William Shakespeare 's King Of The Good And Bad Of Human Nature

The concepts of nature, humanity, power and love lay as a foundation for Shakespeare’s, King Lear. These notions are examined through the actions and realizations of King Lear, himself. Throughout the discourse of this play we view the portrayal of humans as animals and witness King Lear’s mistreatment after he gives away his power. When doing so he makes clear his view on love and its value, solely based on the flattery of words.Through nature, King Lear becomes grounded and recognizes the animalistic behaviors of the rich and the struggles of the poor. This recognition brings him to an utmost discovery that presents the reality of vicious humanity and changes the way he views the world.

King Lear is a Shakespearian tragedy revolving largely around one central theme, personal transformation. Shakespeare shows in King Lear that the main characters of the play experience a transformative phase, where they are greatly changed through their suffering. Through the course of the play Lear is the most transformed of all the characters. He goes through seven major stages of transformation on his way to becoming an omniscient character: resentment, regret, recognition, acceptance and admittance, guilt, redemption, and optimism. Shakespeare identifies King Lear as a contemptuous human being who is purified through his suffering into some sort of god.

In King Lear, Lear’s conflict of power with his daughters is brought about by his own arrogance, which flaws his judgement and propels his change of heart. When Lear parcels out his kingdom to his daughters, he finds the honesty of Cordelia’s praise to be ungrateful and

The emotive grandstanding language illustrates the dynamic prominence of exercising power imprudently and in haste. However, in contrast to The Queen, Lear’s transference of political authority to his daughters is on the prerequisite of flattery with an over exaggerated speech which must appeal and appease his ego: “Which of you shall we say doth love us most, that we our largest bounty may extend.” (Act 1.1.45-50) Lear’s actions have afforded his daughters the opportunity to take advantage of him. This strengthens Shakespeare’s theme of power, that authority is nothing more than a show and a display of status through language and verbal praise.

   King Lear meets all the requirements of a tragedy as defined by Andrew Cecil Bradley.  Bradley states that a Shakespearean tragedy has to be the story of the hero and there is exceptional suffering and calamity slowly being worn in.  Also, the current time must be contrasted to happier times.  The play also depicts the troubled parts in the hero’s life and eventually he dies instantaneously because of the suffering and calamity.  There is the feeling of fear in the play as well, that makes men see how blind they are not knowing when fortune or something else would be on them.  The hero must be of a high status on the chain and the hero must also possess a tragic flaw that initiates the tragedy.

At the beginning of “King Lear,” an authoritative and willful protagonist dominates his court, making a fateful decision by rewarding his two treacherous daughters and banishing his faithful one in an effort to preserve his own pride. However, it becomes evident during the course of the tragedy that this protagonist, Lear, uses his power only as a means of projecting a persona, which he hides behind as he struggles to maintain confidence in himself. This poses a problem, since the audience is prevented from feeling sympathy for the king. Shakespeare’s ironic solution is to allow Lear’s progressing madness to be paired with his recognition of truth, thereby forcing Lear to shed his persona, and

Cordelia personifies integrity, honesty and love throughout the play. By her very nature she is unable to flatter or curry favour since dishonesty is not part of that nature. She represents the truth and it is against the backdrop of her loyalty and undying love for her father that we measure Lear’s arrogant behaviour.

William Shakespeare's 'King Lear' is a tragic play of filial conflict, deception and loss. Characters Lear and Gloucester

   "Only through the loss of our possessions and worldly connections can one truly realize one's inner being" (Confucius). The true nature of man is known but is not commonly seen until adversity strikes. Characters reveal their true nature when they are reduced to nothing. In the play, King Lear, by William Shakespeare, there are three main themes that characters can be reduced by; social status, love and power. Through these three mediums the true nature of the works characters are exposed, by stripping away the innuendo, deceit and superficiality that initially cloaks each character.

Shakespeare's tragedy King Lear can be interpreted in many ways and many responses. The imprecision’s and complication of the play has led

Centralized around the theme of power, King Lear, by William Shakespeare exhibits a plot that is predominantly focused on how one’s identity can ultimately be altered by differing factors. Specifically, as readers, we get an insight into how power seemingly alters King Lear’s sense of identity. It’s displayed in the opening scene, that King Lear is not a king to be easily taken advantage of. He is assertive. In fact, he can even be described as dominant.

“King Lear” is known as one of Shakespeare’s greatest tragedies. “King Lear” is a play which tears off the outer coverings of human character. Two prominent themes that can be found in “King Lear” are disguise and deception. Disguise and deception are connected to each other because if you put on a disguise, you are masking yourself. If you are masking yourself, you are misrepresenting the truth, which is also known as deception. The characters constantly deceive each other throughout the play by either changing their physical appearance or changing their personality to mask their true identities and motives. Shakespeare’s exposure of the connection between disguise and deception reflects today’s culture and is still relevant today.

King Lear an imprudent, old man symbolizes selfishness like no other. What is most daunting is the fact that he is adamantly loyal to appearances and ranking in life. He carries a title which most can not even dream of attaining, but wants to give up the position and all the responsibilities that follow it. “ Know that we have divided/ In three our kingdom, and `tis our fast intent/ To shake all cares and business from our age” (1.1.37-39). It is quite understandable if he just wanted to end his reign as king, but it’s another thing when he also wants to bask in the glory of the title and be treated like he still owns it. This egotistical attitude of his is more annoying than anything else, for he brought forth all his problems upon himself, and also unto others. His most arrogant moment is at the very beginning of the play, when he demands his daughters to profess their love for him openly, “which of you shall we say doth love us most?” (1.1.53). The use of his words in this quote is disgusting, it exudes pride, self-importance, and flattery. It’s because of these very words, that Cordelia denied him his right to the, all so selfish public display of love. Although Lear made costly mistakes throughout the play, his love to Cordelia rang

King Lear is frequently regarded as one of Shakespeare’s masterpieces, and its tragic scope touches almost all facets of the human condition: from the familial tensions between parents and children to the immoral desires of power, from the follies of pride to the false projections of glory. However, one theme rings true throughout the play, and that very theme is boundless suffering, accentuated by the gruesome depictions of suffering our protagonists experience . There is no natural (nor “poetic”) justice depicted in this pre-Judeo-Christian world Shakespeare presents, as the relatively virtuous individuals (Kent, Gloucester, and Cordelia) in this

Shakespeare’s King Lear fabricated a world of its own, in which distinct virtues and vices were personified by individuals with diverse points of view. With each conflict in the play, the characters’ actions and decisions were parallel to the integrity of their heart and mind, exhibiting the virtue or vice they represented. With this strategy, Shakespeare shares that with trust should come discretion.