What constitutes honor in society? In Henry V, King Henry and the French invoke its constitution to incite men into war. Although the reasons that the English and French countrymen fight differ, the thought of honorably serving their countries stands alone as enough impetus to thrust both onto the battlefield. But how can honor command such incentive? The answer stems from individualistic pride. The characters in Henry V see how, as a collective, society has objectively agreed that service to one’s country merits honor, but each character, as an individual, chooses to strive towards that honor because of his or her own pride. This notion of individualistic pride—both consciously and subconsciously—drives daily action. And in Henry V, the insidious intent of pride eclipses the known vicious nature of war. The motivation for King Henry to wage war on France, the subsequent response of France’s leadership, and the action of the English countrymen emanates from the notion of honor, but how each individual responds to the desire to fulfill his pride ultimately shapes “the field of Agincourt” (4.7.86). Henry V illustrates how honor and pride craft the nature of war. King Henry’s yearning for honor and the challenges to his pride that he receives from his wild younger days instigates him to pursue war with France. He understands the magnitude of war, even probing the archbishop of Canterbury’s argument to challenge the Salic law: “For God doth know how many now in health / Shall
In Henry’s speech, he first sets the stage by using a proud tone while explaining the importance of war with Britain. His illustrious delivery of the speech itself is very moving, as the efforts to convince America to settle on the side of war. He goes on to convey, “Sir, we are not weak, if we make a proper use of those means which the God of nature hath placed in our power” (Henry 38). His tone of taking charge and only accepting the best from his country supports the claim that Henry is indeed the proud man he is. Henry also in his speech uses an enlightening tone to inspire his crowd he uses terms to explain how he will settle for only the best for the country. He uses phrases such as, “The war is inevitable-and let it come!” (38). This phrase brings up the emotion of the crowd as they believe in war, and Henry himself is full of power as he enforces that war must go on. He uses such enthusiasm and inspiration to uplift himself and the crowd to ensure that war is necessary. Overall, Henry;s tone of the proudness and
Prince Hal’s destiny is shaped for him by many forces: his association with the ne'er-do-well Falstaff, the expectations of his father, King Henry IV, and the constant comparison between himself and Hotspur. All three of these forces create in Hal a sense of honor that is an integral part of his education as the ideal king, and throughout the action of Henry IV, Part I, Hal is gaining a knowledge of honor that will shape him into the King that he will become. However, it seems that Hal ultimately chooses one form on honor over the other, although he must compare the honor of Falstaff and the conceptual honor of a chivalric hero before he comes to a final conclusion.
The War of the Roses was a crucial and significant period in the England’s history playing an important role in it. There were many factors which can be seen as the causes of the war. However, it is vital to clarify to what extent its outbreak was caused by Henry’s inadequacies.
As a king, Henry becomes known for being a man of resilience, strategy, and combat. These traits, according to Machiavelli, are necessary to become the “ideal king.” As stated by Machiavelli, “…a prince ought to have no other aim or thought, nor select anything else for his study, than war and its rules and discipline; for this is the sole art that belongs to him who rules.” (Machiavelli) This can be seen when the Dauphin presents Henry with a gift of tennis balls and an insulting speech practically telling him to stay out of grown men’s affairs. This gives Henry the leverage he needs to start a war with France without looking like the instigator. He can now put the blame of war on the Dauphin and the many lives of whom will be killed. Henry uses this to move toward his strength and show his full potential.
"And gentlemen in England now-a-bed /Shall think themselves accurs'd they were not here,/ And hold their manhoods cheap whiles any speaks/ That fought with us upon Saint Crispin's day." (Henry V, act IV -iii). By calling his army his brothers, he compares their dignity, honor and glory to that of a king. Henry is aware that they are few in number, but he proclaims the men as a noble and magnificent few.
Henry V, written by William Shakespeare, is by far one of his more historically accurate plays. This play is the life of young King Henry V, who ascended to the throne after his father, Henry IV's death. These times were much different for England, as Henry V was a noble lord whom everyone loved, whereas angry factions haunted his father's reign. Shakespeare portrays a fairly accurate account of the historical Henry V, but certain parts are either inflated"deflated, or conflated to dramatize Henry V as a character suitable for a Renaissance audience.
King Henry IV must also contend with his son, Prince Hal, who’s not the honorable prince he had hoped him to be. He feels it is “an honorable spoil” not to have “a son who is the theme of honor’s tongue,” when he learns of Northumberland’s son Hotspur’s victories, which, should be “a conquest for a prince to boast of” (1.1.74,80, & 76). Pangs of jealousy strike Henry’s heart caused by the differences between his son and Northumberland’s. So much so, he wishes “it could be proved that” someone, or something, “had exchanged in cradle clothes, their sons at birth” (1.1.85-87).
War takes a toll on people; the intensity varies from person to person. In Henry?s case, the toll was very heavy. The Henry before the war was the opposite of the post-war
Nobility is a trait that many men seem to desire. It is not necessarily genetic nor can one purchase it like other traits, such as clothing, but rather is earned demonstrated. What makes one noble is not easily determined, despite being the desire of many individuals. Whether it is nobler, more honorable, and more admirable to live on one’s knees or to die on one’s feet has been a source of debate for centuries. In his tragic play Hamlet, William Shakespeare proves that it is nobler for one to die for what he believes in than to live in inaction.
From the days of chivalry and knighthood, to modern times in which recognitions such as the medal of honor are given, to possess the complex perception of one’s peers containing honor is highly sought after. Honor is not a materialistic item that can be bought or obtained, but rather must be earned and recognized by the aspects of one’s character and actions. For nearly all people in the past in the days of chivalry as well as select individuals in modern society, honor is the driving force behind every action, and is the one true virtue that defies their character and mindset. For a man to be honorable, one must uphold the human conscience, and in a society focused merely on individualization and materialization rather than on the spiritual
Some would say that honor is a thing of the past; a thing long since extinct with the King Arthur and the knights of the round table. In fact, it is not, it is real and can still be seen all around through people all the time. In Charles Dicken’s novel, A Tale of Two Cities, honor and dishonor are main themes that are exemplified and enacted through many characters. To be honorable, or to act in honor, is to act in a way that is not necessarily socially acceptable, but is morally right, noble, and kind. To be dishonorable is to neglect the basic responsibility of treating every human being in the respectful manner they deserve, giving no variance to rank or status. Throughout the book different men show varying degrees of honor and dishonor.
In Shakespeare’s play, “Henry IV Part 1”, the concept of honour plays a huge role in the characters. Shakespeare’s presents the concept of honour through the characters like Falstaff and Hotspur to give readers a reflection on individual’s personality and values. For Hotspur, honour feelings relate to commitment towards his chivalric duty on the battlefield, an obsession about reputation and good name. Whereas, Falstaff views on honour are totally opposite. Falstaff, a coward man lack the concept of honour.
Even though outnumbered, King Henry gets through to his troops with his encouraging words. They understand that at that moment they are and always will be equal. They are risking their lives while “the men in England safe in their beds.” If King Henry does not care for status, neither should his troops. King Henry even says he is not above them, “whoever sheds his blood with me today shall be my brother.” Even though they are not blood related, the King will consider these men his brothers, due to their bravery to risk their lives. I think that is one of the most important lines from the
“Honour” In Shakespeare’s play, “Henry IV Part 1”, the concept of honour plays a huge role in the characters. Shakespeare’s presents the concept of honour through the characters like Falstaff and Hotspur to give readers a reflection on individual’s personality and values. For Hotspur, honour feelings relate to commitment towards his chivalric duty on the battlefield, an obsession about reputation and good name. Whereas, Falstaff views on honour are totally opposite. Falstaff, a coward man lack the concept of honour.
Henry V renewed his family’s claim to the French throne after hundred years of war. Shakespeare is telling the audience in England that they are people of bravery.