William Shakespeare 's Lord Of The Flies

In William Golding’s novel, The Lord of the Flies, a large group of privileged English schoolboys are stranded on an island in the Pacific with no adults after the plane they were on crash-landed. The boys are brought together by the Conch that is blown by Ralph in the beginning of the book. The conch is symbolic of order and authority in the book. The boys go under a transformation of these privileged schoolboys to a group of rag tag savages trying to kill each other for power throughout the course of this book. This essay will be outlining the transition from good boys that listen to authority, into boys that rely on their id of savagery, and the descent to evil, destruction and panic through the journey and

Gloucester is exactly like Lear in the sense that Lear picked the wrong to disown and turn away from. Edmund, Gloucester’s son who had been gone for 9 years, was extremely jealous of his brother Edgar. Edmund then lies and manipulates both Edgar and Gloucester by telling Gloucester that Edgar is plotting against him and wants to kill him. This then causes Gloucester to become exceedingly angry and sent Edmund out to bring Edgar back to him (Lear 1.2.105). In comparison with that story King Lear turned away from his one daughter, Cordelia, who truly cared for him only because she would not confess her love for him. While his other two daughters, Regan and Goneril, were trying to kill Lear off and take his money and power (Lear 1.1.90-95).

“Ralph wept for the end of innocence, the darkness of mans heart and the fall through the air of the true, wise friend Piggy’(Golding 202). Peter Brooks movie and Golding’s novel, Lord of the Flies, express the idea of evil in human nature and through the evils we see the boys on the island change over time. Both the movie directed by a Peter Brooks and the novel written by William Golding demonstrate the defects of human nature through the characters dialogue and actions.

As Donald J. Trump said, “The Theatre must always be a safe and special place”, and for once he is right, the Theatre is a special place place, where people and objects transform in front of our eyes. One element that helps make a play great, is if it effectively uses its sacred space. The definition of sacred space according to our lecture is, “A physical space that feels almost magical, sometimes it may transform or appear before our eyes.” Sacred space is not required to incorporate the entire stage either, it can just be certain parts of the play. I remember in reading the book The Lord of the Flies, that one of the boys when the world would get too intense for him, he would hide in a hole in a tree and calm down; that was his sacred space. Sacred spaces are used effectively throughout all forms of art. One item that is used frequently in safe spaces in the act of rituals. Our lecture definition of Ritual is, “Something that repeats. Each repetition feels the same and different at the same time”, kind of like how Star Wars The Force Awakens was basically just A New Hope. Joking aside Rituals are very important in literature, like for example in Lord of the Flies again, the kids would participate in ritual when they would kill a kid or a pig and chant “Kill the Pig, cut its throat, bash her in, drink its blood.” Throughout the four plays we watch the themes of Rituals and Sacred Space flowing through the veins of these stories, that carry the meaning of the works.

After having both eyes gouged out by the Duke of Cornwall, Gloucester exclaims: “O my follies! Then Edgar was abused” (3.7.91). Unaware of Edmund’s betrayal, Gloucester had earlier told Edmund about his alliance with France in their invasion of England. Wanting to remove his father from power, Edmund conveys this information to the Duke of Cornwall and as a punishment, Gloucester has his eyes gouged out. This quote is important because it ties directly into the theme of “Blindness vs Sight.” Although he is literally blinded, it is at this moment that Gloucester is able to see the truth. Previously, he believes his son Edgar has betrayed him and therefore places his trust onto his other son, Edmund. Upon losing his vision, he finally regains his sight by realising Edgar’s innocence and Edmund’s treachery.

In William Glolding’s book, Lord Of The Flies, a lot of events happened including an illegal killing. There are many different accounts of homicide that differ from First degree murder to manslaughter. Then you have second degree murder which is an intentional killing that is not premeditated or planned and caused by dangerous conduct and the offender’s obvious lack of concern for human life. Unfortunately that was the Case for Piggy. Piggy had gone to Castle rock to get his glasses back from jack which resulted in a fight between the two boys. While in the midst of the heated discussion and violence a rock was thrown at Piggy and became the reasoning of his fall and

Hobbes’ description of this restless desire for power proves to be consistent with the actions that Regan and, especially, Goneril take throughout the play. Not satisfied with only the power that comes along with ruling a sector of the kingdom, Regan and Goneril each seek to win the heart of Edmund, the bastard of Gloucester who is granted the title of Earl of Gloucester following his betrayal of his father to Regan’s husband, the Duke of Cornwall. The desire to take Edmund’s hand in marriage, thereby claiming a stake in the land that Edmund governs, resulted from Edmund’s seduction of each of the two sisters as part of his own plot to eventually claim the entire kingdom of Britain for himself. Thus, a parallel occurs throughout the play as Goneril, Regan, and Edmund each seek the aggrandizement of their own power, as Hobbes claimed all humans desire, creating a twisted triangle of seduction and betrayal.

Starting the play with the revelation of Edmund’s plans to see his half brother and father’s downfall, we receive an image of a father who cares only for pure bloods of higher class per say. One can conclude that this man is obviously high class and stereo typically favors the older, direct bloodline son, nevertheless, we can’t take a rash conclusion so fast. Thus, we wait for the plot to develop and let us glance into the true selves of the characters further. We come to the knowledge that Lord Gloucester realizes he values his ties with the king to a great extent, him risking and losing his title as lord due to aiding King Lear. Afterwards, we see him come to appreciation of virtues of honesty and his sons after he is captured by the Duke, losing his eyes as punishment. Gloucester as a character has developed greatly, going forth through challenges and misdemeanors against his pride and being, ending disgraced and blind. Yet, he holds a calm sense to himself, valuing what he has left and becoming more than humble with others. This is a transformation worthy of Shakespeare himself, rather impressive at the very least. This man has lived through the betrayal of his bastard child and being blinded violently for helping a distressed king, he has sacrificed much with spiritual values in return. Astounding that he didn’t suicide out of pure remorse that he will never be able to witness the world again. Unfortunately, he does die of a mixture of happiness and shock when he is revealed that Edgar still breathes life, so he has that going for

O heavens! That this treason were not, or not I the Detector!(3.5.9-12) Once Edmund gains Gloucester’s trust, Gloucester informs Edmund of a letter that he receives about a third “…power already footed”(3.3.13). This furthers his madness for power because he uses the letter to acquire Cornwall’s trust. After Cornwall hears what is happening, he then gives the name “Earl of Gloucester” to Edmund.

This causes for his reputation to be butchered, as he becomes a traitor in the eyes of Cornwall and others and his title is stripped away from him when Cornwall makes Edmund the “Earl of / Gloucester” (3.5.18-19). His position as the noble Earl of Gloucester is reversed, similar to the way Lear loses his title and power as king. Gloucester is no longer viewed as a nobleman, Cornwall even orders his men to “seek out / the traitor Gloucester.” (3.7.3-4), persistently referring to him as a ‘traitor’. Once Gloucester attempts to return to his castle, he is arrested by his guests, Cornwall and Regan and they proceed to “bind fast his corky arms” (3.7.34), describing his arms as ‘corky’ implies that Gloucester is weak, and their defiance also demonstrates his loss of authority in his own castle.

Subsequently, Gloucester acts without thinking and banishes his son, Edgar. Legitimate Edgar, I must have your land. / Our father's love is to the bastard Edmund / As to the legitimate.

The shapeshifter goes back and forth between ally and enemy. More often is someone in the hero’s life that was thought to be a friend but turns around and stabs the hero in the back. But it can go the other way as well. Someone that the hero thought was an enemy could end up being a great ally. The shapeshifter can be identified this way by the actions of the character or how the hero views the character. The guardian in the story is the character that tries to get the hero to abandon the quest. The character shows up at any part of the quest and blocks or prevents the hero from the next part of the story. Sometimes this could be seen as obstacles that make the quest harder to complete. The guardian or obstacle must be defeated in some way in order to move on with the quest. The shadow is the villain in the story. The shadow’s only purpose is to cause conflict or strife for the hero. The shadow does not have to be a character or be in the hero’s life physically. It can also be like a mirror for what the hero could become if the hero breaks down and goes down the wrong path. If the hero succeeds in the quest it makes the success more meaningful because that means the shadow lost. The characters within a story can hold a multiple of these roles within the quest. Sometimes these character roles are hard to spot within the text because the character may not hold as an important part or impact within the quest. Now that the major character roles are known, the hero quest

Human nature is described differently by each person. Some people believe that it is the true kindness and love in our hearts; others think that it is the evil inside everyone, dying to come out. Whether good or bad, human nature is the emotions, actions, and thoughts that naturally occur without any outside influences like the media, school, church, family, or friends. It is how we truly act, think, and feel when we are completely excluded from society. The boys in the novel Lord of the Flies are pulled away from society when they get stranded on an island. There are no adults or any means of communication on the island. After being away from society for a while, the boys inevitably start to slip into human nature.

     The play, “King Lear” by William Shakespeare, starts with noblemen Kent and Gloucester having a conversation and the audience finds out that Gloucester has two sons. Edgar who is his heir, and Edmund his unimportant son. This info. leads to the mini-plot. Then, Lear enters to say that he is going to end his life’s tasks and problems. He then points to the map, he tells the people there that he will split his land into three parts. They are going to be given to his three daughters. The two oldest, Goneril and Regan, tell their father that their love for him goes beyond expectations. The youngest one, Cordelia, tells him that she loves him, but only as she should love her father. He is then

Henry laments over the fact that Hal is not the son he would have liked, religiously alluding to the unruliness of his son that he has no control over is the punishment from God as a result of his usurpation of the throne. This religious allusion reflecting on Henry’s sins demonstrates the both the political power the King obtains, as he deposed the previous King, but also the powerlessness he has in correspondence to the Lord, and his own conscience. In addition, Henry use of the term “grafted” describes Prince Hal’s connection to Falstaff and the subsequent rejection of his more important blood relations and thus his role as the heir to the English throne. It can be argued that Hal purposely attempts to separate himself from the royal role that his father sets for him, understanding that his father usurped the Divine Right of Kings and thus sought the company of individuals that would successfully result in the disapproval of his father and the Royal Court. Hal finds companions in the rouges in which inhabit the Boar 's Head Inn and Eastcheap, including the thieving surrogate father Falstaff. However, while the two locations and companies are considered to differ starkly, Shakespeare successfully mirrors the separate destinations in first two scenes between the Royal Court and the “Rouge Court” found in the Boar’s Head Inn. Whilst the occupants are of the Inn are freely labelled as thieves, the occupants of the