William Shakespeare 's A Midsummer Night 's Dream

In the 1935 film adaptation of A Midsummer Night’s Dream, the last soliloquy helps bring together the varied themes of the play itself, not to mention the unique and distinctive stylistic choices as dictated by Dieterle and Reinhardt. Although the production is somewhat limited by the technology of its time, the film is still largely successful in its depictions of sight and sound. The secret world of the fairies, in particular, almost plays like a sort of extended ballet; a grand odyssey of weirdness spearheaded by the dark and domineering Oberon, the bright and bubbly Titania, and by Puck, whose extended presence carries over to the end.

Hermia’s speech in Act 2, Scene 2, of Shakespeare 's A Midsummer Night’s Dream, contains an abundance of dream imagery. She has awoken from a terrible dream after falling asleep in the forest with Lysander. They were lost and tired so they decided to rest. Lysander wanted to sleep beside her but, she refused since they are not yet married and while they slept Puck applied a love potion on Lysander’s eyes thinking he was Demetrius. Lysander wakes and is repulsed by the sight of Hermia and never wants to see her again because he is now in love with Helena. Hermia awakes from her terrible dream and retells it thinking that Lysander is nearby listening. Then she realizes that he is not there and she does not see him anywhere. Hermia expresses the sentiment that she will find Lysander or she will surely die. She stated,

The play, A Midsummer Night's Dream, by William Shakespeare, demonstrates the difficulties of human love. Throughout the course of this play, all the lovers were confused, whether it be from the love potion provided by Oberon, the fairy king, or whether it be through natural terms, (those not affected by the potion). In this essay, we will be looking at how Lysander had agreed with this implication of human love being difficult, the scene where all the lovers are confused, and lastly, the time when Helena was furiously jealous of Hermia.

Love is many things, and is also used as a reference to sight and vision such as blindness. It is much more than aesthetics and wields the power of sight, and can also cause chaos and destruction. Similarly, Shakespeare utilizes two types of blindness by love; the first being physical due to a love potion a fairy king, Oberon orders upon the humans in Shakespeare’s, A Midsummers Night’s Dream. The second, being metaphorical due to Antony’s immense amount of love towards Cleopatra, in which hinders his political motivation in Shakespeare’s, Antony and Cleopatra.

Have you ever heard a quote that really stood out to you. And then you went and told you friends that quote and they liked it. And they told people who told other people and then everyone liked. Eventually, you know with all the social media programs these days, its going to end up on facebook or instagram and even more people are going to find out about it. Thats one way a quote can become famous but another way is if it is in a popular movie or book. In this case it is from one of Shakespeare's finest and most known, A Midsummer Night’s Dream. In A Midsummer Night’s Dream the quote “the course of true love never did run smoothly” applies to the different people in the book: the first couple is Hermia and Lysander, Second Demetrius and Helena, and finally Pyramus and Thisbe.

William Shakespeare’s A Midsummer Night’s Dream has been categorized as a comedy play because of all the characters being passionately in love to the point of being foolish. It’s a play all about love, and the characters that are in love are only young adults, so they are still naive when it comes to love. Their naivety and foolishness regarding love is what allows them to be taken advantage of by mischievous fairies when they all run away into the woods. By critiquing the love affairs and numerous misunderstandings that occur within the mystical woods, I argue that Shakespeare 's A Midsummer Night 's Dream portrays the characters’ young love as a foolish fantasy with drastic consequences.

In A Midsummer Night’s Dream, the audience is never truly privy to any of the characters’ dreams; however, Shakespeare portrays reality as a sort of dream. The forest symbolizes a realm where anything can happen, with no regard for time or logic, much like in a dream. Therefore, when the lovers come out of the forest, without explanation for their actions, they believe it to be a dream, even though it had real-life consequences. By having the characters talk about their dreams and believe their realities to be dreams, the play explores the idea that dreams demonstrate reality, in that they show fears and desires, but it also explores the idea that reality can be affected by dreams. While Hoffman’s movie adaptation recognizes this in some aspects, it does not explore it in entirely the same manner.

Relationships are a lot like hills, they tend to be traveled up and down. This is shown in William Shakespeare’s play, “A Midsummer Night’s Dream”. Theseus and Hippolyta, who were once enemies are now getting married. Oberon and Titania mutually rule the fairy kingdom and cannot see eye to eye. The intricacy of the love hate relationships helps to form the plot of the entire play and the fine line between the two drives the story to the end.

The biggest obstacle in this play occurs when the power of love is challenged by authority. The play starts with Theseus, duke of Athens, being eager to marry Hippolyta, who he wooed with his sword in combat. Although Theseus promises Hippolyta that he will wed her “with pomp, with triumph, with reveling,” true love between them is questionable. By starting the play with Theseus and Hippolyta, Shakespeare hints the audience of the authority involved in their marriage and leaves the audience wonder if they actually love each other. The focus is then shifted to the four lovers: Hermia, Lysander, Demetrius and Helena - by establishing the story of Hermia being forced by her father, Egeus, to marry Demetrius, when the person she actually wants to marry is Lysander. However, Egeus

Shakespeare’s language usage in Midsummer Night’s Dream is full of strong metaphors to help emphasis important laws on human nature. A perfect example of a metaphor Shakespeare uses to shake up our understanding on people is when Hermia states, “That he hath turn’d a heaven unto a hell!” while exchanging words with Helena. This metaphor was used by Hermia in an attempt to explain the strength of her love for Lysander and to ease Helena’s uneasy mind. Her uneasy mind was apparent upon the initial greeting offered by Hermia. Instead of a formal greeting back, Helena begins complaining about how lovely Hermia’s features are. Concluding her rant, Helena asks Hermia for advice on how to win over Demetrius. Hermia, seeing Helena in clear distraught, attempts to ease her mind by telling Helena of her and Lysander’s plans to leave Athens. Upon doing so, she directly relates Athens to a “paradise” she once knew. The restrictions within Athens, preventing her from loving Lysander, has turned this “paradise” unto a “hell”. This is made clear to the reader when Hermia says, “Before the time I did Lysander see, / Seem 'd Athens as a paradise to me”. Hermia’s love for Lysander simply trumped her love for Paradise and in having to decide between the two, Hermia chooses Lysander. Throughout the rest of Midsummer Night’s Dream, Shakespeare consistently uses powerful metaphors, such as the one Hermia gave, within the dialect of the characters to draw conclusions on the chaotic and foolish

Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.

“Lord, what fools these mortals be!”“The world is a tragedy to those who feel, but a comedy to those who think.” “A tragedy is a tragedy, and at the bottom, all tragedies are stupid. Give me a choice and I 'll take A Midsummer Night 's Dream over Hamlet every time. Any fool with steady hands and a working set of lungs can build up a house of cards and then blow it down, but it takes a genius to make people laugh.” The combination of William Shakespeare, Horace Walpole,and Steven King run together to speak on the topic of comedies. We as human beings, being social creatures, have a need to laugh. We find many things humours, and there are many types of comedies, as well as uses for the comedies we make. There are many different forms of comedy from many different time periods which all fall within three overarching sections; verbal, physical, and literary.

A Midsummer Night’s Dream by William Shakespeare uses different types of characters to portray different kinds of love. Lysander and Helena, the young lovers, and Oberon and Titania, the Fairy King and Queen, have different definitions of love in their relationship. Lysander and Helena have a pure, matter-of-fact connection. They are in love by default, simply because that is ingrained into their characters. Oberon and Titania, however, have a relationship built more on the basis of control. They play games with each other, trying to get the upper hand in the relationship. In the end, one being in control is more attractive to Oberon than the actual connection between the people in the relationship. This is what draws him to Helena, who possesses a naive and superficial love for Demetrius. Helena is more obsessed with Demetrius than truly in love with him, as there does not seem to be much basis for her infatuation. In the process of loving Demetrius, she deprecates her own character. Oberon appreciates the devotion Helena has for Demetrius and wishes Titania had her qualities, so he pities her, and assists with her conquest of Demetrius. However, his process takes Demetrius’s will away, much like how Oberon sought to humiliate Titania. Although the happy ending is with Helena and Demetrius together, their relationship is more similar to that of Bottom and Titania than Hermia and Lysander, which is what the audience is supposed to infer by their placement in the story.

Being that A Midsummer Night’s Dream is a Shakespearian comedy where passion is a significant theme. It is perceived in a variety of ways such as passion for revenge, recognition, and for love, which have the potential to blur the lines between the levels of social hierarchy. Shakespeare uses a variety of characters such as Helena, Nick Bottom, and Oberon to express the theme of passion and its significance in the play.

A Midsummer Night's Dream is a play about four Athenian lovers. Theseus listens to both Hermia and her father’s request and he tells her to bend to her father’s will or die due to the old Athenian law. Hermia and Lysander flee Athens, into the domain of the fairy kingdom. At this time, Oberon is in a fight with Titania. This fight is over a human child of Titania’s friend. Oberon tells Puck, one of his loyal servants, to get a flower hit by Cupid’s arrow, and drop the oil into Demetrius’s and Titania’s eyes. However, Puck drops the oil into Lysander’s eyes due to Oberon’s vague description, making him fall in love with Helena and despise Hermia. Titania falls in love Bottom, who has the head of an ass, after Oberon places the oil