William Shakespeare 's Othello And The Green Eyed Monster Essay

Shakespeare is prominent in his use of recurring themes throughout his works, particularly those of love, death, and betrayal. All these themes are present in Othello. Most dominant, however, are manipulation and jealousy. Jealousy runs the characters’ lives in Othello from the beginning of the play, when Roderigo is jealous of Othello because he wishes to be with Desdemona, and to the end of the play, when Othello is furious with jealousy because he believes Cassio and Desdemona have been engaging in an affair, but manipulation the prominent action that fuels the jealousy within Othello. Some characters’ jealousy is fashioned by other characters. Iago is involved in much of this, creating lies and implementing confusing situations.

Shakespeare’s Othello is a play consistently based on jealously and the way it can destroy lives. One is quick to think this jealously is based on Othello’s lack of belief in Desdemona’s faithfulness to him or his suspensions over Desdemona’s affair with Cassio, Othello’s honorable lieutenant. Upon closer inspection of the jealously that exists throughout the play it becomes clear that his jealously is not the sole start and reason for all of the destruction that occurs. Iago, a good friend of Othello, is not who he appears to be. Iago’s own jealously of those around him pushes him over the edge. He begins to deceive all those who believe he is a true, honorable, and faithful man. Throughout Othello, Iago incites his own jealously in

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking

In Shakespeare’s play, Othello, several incidents occur that portray the purpose of Roderigo’s character. If one event is isolated from the rest, the thematic desire is lost. It is only when the events are looked at as a whole that the actual theme is obtained. Roderigo is a minor character who carries out a vital role in the play. Although Roderigo has very few lines, he plays a crucial role on a thematic level.

William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despite Othello’s hamartia and subsequent downfall that inevitably occurs. Their marriage is then sabotaged by the jealous Iago, Othello’s ensign and villain of the play. While Iago’s ostensible justification for instigating Othello’s demise was his failure to acquire Othello’s position as lieutenant, Iago’s motives are rarely directly articulated and seem to derive from an obsessive, almost aesthetic pleasure in manipulation and destruction. Through the genre of the play, being a Shakespearean tragedy, and the structural devices employed by Shakespeare such as plot development, exposition, foreshadowing, dénouement, dramatic excitement, and catharsis, the key ideas of jealousy, appearance vs. reality and pride are developed and explored.

The relationships in Shakespeare’s plays are never simple and even less so when one narrows the field to his tragedies. In the case of Iago and Othello this complicated relationship is made more so by the interwoven theme of appearance verses reality. The idea of Iago, the wolf in sheep’s clothing, fighting both for and against his master that permeates the play. Othello, however, a seasoned warrior being unable to see through the guise is a flaw his companion takes advantage of. Iago’s hatred is the biggest mystery of this play, making the reader wish Shakespeare had written a prequel.

William Shakespeare’s Othello would not be a dramatic tragedy if the smiling villain, Iago, were a deaf mute. There is no doubt that the destruction of each character can be blamed on jealous Iago. The theme of jealousy helps propel the plot naturally and demonstrates the consequences of being morbidly jealous. The circumstantial evidence Iago provides acts like a lethal poison, which surrounds Othello in suspicion and envy but also turns him into an inhuman murderer. Jealousy is the ‘monster’ that unresonably conducts the great suffering in the story.

Jealousy is symbolised as “the green-eyed monster which doth mock the meat it feeds on," a complex and destructive human emotion which spawns from human ambition and selfishness. Othello the noble ‘fairer than black’ begins the play characterised as the composed, eloquent protagonist of the play with high status and good reputation, correlating with the social hierarchy of the Elizabethan era. This contrasts with the enraged person he degrades into at the end of the play, consumed by the symbolic “green eyed monster” and engulfed with jealous rage of infidelity and honesty, instigated by the Machiavellian villain, Iago of the play who is also engulfed in jealousy:“…That I put the moor in to a jealousy so strong,” . Iago is spurred on by jealousy caused by Cassio’s promotion which he believed was rightfully his and shows his plan to bring Othello down with jealousy during his first soliloquy in Act 2. Soon after imagery is used to depict Iago as a gardener planting his “seed of doubt” in Othello which results in Othello being entangled in the of lies and deceit on Desdemona’s infidelity. This reduces him to a jealousy induced seizure as : “Is’t possible? – Confess? Handkerchief? O devil! [He] falls into a trance,” Iago’s jealousy is further enhanced during Othello’s seizure where he says “Work on my medicine, work on”. The motif of jealousy leads Othello to feel that he would “Rather

Jealousy plays a major role in Othello as it is the driving force which leads to the plays events being carried out. The theme of jealousy is prevalent through characterization and the dishonoring of the values of trust and loyalty. The character if Iago is the main who endures jealousy and dishonours trust and loyalty which in the end he uses as a method to lead Othello to his downfall. Iago dishonours Othello’s trust by stating “My lord, you know I love you” but this contrasts with Iago line “I follow him to serve my turn upon him”.

In Shakespeare’s tragedy Othello, good is often confronted by evil, in which almost every case is in the form of jealousy. Iago, the plays antagonist, is a very manipulative villain. Iago uses his own agony and distress brought upon him by his envy of others, to provoke the same agony within the characters in the play. Jealousy’s ability are shown to influence people to new ends and make all humanistic judgment disappear leaving that man a monster torn apart by envy. Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello.

In the first scene, Iago was seen in the middle of a conversation with Roderigo. This opening scene sets forth the key elements to understanding Iago’s basic character and the play’s conflict. The scene revealed Iago’s deep resentment toward Othello and his outlook on himself as a soldier. “And I of whom his eyes had

The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which

To secure his strong footing before Othello, Iago makes him go mad because of jealousy from one side, and warns him to take a heed against jealousy from the other side, “O beware my lord of jealousy; / It is the green-eyed monster, which doth mock / The meat it feeds on” (Act 3. scene 3. 167). Ferguson analyzes that Iago carefully continues wearing his most compassionate mask, and meantime by gathering any false facts needed, he warns Othello not to jump into any conclusion (223).

As in almost all tragedies, especially those of William Shakespeare, the tragic hero always runs into misfortune. The play Othello is no exception. In this play, every character acquainted with the tragic hero appears to be unfortunate. While these misfortunes are oddly related to Othello, are they his fault or did each character attract them out of their own actions? To answer this daunting question, one must consider the three most unfortunate characters: Othello, Desdamona and Roderigo and analyse their downfall which eventually lead to their deaths. It is known from reading the play that Iago is the one who manipulates all three of them. Examinations of their connection with him before their deaths are necessary to answer this