How Does Shakespeare Show Loyalty In Othello

However strong Othello's and Desdemona's marriage seems, it begins to deteriorate as a result of Othello's self-pride. At first, Iago convinces Othello that Desdemona is unfaithful. Iago suggests to Othello that Desdemona slept with Cassio. Iago uses a handkerchief given by Othello to Desdemona that he got Emilia to get for him as his proof against

Shakespeare’s Othello explores the destructive nature of Iago’s villainy through his ability to confuse appearance with reality through his deception and trickery. In Shakespeare’s Othello, Iago is a scheming antagonist whose goal is to destroy Othello. Iago uses foreshadowing when he says, “I am not what I am.” Iago tells the audience that his loyalty with Othello is all a scheme to destroy him, and his

am’. It is not very clear on what Iago means as he does not make it

Desdemona- Desdemona is Othello 's wife and her goal is to prove to Othello that she loves him. They make a sacrifice by eloping without her father knowing. She stays faithful to Othello the entire time despite his suspicion raised by Iago. She spends the entire time wondering why he 's being this way towards her and trying to steer his judgement in the other direction with the help of Emilia. This is to no prevail because she becomes the victim in the end due to the actions of Iago. She serves as a foil to Emilia because their ideals contrast each other. Desdemona has a naïveté to her that prevents her from even believing that wives cheat on their husbands while Emilia is sure of it and even believes the blame falls on the husband for the actions of the wife.

In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins

The capacity or ability to direct or influence the behavior of others or the course of events, in other words, Power of the People, is irrefutably manifested in Shakespeare Othello. We notice how the characters all perceive Iago, and how Iago exploits their misconceived judgment of his personality. Repetition of the epithet ‘Honest Iago’ asserts that he stands a man with moral integrity in the eyes of the other characters naming him so. This presents dramatic irony, as those he is closest to trust him entirely. Iago openly admits to Roderigo in the first scene “I am not what I Am” which makes clear the deception within the relationships Iago has with the other characters and the paradox remains true throughout the play. Iago constantly masks his real self from others because the way the people see Iago is of great significance; if he were seen as the manipulative, scheming, duplicitous man he really

Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.

Iago often refers to Othello as the "Moor" and when Emilia realises how Othello has treated his wife, she calls him "the blacker devil". As Iago's plan unfolds, Othello's suspicions and jealousy come to the fore. Iago's blasphemous expressions gradually infiltrate Othello's vocabulary as Othello becomes more and more convinced that Desdemona is being unfaithful. Initially he claims that while the marriage is expected to bring him some physical satisfaction, he and his wife value their mental attraction just as highly. However, as he becomes ensnared in Iago's trap, Othello reveals a more detailed acknowledgement of Desdemona's sexual appeal. As he discusses her death with Iago, he says he will not argue with Desdemona"lest her body and beauty unprovide my mind again".

Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.

Betraying and lying have become the root of all evil today. People have made it an everyday thing to lie and betray people just because they like to see people broken in misery. People also lie and betray people because of jealousy they may have towards them. The tragedy of Othello explains why some people are not trustworthy. Just because some people feel like they are miserable, they try everything in their power to make the other individual miserable as well. Enemies come in different colors, shapes, and forms, making it difficult for you to pick out who the ones that is worth trusting. The author uses Characterization, conflict, and themes to tell about the deceitful ways a person has, and all the harm it causes to people to

William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their

different point of view. To effectively manipulate one must know the weakness of the targeted person. Therefore, using their emotions to enable the manipulation easily. Othello is a tragedy, written by William Shakespeare in the seventeenth century. The play by William Shakespeare includes the character of Iago. Iago is the antagonist in Othello, who cleverly plans out his tactics. Viewing the character of Iago from an analytical point of view shows Iago exposing himself to be a psychopath. Iago can use the weakness of the characters to set up scenes, and earns himself the title “The Honest Iago.” Consequently, psychopaths act as pleasurable people, but in reality, they are different in private. A psychopath sees themselves as preferable and worthy of the respect of others. The complex character of Iago sees himself as being superior to Cassio and is inclined to seek vengeance on Cassio and Othello. The character of Cassio is similar to Othello since they both appear to be impeccable. In Othello, the complex character of “Honest Iago” creates a psychotropic weapon by using the vulnerability of the character’s emotional state to create the perfect tactics.

Changes in context throughout history have enacted societies outlooks and opinions on the course of relationships to alter with similar and modifying values. Successful outcomes in interpersonal connections rely heavily on loyalty and mutual respect. Both William Shakespeare’s tragedy play ‘Othello’ in which discusses the deceitful connotations of lies and its dramatic outcomes coinciding with Hacksaw Ridge directed by Mel Gibson whereby a conscientious objector enlists in the army with a cemented belief and value system showcase how honour effects the changing nature of relationships. Central to each text is the dogma that keeping faith no matter what others think, may result in dishonorable acts linking to the key traits of jealousy, revenge

     Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.

The marriage of Othello and Desdemona is a real ’marriage’ a true love based on reciprocal knowledge and respect of each other, a love that has no element of lust. The love between Othello and Desdemona surpasses the corporal obstacles of race, nationality, and age. But this love is demolished as soon as jealousy enters Othello’s mind thanks to Iago. Iago suggests to Othello that his wife has been cheating on him with Cassio. Othello disregards his love for Desdemona and evokes for revenge. Certitude has allowed his mind from skepticism and suspicion. Now he vows action, Othello wants Cassio and Desdemona dead, "for she shall not live; no, my heart is turned to stone" (Shakespeare,