William Shakespeare 's A Midsummer Night 's Dream

Love comes with many complications and faces many obstacles. Shakespeare clearly portrays illustrates these difficulties this them through various relationships in his play, ‘A Midsummer Night's Dream’. The characters face different obstacles which affect their relationships negatively. In the play, ‘A Midsummer Night’s Dream,’ the main obstacles that cause negative effects on love are the use of magic, the law, and misunderstandings as well as and false assumptions.

Hermia’s speech in Act 2, Scene 2, of Shakespeare 's A Midsummer Night’s Dream, contains an abundance of dream imagery. She has awoken from a terrible dream after falling asleep in the forest with Lysander. They were lost and tired so they decided to rest. Lysander wanted to sleep beside her but, she refused since they are not yet married and while they slept Puck applied a love potion on Lysander’s eyes thinking he was Demetrius. Lysander wakes and is repulsed by the sight of Hermia and never wants to see her again because he is now in love with Helena. Hermia awakes from her terrible dream and retells it thinking that Lysander is nearby listening. Then she realizes that he is not there and she does not see him anywhere. Hermia expresses the sentiment that she will find Lysander or she will surely die. She stated,

The play, A Midsummer Night's Dream, by William Shakespeare, demonstrates the difficulties of human love. Throughout the course of this play, all the lovers were confused, whether it be from the love potion provided by Oberon, the fairy king, or whether it be through natural terms, (those not affected by the potion). In this essay, we will be looking at how Lysander had agreed with this implication of human love being difficult, the scene where all the lovers are confused, and lastly, the time when Helena was furiously jealous of Hermia.

A Midsummer Night’s Dream is a masterful piece of literature that both directly and indirectly comments on the reality of control and power in Western cultures. Shakespeare’s ability to depict human nature gives us insight into how English society functioned in his lifetime, but more importantly allows us to analyze our own perspective of ourselves and the world around us. One way Shakespeare articulates his ideas is through well constructed metaphors and similies, resulting in more powerful writing. One very significant metaphor is spoken by Theseus early on in Act 1, scene 1. Egeus has brought his daughter, Hermia, to the royal court to for Theseus’s opinion on Hermia’s marriage. Egeus has arranged for Hermia to marry Demetrius, a very worthy suitor, but Hermia is truly in love with another man, Lysander. This dilemna is explained to Theseus and he states, “To you your father should be as a god;/ One that composed your beauties, yea, and one/ To whom you are but as a form in wax/ By him imprinted and within his power/ To leave the figure or disfigure it” (I.i.51-55). In summary, Theseus is defending Egeus by saying Hermia was created by Egeus and his will determines her fate. Behind this metaphor is a simple idea that proves how a desire to control can have many unintended consequences as well as negative effects. In order to understand this concept more effectively, it is crucial to analyze how influence is structured socially. The quote demonstrates

Love is many things, and is also used as a reference to sight and vision such as blindness. It is much more than aesthetics and wields the power of sight, and can also cause chaos and destruction. Similarly, Shakespeare utilizes two types of blindness by love; the first being physical due to a love potion a fairy king, Oberon orders upon the humans in Shakespeare’s, A Midsummers Night’s Dream. The second, being metaphorical due to Antony’s immense amount of love towards Cleopatra, in which hinders his political motivation in Shakespeare’s, Antony and Cleopatra.

Love can be quite chaotic at times. As much as poets and songwriters promote the idea of idyllic romantic love, the experience in reality is often fraught with emotional turmoil. When people are in love, they tend to make poor decisions, from disobeying authority figures to making rash, poorly thought-out choices. In the play A Midsummer Night’s Dream, Shakespeare uses various motifs to illustrate how love, irrationality, and disobedience are thematically linked to disorder.

William Shakespeare’s A Midsummer Night’s Dream has been categorized as a comedy play because of all the characters being passionately in love to the point of being foolish. It’s a play all about love, and the characters that are in love are only young adults, so they are still naive when it comes to love. Their naivety and foolishness regarding love is what allows them to be taken advantage of by mischievous fairies when they all run away into the woods. By critiquing the love affairs and numerous misunderstandings that occur within the mystical woods, I argue that Shakespeare 's A Midsummer Night 's Dream portrays the characters’ young love as a foolish fantasy with drastic consequences.

Is love controlled by human beings who love one another or is love controlled by a higher power? There are many people who believe that a higher power has control over love. An example of a higher power would be a cupid, a flying angel-type creature who is supposed to shoot arrows at people to make them fall in love. There are other people who reject the idea that a higher power controls love and that the people who experience love can control it. In the novel, "A Midsummer Night's Dream", by William Shakespeare, several examples of love's association with a higher power are presented. With the use of examples from the above novel, this essay will discuss the evidence that love is

Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.

“Audiences can gain a better understanding of ways to behave in a specific relationship through comparing past and present representations of them in texts.”

Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.

Before the birth of William Shakespeare as a playwright, no craftsman could skillfully create a world composed of contradictions so shocking, yet profoundly insightful to the human condition. Shakespeare accomplishes the impossible by bringing many contradictory elements into his play, A Midsummer Night’s Dream, a comedy on the verge of tragedy. In this play, many of his characters allude to the moon through the use of repetitive metaphors. Shakespeare specifically compares the moon to time as a means to juxtapose various elements of his play: eagerness and reluctance, chastity and fertility, as well as tragedy and comedy.

The dominant theme in a “Midsummers Nights Dream” is love, the nature of romantic love and loves difficulty. This is a subject that Shakespeare is known for. He returns constantly to this theme in all of his comedies. “Shakespeare explores how people tend to fall in love with those who appear beautiful to them. People that are thought to be loved at one time in our lives can later seem not only unattractive but also repellent. For a time, this attraction to someone’s beauty might appear to be love at first in the most intense moments, but one of

Examples of true love in literature can be found in a myriad of oeuvres and opuses. It is extremely popular in the contemporary era to include romance in a novel. An exemplary case of an instance of true love in modern writing would be the affiliation of Eddard Stark and Catelyn Tully in George R. R. Martin’s A Game of Thrones. These two characters share an intense romance, and never sincerely stop loving one another. Moreover, in the aforementioned author’s A Song of Ice and Fire saga, there are additional relationships with a true bond. The list of these is quite extensive, but it includes Khal Drogo and Daenerys

Theseus rules by trying to make everyone happy while abiding by the old Athenian law. Theseus says, “Look you arm yourself to fit the fancies your father’s will.” (1.1.117-118) In this scene, Theseus is telling Hermia to marry Demetrius or to get ready to die. Egeus says that she is his property by the Athenian law. This causes Hermia to run away with her love, Lysander. At the end of the play, Theseus says, “Egeus, I will overbear your will.” (4.1.182) He is telling Hermia’s father that the law will be void for this marriage. This tells that Theseus will override it for the happiness of the four lovers. Oberon rules in a way where he is happy even if it sacrifices someone else's happiness. He will do mischievous things and blackmail others, including Titania, for his own satisfaction or gain. Oberon says, “Give me that boy, and I will go with thee.” (2.1.143) Here, he is telling Titania that if she doesn’t give him the boy, he will not dance with he at Theseus’s and Hippolyta’s wedding. They are supposed to dance at the wedding to tell them that they bless their marriage. Oberon is blackmailing her so that if she doesn’t give him the boy, they won’t dance, thus giving the couples the impression that they don’t bless them. Also, right after he squeezes the love flowers juice on Titania’s eyelid, Oberon says, “Wake when some vile