William Shakespeare 's Romeo And Juliet

In William Shakespeare's Romeo and Juliet, the character Mercutio is a foil for Romeo. They are both young men who enjoy each other's company and meet their death in this tragedy. Romeo is an impulsive, hopelessly dramatic romantic who overreacts to most life events. While Mercutio is more realistic, grounded, carefree and serious, although he can be impulsive. With Mercutio being a foil for Romeo, it is easy to see Romeo's dramatic and tragic life story as compared to the more calmer tragic ending for Mercitio.

I think that one of the biggest causes of Mercutio’s death is the ‘ancient grudge’ between the ‘two households’, the Capulet’s and Montague’s. This is a massive cause because this alone was what started off all the fights. After Mercutio has been mortally wounded, he sees that this is why he is dying, which is why he says ‘a plague o’ both your houses!’ If the Montague’s and Capulet’s weren’t fighting, Tybalt wouldn’t have gone up to Romeo and insulted him. If that never happened, Mercutio would have never fought Tybalt and died. Also, all of the other reasons for Mercutio’s death would have never happened if the Capulet’s and Montague’s weren’t fighting.

SAMPSON A dog of that house shall move me to stand. I will take the wall of any man or maid of Montague’s.

In Act I, Scene IV, Romeo and friends are about to crash the party that the Capulets are hosting, but Romeo is still sad from the heartbreak he experienced with Rosaline. As a good friend would, Mercutio tries to look out for and convince Romeo that there are many fish in the sea. “You are a lover. Borrow Cupid’s wings and soar with them above a common bound.” This means that Romeo should try and fly to find someone else instead of Rosaline. As well as this, he gives advice to Romeo for getting over Rosaline and himself. “If love be rough with you, be rough with love. Prick love for pricking, and you beat love down.” This means that if love plays rough with you, you must play rough back. Once you prick love, you will get over your heartbreak and love. Thus, Mercutio looks out for Romeo’s best interests and gives him advice, which aligns him as a good friend to

" Mercutio was correct in his predictions. The love between Romeo and Juliet ends up a tragedy for both families. Mercutio's character is essential in driving the action forward in this play. He foreshadows the devastating events, serves as Romeo's friend, and gives the audience important information throughout the play. Mercutio's death is the turning point in the play.

eye, / Shot through the ear with a love song.” Early on in the play,

Young lovers defy their families’ long-established vendetta and jeopardize all they have to continue their relationship. The violent commotion between the two lovers, Romeo and Juliet, finally bring peace to their feuding families, with their own death. Like with many suicide cases, there are challenges and decisions being made that lead up to this decision. Often times, we question who contributed to the suicide. Regardless, others argue that Romeo and Juliet should be held accountable for their ultimate decision. Then again, there is no definite reason to assign fault to Romeo and Juliet. Not only are their brains not fully developed, but pressures from outside forces caused such stress within the relationship.

Mercutio’s death works as a catalyst for the tragedy of Romeo and Juliet. From the moment that Mercutio is stabbed by Tybalt, the actual tragedy aspect of the play begins. Up to Mercutio’s death, the play follows a rather light-hearted, dramatized tone, but once his death plays out, the plot turns to focus on the misfortunes of the rest of the characters. Following Mercutio’s death, Romeo hints at the disasters to come by saying, “This day’s black fate on more days doth depend. This but begins the woe others must end (3.1.124-125)”. Moments after Mercutio’s death, Romeo is already aware of what troubles will arise. As Mercutio is held as Romeo’s stability, Romeo knows that something will begin from the end of Mercutio. As Mercutio’s death plays out, both Mercutio and Romeo are correct in the sense of their knowledge of Mercutio’s death being held as a catalyst, even if no one else does. If Romeo had died in the fight rather than Mercutio, the tragedy would not have happened, as Mercutio is more levelheaded than Romeo, and would have made sure the situation

Love is like a flame, it provides you with warmth, but too much of it can also burn you. Such is the plot of the play, Romeo and Juliet by William Shakespeare. It is a tragedy about two lovers, Romeo and Juliet, who unfortunately, belong to families who bear an ancient grudge against each other. In the play, Romeo and Juliet fall in love and quickly decide to marry each other. At the end, Romeo and Juliet’s decisions cause their untimely death, but in reality, there were other people who also contributed to the lover’s death. Friar Laurence, the Nurse and Lord Capulet are responsible for the tragic deaths of Romeo and Juliet.

Mercutio is what his name stands to be, Mercurial. Though known as a joyful and intense character, he is in fact partially to blame for the tragic death of the two young lovers. It is in fact Mercutio who convinces a young Romeo to forget about

In Shakespeare’s Romeo and Juliet, Mercutio, one of Romeo’s friends and a kinsman to the Prince, is killed. He is fun-loving but can be very intense at times, and he has a very wild imagination. Many things can be determined as the cause of Mercutio’s death, such as pride, confidence, and carelessness.

Mercutio’s role to Romeo and Juliet takes many shapes and forms. Mercutio is the opposite of Romeo when it comes to love, as he says “If love be rough with you, be rough with love. Prick love for pricking and you beat love down. (1.4.27-28)” While Romeo believes in love both ways in a relationship, Mercutio believes that long-standing love isn’t real. Also, Mercutio isn’t technically a Montague or a Capulet, so he doesn’t really take the feud or love very seriously. Mercutio is also quick tempered, and even though he isn’t truly a Montague he is shown like a counterpart to Tybalt because he likes to side with the Montagues. Like Tybalt, Mercutio is quick to go to his sword, “O calm, dishonourable, vile submission. Alla staccato carries it away. Tybalt you rat catcher, will you walk?(3.1.74-76)” When Romeo rejects Tybalt’s offer to fight, Mercutio draws his sword to save Romeo’s name, but also because his love to fight. Mercutio offers as a contrast between houses, sort of like the man in the middle in Romeo and

Mercutio is fun and witty personality that entertains the reader throughout the entire play, however his careless nature may be to blame for the death for Romeo, Juliet and even Tybalt and Paris. Although he is a likeable character, Mercutio was the type of person to tease and upset the others whenever he had a chance. This was an issue because he would constantly bother his friends and pressure them into doing something which they did not want to do. He also has a carefree attitude which has probably gotten into many fights throughout his lifetime.

As a friend of Romeo’s, Mercutio supports the Montague’s in the ancient feud. An example of Mercutio defending the Montague’s is when Tybalt, a member of the loathed Capulet family, abuses Romeo and Mercutio intervenes on Romeo’s behalf. Attempting to restore peace, Romeo gets between the two combatants and Mercutio “hath got his mortal hurt” (Page 149; Act 3, Scene 1) on Romeo’s account. In spite of his “life shall pay the forfeit of peace” (page 17; Act 1, Scene 1), Romeo seeks revenge on Tybalt as he loves his murdered friend. As Romeo kills Tybalt out of love for Mercutio, Shakespeare suggests that love conquered the thought of being penalized with death.

Mercutio is a relative of the prince and friend to Romeo. He is an eloquent man and becomes the center of attention whenever he appears in the play. It seems like he dominates Romeo with his teasing and irony. He mocks Romeo as he thinks he is too sentimental and tells him how foolish he is; he turns all of Romeo’s thought about love into sexual metaphors.