William Shakespeare 's Romeo And Juliet

72), then draws his own sword to fight Tybalt. Bert Cardullo argues, “Impulsiveness is the real villain in this play that has no villains. It finally extinguishes itself, but not before Mercutio, Tybalt, Paris, Romeo, and Juliet are killed by it” (Cardullo 66). Therefore, this abrupt remark, along with his eagerness to engage in a fight with Tybalt, reflects Mercutio’s impulsivity because they ultimately lead to his

. Firstly, Tybalt is to blame for Mercutio’s death as he actually gave him the wound that killed him. Also, Tybalt provokes Mercutio by insulting Romeo, ‘Thou art a villain.’ This is one of the biggest insults that Tybalt can give and would usually be followed by a duel. However, Romeo calmly replies by saying ‘Villain I am none / Therefore farewell. I see thou know’st me not.’ Because Romeo is not defending his honour, Mercutio is provoked by Tybalt’s insults and starts insulting Tybalt himself. This is what leads to the two of them fighting and Mercutio getting his fatal wound. So, if Tybalt didn’t insult Romeo or fight Mercutio, Mercutio wouldn’t have been killed.

To begin with, Mercutio is a good friend to Romeo in that he stands up for Romeo when in need. In Act III, Scene I, there is a scene in which Tybalt, Mercutio, and Romeo are conversing. In lines 59-60, Tybalt says, “Romeo, the love I bear thee can afford no better term than this: thou art a villain.” This

" Mercutio was correct in his predictions. The love between Romeo and Juliet ends up a tragedy for both families. Mercutio's character is essential in driving the action forward in this play. He foreshadows the devastating events, serves as Romeo's friend, and gives the audience important information throughout the play. Mercutio's death is the turning point in the play.

eye, / Shot through the ear with a love song.” Early on in the play,

Young lovers defy their families’ long-established vendetta and jeopardize all they have to continue their relationship. The violent commotion between the two lovers, Romeo and Juliet, finally bring peace to their feuding families, with their own death. Like with many suicide cases, there are challenges and decisions being made that lead up to this decision. Often times, we question who contributed to the suicide. Regardless, others argue that Romeo and Juliet should be held accountable for their ultimate decision. Then again, there is no definite reason to assign fault to Romeo and Juliet. Not only are their brains not fully developed, but pressures from outside forces caused such stress within the relationship.

Mercutio’s death works as a catalyst for the tragedy of Romeo and Juliet. From the moment that Mercutio is stabbed by Tybalt, the actual tragedy aspect of the play begins. Up to Mercutio’s death, the play follows a rather light-hearted, dramatized tone, but once his death plays out, the plot turns to focus on the misfortunes of the rest of the characters. Following Mercutio’s death, Romeo hints at the disasters to come by saying, “This day’s black fate on more days doth depend. This but begins the woe others must end (3.1.124-125)”. Moments after Mercutio’s death, Romeo is already aware of what troubles will arise. As Mercutio is held as Romeo’s stability, Romeo knows that something will begin from the end of Mercutio. As Mercutio’s death plays out, both Mercutio and Romeo are correct in the sense of their knowledge of Mercutio’s death being held as a catalyst, even if no one else does. If Romeo had died in the fight rather than Mercutio, the tragedy would not have happened, as Mercutio is more levelheaded than Romeo, and would have made sure the situation

They have made worms meat of me,” (3.1, 68-69). This quote exemplifies that although Mercutio is neither a Montague nor a Capulet he still dies in a battle fought between the families. This incident heightens Romeo’s fatal flaw, as his reckless act of heroism turned out to be a burden as it caused the death of Mercutio. Moreover, Mercutio’s plague towards the families also foreshadows further tragedy, as Romeo then gets banished from the Verona, along with additional events which later on result to his death. Last, even after his death, Mercutio acts as a foil character to Romeo by causing a shift in Romeo’s gentle character. For example, after Tybalt slays Mercutio, Romeo avenges his friend by killing Tybalt. This act shows his alteration in character, as he was never seen as a ferocious character in any previous scenes. This is evident in the play when Romeo says, “Away to Heaven, respective lenity, and fire-eyed fury be my conduct now,” (3.1, 125-126). This quote exemplifies Romeo’s new perception, as he claims he is finished with sympathy and gentleness. This change in Romeo’s personality is significant because not only is he going to attack Tybalt, but also he is going to kill him, which then entitles him a murderer. This is significant because it further leads to his banishment, which in all leads to his death. The transition in the persona of Romeo is highlighted by the character Mercutio, which leads to the

In contrast, Mercutio attempts to stop Tybalt’s thirst for vengeance when he tries to duel Romeo but ultimately gets killed in the process of trying to save his good friend from being killed by Tybalt which causes Romeo to take vengeance upon Tybalt by killing him.

This results in Romeo’s fate to be darkened. Second, Mercutio shows how Romeo is constantly dreaming. Mercutio’s realism contrasts Romeo’s head in the clouds. This is revealed when Mercutio says “True, I talk of dreams, which [is] the [child] of an [inactive] brain,” (1.4, 96-97). This quote exemplifies that dreaming cannot be a portent, and that it can change just like the wind. This also shows that Mercutio has a flamboyant imagination, while demonstrating his mocking side. This quote also acts as foreshadowing in which shows that if Romeo keeps his head in the clouds he will make mistakes in life, such as him quickly marring Juliet. Moreover, this quote reveals that Mercutio is an important foil character because his view on love contrasts that of Romeo. Mercutio’s view on love is that it is futile, however Romeo thinks of it as a key component to life. Mercutio’s mocking of the hopeless love, makes Romeo’s view look stronger and more passionate. Third, Mercutio shows how serious Romeo is. Mercutio always talks in a witting and light-hearted way, in which contrasts to Romeo’s seriousness. Mercutio always uses clever wordplay and puns to mock people and bring comic relief into the play. This is emphasized when Mercutio says “And but one word with one of us? ... Make it a word and a blow,” (3.1, 40-41). This quote illustrates the comedy that Mercutio brings. At the edgy moment when Tybalt was about to fight, Mercutio still made a mockery of him.

Mercutio’s role to Romeo and Juliet takes many shapes and forms. Mercutio is the opposite of Romeo when it comes to love, as he says “If love be rough with you, be rough with love. Prick love for pricking and you beat love down. (1.4.27-28)” While Romeo believes in love both ways in a relationship, Mercutio believes that long-standing love isn’t real. Also, Mercutio isn’t technically a Montague or a Capulet, so he doesn’t really take the feud or love very seriously. Mercutio is also quick tempered, and even though he isn’t truly a Montague he is shown like a counterpart to Tybalt because he likes to side with the Montagues. Like Tybalt, Mercutio is quick to go to his sword, “O calm, dishonourable, vile submission. Alla staccato carries it away. Tybalt you rat catcher, will you walk?(3.1.74-76)” When Romeo rejects Tybalt’s offer to fight, Mercutio draws his sword to save Romeo’s name, but also because his love to fight. Mercutio offers as a contrast between houses, sort of like the man in the middle in Romeo and

Another role that Mercutio plays in determining the outcome of the play is Mercutio dies in the figth with Tybolt. In act 3, scene 1, lines 127-130, Romeo says "; for Mercutio soul is but a little ways above our heads, staying for thine to keep him company. Either thou or I, or both, must go with him." Romeo is saying that Mercutio is dead and that one of us, or both has to go keep Mercutio company. When Romeo knows that Mercutio is dead because of Tybolt he goes after him. This then leads to Romeo killing Tybolt, which gets him banished from Verona by the Prince.

When Romeo arrived and said that he was not looking to fight Tybalt, Mercutio stepped in and said, (74-84) “O calm dishourable, vile submission! Alla stoccata carries it away. Tybalt you rat catcher will you walk?”(will you fight). Mercutio could of ended this conflict by just letting Romeo make his decision and not stepping in but since he had so much pride for himself and the Montague's he had to take Romeo's place in the fight,( which he had to provoke Tybalt to do) so he wouldn't let the Montague name down. Another example of Mercutio's pride is when he starts to insult Tybalt.(49-50) “Here's my fiddle stick here's that shall make you dance”. When he says these comments Tybalt gets insulted and furious. Tybalt is going to stand up for himself (his personality)and this may result in violence with the type of relationship the two have. If Mercutio wouldn't of added in the smart remarks to the conversation and was more respectful to Tybalt this result may not have happened,but due to their relationship Mercutio was just looking for a

Romeo and Juliet , written by Shakespeare, is a novel about two teenagers, Romeo and Juliet, who came from feuding families and fell in love against their parents’ wishes. The adolescents belong to the Capulets and the Montagues which are the two rival families in Verona. In the novel during Act 3 scene 1, Mercutio, who is Romeo’s friend, got in a brawl with Tybalt, Juliet’s cousin. The result of the fight left Mercutio dead and Tybalt considered a murderer. Mercutio’s last words before his death were “A plague a’ both your houses!” (3.1.88.) Both families, the Capulets and the Montagues were at fault for the death of Mercutio. {{The last sentence of the introduction should address the prompt directly, this is your thesis statement.

Mercutio is a relative of the prince and friend to Romeo. He is an eloquent man and becomes the center of attention whenever he appears in the play. It seems like he dominates Romeo with his teasing and irony. He mocks Romeo as he thinks he is too sentimental and tells him how foolish he is; he turns all of Romeo’s thought about love into sexual metaphors.