William Shakespeare 's Much Ado About Nothing

Much Ado About Nothing by William Shakespeare "Much Ado About Nothing" in fact has a great deal to say about love and marriage. What is Shakespeare trying to tell us about relationships between men and women? Compare the play's treatment of love with that in "Silas Marner" In "Much Ado About Nothing" there are many different forms of love and relationships that range from youthful infatuation to parental love. Shakespeare makes many comments about men and women and shows the audience a variety of both romantic and platonic relationships.

?Much Ado About Nothing'' is a postwar love story. Its principal subject is that of romance that may settle over the land after soldiers come home. I noticed that Much Ado is actually two love stories. One concerns sweetly innocent lovers who are driven apart by the plotting of enemies. The other involves very sarcastic lovers who are swept into each other's arms by the benign machinations of friends. I had a lot of trouble understanding the dialect, I grew up a country boy and we didn?t do much of this in my 14 persons graduating class. None the less I didn?t think it was a waste of time either. It was of very good quality as far as a plot is

There are many perspectives on how Much Ado About Nothing can be read. The uncertainty is common in all of Shakespeare’s plays, however, it is different compared to ‘Much Ado About Nothing’. It is fair to say that Much Ado About Nothing is a sexist play. The mistreatment of women seems to be a common problem and is present in the arranged marriage between Hero and Claudio, Margaret not knowing what Borachio intended, and the idea becoming unsexed by Beatrice. The misinterpretation of Shakespeare’s liking to focus mostly on male characters must be thought carefully.

William Shakespeare’s Much Ado About Nothing is supposed to be a comedy and for the most part it is, but tragedy still strikes even in the happiest of times. Leonato loved and cherished his daughter, Hero, but when her soon to be husband, Claudio, claims she was unfaithful, Leonato is enraged (page 58). This one pretension completely changes everything for Hero and Leonato. As a result of the claim, Leonato tells his once dear Hero “ … But fare thee well, most foul, most fair! … For thee I’ll lock up all the gates of love.”(page 60). Leonato’s reaction to hero’s supposed unfaithfulness alters their relationship

William Shakespeare’s Much Ado About Nothing  is set in thirteenth century Italy.  The plot of the play can be categorized as comedy or tragicomedy .    Villainy and scheming combine with humor and sparkling wordplay in Shakespeare's comedy of manners. Claudio is deceived into believing that Hero, is unfaithful. Meanwhile, Benedick and Beatrice have "a kind of merry war" between them, matching wits in repartee.  This paper will attempt to present the fact that Beatrice and Benedick are in love during the entire play despite their witty rivalries.  Their friends' schemes lead each to think that the other is in love, which allows the true affection between them which leads to the

There are many ways in which the play, 'Much Ado About Nothing ', by Shakespeare could be interpreted and read. This ambiguity is present in all of Shakespeare 's works yet one interpretation is prominent in 'Much Ado About Nothing ' particularly. The feminist contention that the treatment of women in this play reflects deep insecurities in men about the potential threat of the female to undermine patriarchal order, such as that of Messina 's society, highlights Shakespeare 's tendency to override the freedom of female characters. Of course, it is only in recent years that the play has been read from a feminist viewpoint and the shift of social focus during the years since it was written has also offered a vast range of interests, so

The romance of history has lured many of the world's greatest authors to search for their subject matter in the pages of time. William Shakespeare serves as a unfailing embodiment of the emotion of days past; yet he also turned to those before him. The comedy Much Ado About Nothing is a poignant love story, riddled with stunning imagery and allusion. An examination of the development of certain characters, the imagery and allusion, diction, and structure illustrate that the author wrote in a style heavily influenced by the classical movement of Ancient Greece and Rome. The classical thread strengthens the tapestry which is Much Ado About Nothing.

In this Shakespearean comedy ‘Much Ado about Nothing’ two similarly obstinate characters of Beatrice and Benedick are presented between the rather normal relationship of characters Hero and Claudio. Shakespeare presents Beatrice and Benedick’s obstinacy towards the rather obligatory act of marriage and also their particularly similar personalities that cause reason for their familiar act of squabbling; he does this whilst also presenting two characters that are completely interested in marriage and who are hardly intellectually capable of squabbling in a similar manner. As the play unfolds both characters remain combative with one another but as love becomes the better of them, they begin to reveal that somewhat secretive sensitivity

In the play, Much Ado About Nothing by William Shakespeare, the protagonists and the antagonists equally lie and deceive throughout the play which leads to the decay of the relationships between the bonded family and friends. Beatrice, the cousin of the Hero, the niece of Leonato, responds with her witty remarks to these lies in a dauntless manner. Up to Act 4 Beatrice doesn’t want to get married because she doesn’t want to be controlled by a man. Hero and Ursula have been trying to get Beatrice to fall for Benedick through having conversations about Benedick that they want Beatrice to hear. Hero tells Ursula, “No truly Ursula, she is disdainful. I know her spirits are as coy and wild as haggard's of the rock.” (3.1.35-37). Hero and Ursula

William Shakespeare’s Much Ado About Nothing, a comedy filled with differences between genders, witty banter between memorable characters Benedick and Beatrice, a plot of revenge that involves one character faking her death and let’s not forget the masquerade marriage that comes to readers at the end. Much Ado About Nothing, court politics while still maintain a profound amount of humor and wit. However, it is the honor and shame that is prominent in Much Ado About Nothing that we reach the turning point in this playwright, the moment everything takes a dark turn at the altar when the audience believes Act four scene one of Much Ado About Nothing is important because it presents itself as the critical turning point of the playwright as it transitions from a lighthearted comedy to a tragedy. This transition allows Shakespeare to blend two of his most commonly known playwright experiences into one.

In William Shakespeare’s comical play “Much Ado About Nothing” it is easily said that trickery and deceit are major themes portrayed throughout the story. With the intense use of deception, it becomes hard to realize whether the deceit was an intentional or righteous act. While using deception the play keeps anyone who comes to read it interested and entertained. Throughout the play there are multiple times that the theme is being used for malicious reasons, however it is also evident that it is used for ethical and logical reasons. These themes lead to love and romance distinctly, considering that most deception used all through the play is unfortunate. Deception and trickery are most evident, in the interaction between Beatrice and Benedick.

Much Ado About Nothing was written by William Shakespeare just before the beginning of the seventeenth century. During this time, life was dictated in Elizabethan England by rigid protocols of proper etiquette as decided by the Church of England. Such formalities pervaded every facet of the day to day life but was most often seen in the domestic lives of men and women. As was the social standard at the time, marriage was a responsibility of men and women alike to secure affluence and legacy. However, marriage did not end with a stereotypical “happily ever after”. In fact, it was quite the contrary. The obsession with female chastity and the fear of cuckolding created suspicion between the typical Elizabethan couple. William Shakespeare uses Much Ado About Nothing, as a comedy to portray the larger-than-life lives of Elizabethan couples and the roles they played, obsession over purity and fidelity, or the lack of it, gender equality, and the overall importance of honor are seen throughout, supported by commentary and actions from the characters.

    Shakespeare's comedy, `Much Ado About Nothing' is a play revolved around the love and friendships of two young couples, integrated with each other through both friendship and love. Love and marriage are the two most prominent ideas in Shakespeare's comedies. The two couples are Benedick and Beatrice, an unpredicted match as they appear to be quite the opposite and are forever arguing in their poetic banter. The other couple is Claudio and Hero, the two who seem madly in love yet Claudio's untrusting and naive side takes power at one stage, in which the couple's relationship seems destined to be doomed. The two characters of Benedick and Claudio are very

Nothing”, is no exception, leaving the audience or reader somewhat at a loss about whether or

William Shakespeare’s play, Much Ado About Nothing, is centered around two unconventional love plots. Although the play is about the picturesque love story of Hero and Claudio, the play’s underlying focus is on the idealistic love story of Benedick and Beatrice’s complicated relationship. “Love at first sight” is a trope that pervades throughout the play and a cliche of modern romance, but the trope was contemporarily popular in Shakespeare's life and can even be found as far back in the past to ancient Greek literature. Traditionally, the mid-first century Greek novels revolved around the romance trope of “love at first sight” due to the heroine fitting the archetype of a beautiful elite woman (Lindheim). However, William Shakespeare alters this idea as characters are constantly taking second looks at one another and to the idea of marriage – in sum their idea of love changes throughout the play. In one portion of the play, Benedick rants about and disputes the conventions of love, stating how they can make a young man leave the social world of masculinity behind (2.3.6-36). Benedick’s soliloquy, 2.3.6-36, subverts the trope of “love at first sight” by associating “sight” with the truth rather than love. Benedick "sees" the underlying truth of how “love” makes a man change his masculine ways to obtain a superficial love. In this way, he refutes the convention of “courtly love,” by instead stating how the convention causes a man to leave the domain of the male world and