight due to him being self-centered. Above all, in the novel Oberon is the root of all problems in A Midsummer’s Night Dream

Hermia’s speech in Act 2, Scene 2, of Shakespeare 's A Midsummer Night’s Dream, contains an abundance of dream imagery. She has awoken from a terrible dream after falling asleep in the forest with Lysander. They were lost and tired so they decided to rest. Lysander wanted to sleep beside her but, she refused since they are not yet married and while they slept Puck applied a love potion on Lysander’s eyes thinking he was Demetrius. Lysander wakes and is repulsed by the sight of Hermia and never wants to see her again because he is now in love with Helena. Hermia awakes from her terrible dream and retells it thinking that Lysander is nearby listening. Then she realizes that he is not there and she does not see him anywhere. Hermia expresses the sentiment that she will find Lysander or she will surely die. She stated,

The play, A Midsummer Night's Dream, by William Shakespeare, demonstrates the difficulties of human love. Throughout the course of this play, all the lovers were confused, whether it be from the love potion provided by Oberon, the fairy king, or whether it be through natural terms, (those not affected by the potion). In this essay, we will be looking at how Lysander had agreed with this implication of human love being difficult, the scene where all the lovers are confused, and lastly, the time when Helena was furiously jealous of Hermia.

A Midsummer Night’s Dream is a masterful piece of literature that both directly and indirectly comments on the reality of control and power in Western cultures. Shakespeare’s ability to depict human nature gives us insight into how English society functioned in his lifetime, but more importantly allows us to analyze our own perspective of ourselves and the world around us. One way Shakespeare articulates his ideas is through well constructed metaphors and similies, resulting in more powerful writing. One very significant metaphor is spoken by Theseus early on in Act 1, scene 1. Egeus has brought his daughter, Hermia, to the royal court to for Theseus’s opinion on Hermia’s marriage. Egeus has arranged for Hermia to marry Demetrius, a very worthy suitor, but Hermia is truly in love with another man, Lysander. This dilemna is explained to Theseus and he states, “To you your father should be as a god;/ One that composed your beauties, yea, and one/ To whom you are but as a form in wax/ By him imprinted and within his power/ To leave the figure or disfigure it” (I.i.51-55). In summary, Theseus is defending Egeus by saying Hermia was created by Egeus and his will determines her fate. Behind this metaphor is a simple idea that proves how a desire to control can have many unintended consequences as well as negative effects. In order to understand this concept more effectively, it is crucial to analyze how influence is structured socially. The quote demonstrates

Love is many things, and is also used as a reference to sight and vision such as blindness. It is much more than aesthetics and wields the power of sight, and can also cause chaos and destruction. Similarly, Shakespeare utilizes two types of blindness by love; the first being physical due to a love potion a fairy king, Oberon orders upon the humans in Shakespeare’s, A Midsummers Night’s Dream. The second, being metaphorical due to Antony’s immense amount of love towards Cleopatra, in which hinders his political motivation in Shakespeare’s, Antony and Cleopatra.

William Shakespeare’s A Midsummer Night’s Dream has been categorized as a comedy play because of all the characters being passionately in love to the point of being foolish. It’s a play all about love, and the characters that are in love are only young adults, so they are still naive when it comes to love. Their naivety and foolishness regarding love is what allows them to be taken advantage of by mischievous fairies when they all run away into the woods. By critiquing the love affairs and numerous misunderstandings that occur within the mystical woods, I argue that Shakespeare 's A Midsummer Night 's Dream portrays the characters’ young love as a foolish fantasy with drastic consequences.

In A Midsummer Night’s Dream, the audience is never truly privy to any of the characters’ dreams; however, Shakespeare portrays reality as a sort of dream. The forest symbolizes a realm where anything can happen, with no regard for time or logic, much like in a dream. Therefore, when the lovers come out of the forest, without explanation for their actions, they believe it to be a dream, even though it had real-life consequences. By having the characters talk about their dreams and believe their realities to be dreams, the play explores the idea that dreams demonstrate reality, in that they show fears and desires, but it also explores the idea that reality can be affected by dreams. While Hoffman’s movie adaptation recognizes this in some aspects, it does not explore it in entirely the same manner.

During Shakespeare's time power is something that everyone wanted. They would do anything to make sure they come into power. Power can corrupt anyone who is seeking it. They crave the thrill of power. Having power to dictate everyone is something that can lead to a down fall.

William Shakespeare’s A Midsummer Night’s Dream weaves stories of social ranks in the commedia dell’arte and some of its easily recognized stock characters. Shakespeare uses commedia dell’arte characters in A Midsummer Night’s Dream to capture our imagination and amuse us.

Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.

While for some true love is a simple affair, for many it is an awkward yet alluring dance around others to find that one special person that merely reduces mankind to a foolish and dumbstruck state. Such an effect is so prevalent that it may often seem as if some sort of wizardry is at play. In Shakespeare’s A Midsummer Night’s Dream, he explores this connection of magic and love, in which each of the characters-- Helena, Hermia, Lysander, and Demetrius--are charmed and enchanted in a winding love dance around each other. With a little bit of mythological magic, troublemaker puck creates comedic and tangled love scenes between the four lovers, as well as the fairy queen’s falling for an ass. Thus he exemplifies the senseless and tom

Shakespeare’s play A Midsummer Night’s Dream presents an assortment of characters whose difficulties with their lover’s present itself in many situation of the play through these unique relationships. In Act 3 Puck is reporting to Oberon about Titania and Bottom when Demetrius and Hermia enter the scene Puck states “This the woman but not this the man” (3.2.44). Puck’s quote holds a simple but repeated metaphor of the play itself and its reoccurring themes on the mystery love presents. Puck’s motives throughout the play don’t ever seem to get clearer aside from knowing that he services Oberon, and makes one mistakes to shake up the entire story before choosing to cause his own mischief. Through the entire story the fairy Puck plays one of the main antagonists, even from the beginning he is responsible for a lot of problems but later solutions. Shakespeare cast Oberon and Puck as character to create a living metaphor for the mystery behind conflict and resolution experienced in relationships.

Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.

Before the birth of William Shakespeare as a playwright, no craftsman could skillfully create a world composed of contradictions so shocking, yet profoundly insightful to the human condition. Shakespeare accomplishes the impossible by bringing many contradictory elements into his play, A Midsummer Night’s Dream, a comedy on the verge of tragedy. In this play, many of his characters allude to the moon through the use of repetitive metaphors. Shakespeare specifically compares the moon to time as a means to juxtapose various elements of his play: eagerness and reluctance, chastity and fertility, as well as tragedy and comedy.

There are many characters in a “Midsummers Nights Dream” that could stand out, as the main character, Lysander, however is definitely one of these main characters in the play. Lysander is a lover and is a part of the group of four that focus on their issues with love in this play. Lysander indefinitely relates to the theme of loves difficulty and the nature of romantic love. Although besides the themes of the play being important to understanding Lysander’s character, the way he is portrayed, via. Movie and play matter just as much. Shakespeare has a specific intention for the portrayal of Lysander’s character; there are two movie versions of this play that both have their own portrayal of Lysander. The question that arises from these two different portrayals of Lysander’s character is; how do they relate to Shakespeare’s idea of how Lysander should be portrayed in the play? Is he portrayed correctly? Is the portrayal effective?